'Pimpernel' Smith Page #4

Synopsis: It is mid-1939 and both Germany and England are preparing for an inevitable conflict. Professor Horatio Smith, an effete academic, asks his students to come with him to the continent to engage in an archaeological dig. When his students discover that the professor is the man responsible for smuggling a number of enemies of the Nazi state out of Germany, they enthusiastically join him in his fight. But things are complicated when one of his students brings a mysterious woman into their circle, a woman who is secretly working for the Gestapo.
Director(s): Leslie Howard
Production: Franco London Films
  1 win.
 
IMDB:
7.3
PASSED
Year:
1941
120 min
358 Views


for bits of the past.

That guy has guts.

- Even a rabbit has guts, Mr. Maxwell.

- Sounds awfully sensational.

Wonder how he does it.

- By taking a chance.

- They'll catch him on

the hop one of these days.

They always catch that sort of bloke,

don't they sir?

- In the deplorable argue of

you moderns, I wouldn't know.

- The man penetrated the camp

in the guise of a scarecrow.

- In the guise of a scarecrow?

Here let's have a look.

Guise of a scarecrow.

He was undoubtedly

wounded, for a ragged coat

with a blood-soaked sleeve was picked up

when the escape was effected.

- Blood soaked sleeve?

Very melodramatic.

- Pipped in the arm, eh?

- I wouldn't pay too much attention

to newspaper reports, gentlemen.

- Well, I suppose one can

get a wash on this train.

- Yes, yes, that's a good idea.

- Think I'll have a wash too.

- Right, a wash.

- My hands are perfectly clean.

What on earth's the

matter with you gentlemen?

- Prof.

- Just so, Mr. Maxwell.

But a sensible fellow

would keep his mouth shut.

- Oh gee, oh boy oh boy.

Well kick me from here to Christmas.

- Apart from the wearisomeness

of such an undertaking,

I'm the one who should be kicked

for the not unnatural

mistake of underestimating

your intelligence.

- But how did you get into the racket?

- Trouble was to keep out of it.

You see, when a man holds the view

that progress and civilization

depend in every age

upon the hands and brains of

a few exceptional spirits,

it's rather hard to stand

by and see them destroyed.

- But how did you get away with it?

You of all people?

- Mr. Maxwell, I'm not

a spectacular person.

In fact, a natural capacity

for melting into the landscape

has suddenly proved very useful.

- I guess you're one of the

greatest guys in creation.

- That, Mr. Maxwell, is

a gross overstatement.

Actually I'm a singularly weak person.

Who invariably gives way to his impulses.

- Fellas, come back here, on all fours.

- Well gentlemen, I hope

you feel duly refreshed.

- Yes, thank you sir.

- Professor, may I shake you by the hand?

- Certainly Mr. Mclntyre,

especially as we shall soon

be saying goodbye.

- Goodbye?

- Goodbye?

- What else?

Now that you've discovered

my guilty secret.

- Yes, we've got

something to say about that.

- Plenty to say.

- Yes, we've been

talking it over ourselves.

- Yes, we want to be in it, sir.

- We are in it, up to the neck

and through to the finish!

- Oh no you're not.

- Oh yes we are, otherwise I'm afraid

we'll have to give the whole show away!

Eh fellas?

- What is this gentlemen, blackmail?

- Well, a nice kind of blackmail.

- Yes.

Yes, I'll attend to it at once.

Hello?

Hello?

I can't hear a word, I'll ring you back.

Gentlemen please, I

can't hear my own voice!

- I'm sorry.

- Is there nowhere else

you can go to perpetrate

these noises?

- Characteristics are purely French.

- Rubbish!

The phrase or one like it

occurs in no fewer than

seven compositions of Lubach's early work!

- Nothing like it.

- Well at least we're

agreed about the tempo!

- I maintain there is a

modulation in the second movement!

- But I heard the record

and I didn't notice it!

- Well if you'd listened more

carefully you'd have heard

that the tempo of the second

movement is far slower

than the tempo of the third!

- Gentlemen, please.

Will you be quiet!

- Here in this building

we are supposed to know

everything that goes on in Germany.

You can hardly expect me to

believe that these escapes

were effected without treachery somewhere!

- Herr Reich Minister!

- We've given all the

information we possess.

- If my loyalty's in question, I resign.

- Resign, that is your

valuable contribution?

Sit down.

Now, let us examine once

more the available evidence.

First, a scrap of music

whistled in the night.

- Beg your pardon Herr Reich

Minister, it went this way.

- No, this way.

- No no no.

- Stop that!

The origin of the tune is

being traced by a committee

of experts.

Secondly, the corner of a

card found in the pocket

of the scarecrow's coat.

Send in Herr Zigor.

Where is it?

- Here it is.

- A piece of paste board.

Gild aged, with RSVP printed

in copper plate on one side,

and the figures 9:52 in

pencil on the reverse.

Well?

- It must be part of an

invitation card, sir.

- Oh well done Herr Schmaus.

And that being so it is

possibly one of a number issued

for the same reception.

Is it beyond the power

of the gestapo to trace

where that reception is being held?

- Herr Zigor is here.

Well?

- Unfortunately sir, none

of the persons who overheard

the whistling that followed

each escape has enjoyed

a musical education.

- Oh.

- So we have endeavored to

crystallize their renderings

into a single musical phrase and score it.

There.

- I asked you to trace

the origins of the phrase.

- It starts with a 27

bar of the third movement

of Lubach's concerto in G minor.

May I play it for you?

- No, I will.

Sit down.

Put on the record made

by the frontier guard.

But don't start it.

Lubach's concerto.

I don't believe it.

Put on the record.

Oh, stop it.

Well.

Here at last we have something.

Come over here, all of you.

You see?

Identical.

- Absolutely identical.

The British Embassy reception.

That means he must be English!

- Does it?

How interesting.

And the fact that I too

have received an invitation

means that I must be English!

Thank you gentlemen for

your invaluable help.

You may all go.

And you.

What are you doing here?

- I was just collecting some papers.

- What for?

- I don't know.

I always do.

- What's your name?

- Wagner, Herr General.

- Do you like music, Wagner?

- Not very much, Herr General.

- Do you like this melody?

- It's quite nice, for an English tune.

- Did you say English tune?

- Why of course.

An old English song.

There is a Tavern in the Town.

- Come here, Wagner.

- Herr General?

- Don't be nervous.

You shall be rewarded!

You are a genius!

You shall have a signed

picture of the Fuhrer!

Have a chocolate.

- His excellency the Peruvian

minister and Madam Gordia.

Lord and Lady Grabett.

- How are you my dear?

- The ambassador here?

- No no, he had to fly to London.

- Oh, things as bad as that, eh?

- Well hope springs eternal, eh?

- Herr Reich Minister General von Graum.

- My felicitations.

- So glad you were able to come.

- I never miss an opportunity

of cementing the friendship

between Britain and the Reich.

- That was very happily put.

- I hope you will be able to

come to the Nuremberg rally?

- Yes, I hope so.

What's it in honor of this year?

- Peace.

- Ah.

- Captain and Madam Lacroix.

Colonel and Mrs. Channing

and Lady Eva Plumb.

- That man over there.

- Where?

- By the table.

The one by the fireplace with the beard.

- Idiot, that's one of our men.

- The right honorable

the Earl of Meadowbrook.

- Hello Bussy, what have you been doing?

- Absolutely nothing.

- My dear fellow, you mustn't overdo it.

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Anatole de Grunwald

Anatole "Tolly" de Grunwald (25 December 1910 – 13 January 1967) was a Russian-born British film producer and screenwriter. more…

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Submitted on August 05, 2018

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