A Hard Day's Night Page #11
CUSTOMER:
Oh I don't know, looks rather clean
to me.
The MANAGER comes to grandfather's side.
MANAGER:
Play is about to resume, m'lord.
GRANDFATHER:
(handing him a chip)
Lead me to it, I've a winning itch
that only success can pacify.
He takes his place at the table. The MANAGER watches for a
moment then moves away from the table towards the club
reception desk.
INTERIOR RECEPTION DESK BOYD'S CLUB
JOHN, PAUL, GEORGE, RINGO, NORM and SHAKE are trying to gain
entrance.
ATTENDANT:
I'm sorry sir, members and invited
guests only.
PAUL, GEORGE, RINGO, JOHN
I've got to get in.
It's urgent and important.
I've had an invite.
Take me to your leader.
NORM:
Shurrup.
The BOYS do and meanwhile the MANAGER has walked into SHOT.
He recognises the BOYS and welcomes them with false
enthusiasm. They all start to enter the main room.
NORM:
All we want to know is have you got
a little old man in there?
MANAGER:
(pleasantly)
Do you mean Lord McCartney?
CLOSE-UP PAUL
PAUL:
He's at it again. Look, I'm his
grandfather... I mean...
BLONDE:
(standing next to
Grandfather)
Oh, it must be the dolly floor show.
JOHN:
Stay where you are everybody this is
a raid and we want him.
GRANDFATHER:
Who are these ruffians?... I've never
seen them before in my life!...
(etc.)
They grab the protesting GRANDFATHER and drag him into the
reception area. He keeps trying to return to BLONDE and table.
GEORGE and RINGO each take an end of the velvet cord hanging
between the two stanchions.
They exchange ends and re-hook it, thus encircling GRANDFATHER
by the entrance desk. They then go to settle up.
MANAGER:
(with false charm)
Before you go, gentlemen, there's
He snaps his fingers and a waiter hands him the bill.
NORM:
(taking it)
I'll settle that.
He glances at it.
NORM:
MANAGER:
(icily)
I beg your pardon, guineas.
At that moment a WAITER appears with a tray full of pound
notes.
WAITER:
Your winnings, my lord, one hundred
and ninety pounds.
The MANAGER tears up the bill and takes the money.
GRANDFATHER:
How about me change?
MANAGER:
Cloak room charge.
He hands GRANDFATHER his old mackintosh.
RINGO:
(brightly)
Ah well, easy come, easy go.
RINGO:
Well.
INTERIOR BIG CAR (MOVING ON WAY TO STUDIOS)
JOHN:
Should I say it?
GEORGE:
Follow your impulse.
RINGO:
It'll only get you into trouble.
JOHN:
(to RINGO)
Aah, shurrup, misery!
JOHN slouches forward.
JOHN:
(urgently)
O.K. Driver, follow that car!!
The driver [Frank] is an urbane young man in a handsome grey
uniform.
FRANK:
(indicating the traffic)
Would you like to be a little more
precise, sir?
JOHN:
Well, that's the wrong line for a
start.
FRANK:
Sorry?
(meaning:
"I beg yourpardon.")
GEORGE:
Oh, don't pay any attention to him,
he was just fulfilling a lifelong
ambition.
FRANK:
I see.
JOHN:
Yeah, you know, "O.K. Buster, follow
that car, there's a sawbuck in it
for you if you get real close!"
FRANK:
Oh, yes, now I'm with you.
([he changes his
accent])
But, gee, Mister, I've got my license
to think of... we're doing a hundred
now...
The car is stopped in traffic behind a bus. JOHN gets out of
car and walks to the front. JOHN leans in window delightedly,
he flashes his wallet.
JOHN:
Ever seen one of these before?
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"A Hard Day's Night" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/a_hard_day's_night_504>.
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