A Woman's Face Page #3

Synopsis: Anna Holm is a blackmailer, who because of a facial scar, despises everyone she encounters. When a plastic surgeon performs an operation to correct this disfigurement, Anna becomes torn between the hope of starting a new life, and a return to her dark past.
Director(s): George Cukor
Production: MGM Home Entertainment
 
IMDB:
7.2
Rotten Tomatoes:
100%
PASSED
Year:
1941
106 min
396 Views


And she wants evening gowns

and furs and perfume.

I don't like it.

- I don't either.

CHRISTINA:
Shh!

- It's too dangerous.

- Right. Right as rain.

Now listen, Anna.

Love is a beautiful thing...

You'll do as I say or I'll do it alone.

Come on, get out of here.

Now, here's what I want you to do.

And no milk of human kindness.

- Now look here, Anna...

- Be quiet.

You see, sir, we were all of us in danger of

becoming victims of this woman's passion.

JUDGE:
I see. And so you refused

to obey her any longer?

Well, not exactly. I mean, I wanted to.

But I did go back to the unfortunate

Mrs. Dr. Segert...

...and make a rendezvous for someone

at her house at 8 that night.

ASSOCIATE:
With whom?

- I don't know.

This woman never took us

into her confidence on all details.

I was just more or less

what might be called an innocent tool.

JUDGE:

Hmm. You may go. Call Vera Segert.

Just a minute.

Here are one or two details...

...which this innocent tool omitted.

It seems he served two years in jail

in Norway for impersonating a clergyman...

...and three years in jail in France for

operating a false massage establishment.

That testimony establishes

the criminality...

...of the associates of the prisoner.

ASSOCIATE:
Wait, please. Did you ever see

this woman before today?

This lady, this charming victim

of circumstance...

...is none other than she who came to me

about her letters on that afternoon.

Best of luck, my dear.

JUDGE:

Now, Mrs. Dr. Segert...

...could you tell us what happened

after your visit to the preceding witness?

That night l...

That night I was at home alone.

As usual.

JUDGE:

Your husband left you alone every night?

Well, no.

But every other Friday he lectured

at the university.

JUDGE:
This was Friday?

VERA:
Yes.

And promptly at 8:00 the doorbell rang.

[DOORBELL RINGS]

VERA:
Yes?

- I have an appointment with you.

- Is this your servant's night out?

- Yes.

We can talk in there.

You may, uh...

You may sit down if you wish.

You are pretty.

- Please?

- A friend of mine...

...who's a great judge of beauty

described you.

Really? Who was he?

Where did you get that dress?

I got it in Paris.

I believe that you have something to...

- To sell me.

- Yes.

Yes, I have something to sell you.

I hope I can afford it.

I'm sure you can.

The price is 10,000 kroner.

You can't. That's... That's...

I haven't it.

This afternoon he said 5.

This afternoon he was mistaken.

You have jewelry worth much more.

You wouldn't take my jewelry.

It's from my husband whom I love

more than anything in the world.

That isn't the way

you described him to Eric.

Give me those.

I wouldn't, if I were you.

Such silly letters. Such childish writing.

Such cheapness.

You call these love letters?

Have you ever read any real love letters?

George Sand? De Musset?

Keats? Browning?

Do you know anything about love

in that miserable soul of yours...

...that dribbles itself into these letters?

Can you imagine...

...Ioving a man so greatly...

...so completely...

...that you surrender everything

you have just to be near him?

Just to have him near you.

That's love as I know it.

So that's love as you know it.

[LAUGHING]

[WHIMPERING]

Now, get me the rest of your jewels.

And if you try any more tricks, there's

still one more letter in my friend's safe.

Hurry up.

[LOCK CLICKS]

Vera, darling. I'm back.

Vera.

Where are you, darling?

Vera.

[CRASH]

SEGERT:
Well, what have we here?

VERA:
Gustaf.

SEGERT:
Don't move.

VERA:
Gustaf. Gustaf.

Well.

- Gustaf, what happened?

- We have a visitor.

- This is yours, isn't it?

- Why, yes.

You found them in the street, I suppose.

Came through the window to return them.

Those are mine.

I presume you want this back too.

Stand up.

I can't.

Oh, you can't, eh?

