A Hard Day's Night Page #26
PAUL:
Oh, I don't know, anyroad up, they
never are, are they?
GIRL:
(teasingly)
What are you?
PAUL:
I'm in a group... well... there are
four of us, we play and sing.
GIRL:
I bet you don't sound like real
people.
PAUL:
We do, you know. We sound like us
having a ball. It's fab.
GIRL:
Is it really fab or are you just
saying that to convince yourself?
PAUL:
What of? Look, I wouldn't do it unless
I was. I'm dead lucky 'cos I get
paid for doing something I love doing.
He laughs and with a gesture takes in the whole studio
PAUL:
...all this and a jam butty too!!
GIRL:
I only enjoy acting for myself. I
hate it when other people are let
in.
PAUL:
Why? I mean, which are you, scared
or selfish?
GIRL:
Why selfish?
PAUL:
Well, you've got to have people to
taste your treacle toffee.
She looks at him in surprise.
PAUL:
No, hang on, I've not gone daft. You
see, when I was little me mother let
me make some treacle toffee one time
in our back scullery. When I'd done
she said to me, "Go and give some to
the other kids." So, I said I would
but I thought to meself, "She must
think I'm soft." Anyroad, I was eating
away there but I wanted somebody
else to know how good it was so in
the end I wound up giving it all
away... but I didn't mind, mind,
'cos I'd made the stuff in the first
place. Well... that's why you need
other people... an audience... to
taste your treacle toffee, like.
Eh... does that sound as thickheaded
to you as it does to me?
GIRL:
Not really but I'm probably not a
toffee maker. How would you do those
lines of mine?
PAUL:
Well, look at it this way, I mean,
when you come right down to it, that
girl, she's a bit of a scrubber,
isn't she?
GIRL:
Is she?
PAUL:
Of course... Look, if she was a
Liverpool scrubber...
(Paul starts acting a
Liverpool girl, he
minces about then
turns, extending his
leg)
Eh, fella, you want to try pulling
the other one, it's got a full set
of bells hanging off it... Y'what?...
I know your sort, two cokes and a
packet of cheese and onion crisps
and suddenly it's love and we're
stopping in an empty shop doorway.
You're just after me body and y'can't
have it... so there!!
GIRL:
(shattered)
And you honestly think that's what
she meant?
PAUL:
Oh, definitely, it sticks out a mile,
she's trying to get him to marry her
but he doesn't want... well... I
don't reckon any fella's ever wanted
to get married. But girls are like
that, clever and cunning. You've got
to laugh.
He laughs.
GIRL:
Well, it's nice to know you think
we're clever.
PAUL:
(grinning)
And cunning.
GIRL:
And what do you do about it?
PAUL:
Me? Oh, I don't have the time, I'm
always running about with the lads...
no, we don't have the time.
GIRL:
Pity.
PAUL:
(not noticing the
invitation)
Aye, it is but as long as you get
by, it's all right, you know... bash
on, happy valley's when they let you
stop. Anyroad, I'd better get back.
GIRL:
Yes.
PAUL:
(going)
See you.
GIRL:
Of course.
PAUL stands at the doorway, shrugs then goes out.
EXTERIOR STREET:
In the street, workmen are collecting shovels, drinking tea
and doing all the things people do around building sites.
RINGO mooches around.
In the road is a hole with a diameter of about 3 feet, and
at least 6 feet deep. RINGO looks down and a man is busily
working at the bottom of the hole. He glares at RINGO. After
a moment RINGO turns away. We now see a very elegant young
lady coming towards RINGO. She is daintily avoiding a series
of puddles. RINGO has an idea and does a Sir Walter Raleigh
with his large Mac spreading it over one of the puddles. The
girl walks across it smiling graciously. RINGO proceeds with
the coat to the next puddle and to the next backing gradually
towards the hole.
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"A Hard Day's Night" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/a_hard_day's_night_504>.
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