48 Hrs.
- R
- Year:
- 1982
- 96 min
- 799 Views
FADE IN:
OPEN COUNTRY - DAY
Endless green hills bisected by a ribbon of highway. A road
gang clearing brush by the side of the road... Twenty-five
men in prison fatigues sweating through their mid-afternoon
labor.
THREE GUARDS:
Flank the working prisoners... Mountie hats, shotguns,
sidearms, sunglasses; they look like they mean it.
HIGHWAY:
A battered pickup appears...approaches. Suddenly, it coughs,
shudders, stalls. A big Blackfoot Indian named BILLY BEAR
gets out and starts cursing and kicking the vehicle.Then he
begins walking toward the road gang...
ROADSIDE:
BRADY is the Guard near the center of the work gang; he
smiles at the oncoming man, pokes a prisoner beside him.
BRADY:
Wonder what reservation they let
him off of...
The prisoner is GANZ who looks up, grins at Brady...
GANZ:
Yeah, there goes the neighborhood.
Brady laughs as Billy Bear closes in on him.
BILLY:
Say, buddy, my engine's
overheating and I got 30 miles
before the next station... Could
I get some water out of your
cooler?
Ganz leans on his hoe, speaks as Billy passes...
GANZ:
Maybe you shoulda stole a better
truck, Tonto.
BILLY:
You got a real big mouth, convict.
BRADY:
It's okay, chief. He's just
joking...
BILLY:
How about the water...
GANZ:
Firewater, Tonto? Is that what
you...
Billy whirls, swings at Ganz. Both men roll to the ground.
BRADY:
Hey! Jesus Christ!
THE OTHER GUARDS
Seeing the commotion, they run toward it.
GANZ AND BILLY:
As they struggle, Billy slips a pistol into Ganz' hand.
BRADY:
That's a state prisoner,
a**hole...! Back off...
ROADSIDE:
Brady pulls Billy away from Ganz just 'as one of the other
officers arrives... Ganz suddenly whips out a pistol, shoots
Brady at point-blank range. Before the other Guards can even
react, Billy comes out with his own pistol, caps the Second
Guard.
THIRD GUARD:
Still forty yards away... In mid-draw, be howls as a bullet
from Ganz breaks the nearby ground. He fires, then turns and
runs for the prison bus.
GANZ:
Smiling, fires twice. but the range is too great for pistol
work...
THE OTHER PRISONERS
Watching....Then they all scatter in different directions...
GANZ:
Hefts his weapon...
GANZ:
Come on...
He and the big Indian run to the pickup, climb in and roar
away.
INT. BUS
The THIRD GUARD making a call on the police radio...
OFFICER:
APO 657, Unit 25 to APO 478t APO
657t Unit 25 to APO 478.
RADIO RESPONSE:
Go ahead, Unit 25.
OFFICER:
Escape in progress. Two officers
shot off rail crossing 31.
Prisoners escaping. Two men, one
six-four, 200 pounds, dark, an
Indian, the other, Albert Ganz,
five-ten...
FURTHER DOWN THE HIGHWAY
Several miles from the escape... A big semi parked by the
side of ttie road; back doors to the closed trailer open. A
station wagon parked across the road. The pickup appears,
approaches the semi, slows down and drives up the ramp into
the van. Ganz and Billy jump out, shove the ramp up inside
the truck and close the big doors.
STATION WAGON:
Ganz and Billy climb inside ancl roar off, back in the
direction of the road gang.
BILLY BEAR:
Takes off his hat, puts on a baseball cap and sunglasses...
BILLY:
Get ready to duck.
Ganz dives for the floor. Three police cars go by, sirens
blaring, lights flashing. They pass the road gang. Ganz
reappear, smiles...
GANZ:
You know something? I'm having a
real good time.
HIGHWAY:
The station wagon blasts down the pavement... Becomes a small
dot on the landscape.
TRANSITION.