Well, perhaps the police can help.

Call them.

[WINCES AND GRUNTS]

- What is it?

- My ankle.

Oh.

- Why don't you call the police?

ANNA:
Yes.

Yes, why don't you?

Darling, would you laugh at me?

She seems so miserable

and we are so happy, you and I.

[CHUCKLES]

Couldn't we let this poor woman go?

SEGERT:
Really, dear,

you do get sentimental at times.

Maybe it's because next week

is our anniversary.

Well, splendid.

Shall I give her this too?

[CHUCKLES]

Let's fix up the ankle first.

Oh, must we?

Oh. I'll get the bandages, darling.

Well, if I do let you go...

...you can thank her.

Bless her dear, sweet, unselfish heart.

Well, let's put you

in some more comfortable place.

Those things can be pretty painful.

- Want a cigarette?

ANNA:
Please.

Here we are.

Steady, now.

Well, oh, what's this?

Mind your business.

When did this happen?

- I said, mind your business.

- My dear young woman, this is my business.

It would be a shame

to send a scar like that to jail.

It wouldn't matter.

I've served 22 years already.

Oh, where?

Wherever I am.

Twenty-two years. You must've been

a child, then, when it happened.

A rather beautiful child I should imagine.

And isn't it a pity?

Now that little girl is just a thief.

It is a pity.

- Don't. You're breaking my heart.

- No, no.

Oh, no, you're not as tough

as you seem to be.

Oh, no.

No, of course not, Dr. Segert.

Shall we talk about love and birds?

Or perhaps your anniversary.

Have you read any good

love letters lately, doctor?

You know, dear, some kind deity

must have sent this woman to me.

What are you talking about, Gustaf?

Love. Get my book for me, will you?

Yes, that one.

This lady's interested in love.

As who isn't?

Now here's a man you ought to meet.

Splendid chap.

Does he appeal to you?

Very funny.

Well, turn the page.

I did that in the hospital here last March.

That girl is my particular pride and joy.

I didn't mean to be cruel. Forgive me.

- Gustaf, are you crazy?

- Probably.

Look, my dear,

would you mind letting my wife?

She's very sympathetic.

- I'm sure she is.

- You're very kind. Thank you.

You know, Vera, there's one man

in Europe who could fix that.

No.

No, Gustaf.

Not you.

Nothing like having your

wife's confidence.

You couldn't...

You couldn't fix this.

I bow to the superior judgment

of you experts.

- Don't joke!

- I don't.

It won't be any joke for you, either.

I warn you now, it'll mean pain, agony,

weeks, months and then perhaps failure.

Perhaps leaving you worse off.

Worse off?

Than what?

You know, I might.

I just might.

So that someone could look at me...

...and I could look back...

...and see in those eyes.

Gustaf.

Gustaf, listen to me, please.

Please, Gustaf.

You mustn't do it. You...

I begged him not to do it.

I told him no good would come of it.

No good for anyone.

Well, you may stand down.

Call the next witness.

I'm so sorry, sir.

It's just that the recollection of that woman

coming into our happy home...

Gustaf. Oh...

[CROWD MURMURING]

[SPEAKING INDISTINCTLY]

This will help.

Thank you, dear.

I'm ready to testify, sir.

We've decided to call you later.

Rate this script:0.0 / 0 votes

Francis de Croisset

Francis de Croisset (French: [fʁɑ̃sis də kʁwasɛ]; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist. His opera librettos include Massenet's Chérubin (1905), based on his play of the same name, and Reynaldo Hahn's Ciboulette (1923). In 1910 he married Marie-Thérèse Bischoffsheim, the widow of banking heir Maurice Bischoffsheim and the daughter of Count and Countess Adhéaume de Chevigné. They had two children, Philippe and Germaine de Croisset. By this marriage de Croisset had a stepdaughter, the arts patron Marie-Laure de Noailles. The de Croissets' grandson Philippe de Montebello was director of the Metropolitan Museum of Art from 1977 until 2008. more…

All Francis de Croisset scripts | Francis de Croisset Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Woman's Face" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/a_woman's_face_23625>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Woman's Face

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "INT." stand for in a screenplay?
    A Internal
    B Interior
    C Internet
    D Introduction