A DOORWAY - NIGHT
the portal slams open revealing a man holding a huge
pistol,jack cates, s.F.P.D., a large and powerful man... He
stealthily moves up a stairwell.
CORRIDOR:
He stops at the top of the stairs... Listens gun still ready.
A continuous sound of running water... Cates moves toward the
bathroom. Rips the door open.
BATHROOM:
The shape behind the shower curtain freezes. Cates, gun held
level, moves forward... Rips the shower curtain open.
Revealing a young and very beautiful woman, ELAINE MARSHALL.
CATES:
Inspector Jack Cates, S.F.P.D....
And you're wanted.
Elaine stares at him as Cates turns off the water.
ELAINE:
What am I wanted for?
CATES:
I don't answer questions, I ask
'em...
A moment as she continues to stare at his pistol.
ELAINE:
I don't think your gun's loaded...
CATES:
This is a .44 Magnum, the most
powerful handgun in the world. You
gotta ask yourself just one
question. Are you feelin' lucky?
ELAINE:
I still don't think it's loaded.
Elaine shakes her head and smiles, folds her arms over her
breasts, shivers a little... Cates looks at the cylinder,
spins it...
CATES:
Hey, you're right.
ELAINE:
You're hopeless.
CATES:
That's the way I see it, too.
Be puts the gun down on the edge of the sink, embraces her.
ELAINE:
I'm all wet.
CATES:
What's wrong with that?
They both smile.
TRANSITION.
BEDROOM:
Cates in bed with Elaine. She wears his shirt.
ELAINE:
A guy in the bar called me a dumb
b*tch today.
CATES:
What'd you do?
ELAINE:
Irrigated his face with the shot
of J and B I'd just poured him.
Then I tried to deck the sucker.
CATES:
I guess he got the message...
ELAINE:
Then I sit back and I think, I
mean, who's to say I'm not a dumb
b*tch. I work in a bar, right?
I can't read a list of my academic
credentials to every booze-hound
that comes in the place... You are
what you do...
CATES:
Positive self-image problem all
over again ... You are who you
decide you are unless you're the
type that lets a**holes decide for
you.
ELAINE:
Aren't you the one that thinks all
psychotherapy is bullshit?
CATES:
I do think all psychotherapy is
bullshit. But just because I think
it's bullshit doesn't mean I don't
know something about it.
ELAINE:
If this is your idea of
sympathetic interest in my
problems, I'll take brutal
indifference.
CATES:
Hey, you know what I really think?
ELAINE:
Tell me--I'm dyin' to hear it.
CATES:
I think you're ashamed to tend bar
which is sad because you look
great in that outfit they make you
wear... You pull down four bills
a week which is damn good, and you
mix the best Pina Coladas I've
ever had... I think that if you
need bigger and better things ...
then go for em.
She smiles at him after this. It looks like they'll kiss.
Their faces are close. Then she lightly moves back.
ELAINE:
You oversimplify every...
He stops her in the middle of the sentence by kissing her,
then pulls back...
CATES:
Some things are simple, right?
Their faces are very close ... but they don't touch for
another second.
ELAINE:
Right...
TRANSITION.
SAN FRANCISCO - DAWN
Titles continue.
Tugs churning across the bay... Quiet city streets. Parked
cars covered with early morning dew... A newspaper truck
slowly grinds by, drops a bundleand moves on.
EMBARCADERO - DAWN
The station wagon pulls up to a young punk, HENRY WONG, on a
motorcycle.
Billy Bear smiles and leans out the driver's side window.
BILLY:
You got somethin' for us, Henry?
Henry produces some credit cards. Billy passes them to Ganz
for inspection.
GANZ:
How hot are they?
HENRY:
Hot? Hey, they're not even room
temperature.
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"48 Hrs." Scripts.com. STANDS4 LLC, 2025. Web. 7 Jan. 2025. <https://www.scripts.com/script/48_hrs._679>.
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