America's Sweethearts

Synopsis: In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found its only print kidnapped by the director.
Genre: Comedy, Romance
Director(s): Joe Roth
Production: Columbia Pictures
  1 win & 2 nominations.
 
IMDB:
5.7
Metacritic:
44
Rotten Tomatoes:
32%
PG-13
Year:
2001
102 min
$93,008,426
Website
890 Views


America first fell in love with|Eddie Thomas and Gwen Harrison...

...in the box-office smash|Autumn with Greg and Peg.

They had the most celebrated marriage|in Hollywood.

Who could forget|how they hit one out of the park...

...in Requiem for an Outfielder?

You can't die, Mike. You can't.

Because I love you.

Justice never tasted so sweet...

...as in The Bench.

I didn't do it. I'm innocent.|Why won't anyone believe me?

-I object, Your Honour!|-You're out of order!

No, you are out of order sir!

I object to the way|my client has been treated.

I object to the fact that I've let|my professional judgment...

...become clouded by my feelings|for my client.

I object to the way the room seems to spin|whenever she walks into it.

I object, Your Honour,|because I love this woman.

Their love opened our eyes...

...in Sasha and the Optometrist.

Read from the top line, Sasha.

"l...

"...L-O-V-E...

"...Y-O...."

Oh.

You.

Dr. Martin!

Eddie Thomas and Gwen Harrison:

America's Sweethearts.

God, they were great. Made my job cake.

I did the press for all their movies, all nine.|Six did over $100 million.

They were on top of the world.

Then she blew it|by taking up with that Spaniard.

-Did you cut this yourself?|-No, Chad in marketing--

Always take credit.|That is survival rule number one.

Okay, I did it on my Mac.

Rule number two:
Don't take credit|until someone actually says they like what you did.

It's not bad.

I hope this isn't too awkward for you.

-I'll never be able to fill your shoes.|-I know.

Kingman's in the screening room and he|wants you to look at something right now.

Please remind Mr. Kingman|that he fired me last week.

Then invite him, at his earliest|convenience, to kiss my undercarriage.

I think you'll wanna see this Lee.

-Hello, Dave.|-Lee.

-Thank you for coming.|-Why am I here?

I'm just confused. I mean, you did actually fire me|last week, so why am I here?

I brought you to see the new Weidmann film.

-Really?|-Yes.

Eddie and Gwen's last movie.|You know their movies better than anybody

Have you seen it? All of it? How is it?

Could you roll that, please.

I want you to be the first to see|what only I have seen. As a friend.

Something wrong?

-Did the film break?|-No.

The film is fine.|I think it's fine, wherever it is.

I spent 86 million dollars...

...of the studio's money...

...on 20 seconds...

...of titles.

That's all he sent me. The titles!

And a note.

"Dave, we could also do these in blue."

-We had to make a Hal Weidmann picture!|-He's won three Oscars. He's a genius.

There's only been one genius|in this business: Seor Wences!

A little lipstick, some hair and his hand!|He had an career for 85 years!

Do you remember?

"S'all right! S'all right!"|Don't talk to me about genius.

-Remember the crazy guy in the woods?|-Ted Kaczynski.

-Who? The guy at Fox?|-The Unabomber.

The Unabomber.|Remember he lived in that little cabin?

So?

Hal Weidmann bought that cabin|from the government...

...and had it moved onto his property.

That is where he edits his movies.

That is his little, twisted...

...sicko office.

It's him. On the phone.

-Who?|-Hal.

I'm going to kill him!|That sick, son-of-a-b*tch bastard.

Put him on the speaker.

Hi, Hal.

How are you, darling?

I've been thinking about you.|I wanted to send you a basket or something.

How's the movie?

-It's finding its way.|-Could it find its way to the studio?

We have a few little things to do with it,|like finish it.

It's finished, Dave.

Great. How is it?

My mother thinks|it's the best thing I've ever done.

-Can I speak with her, Hal?|-No, Dave.

-Can we send someone to pick it up?|-No, Dave.

You haven't said anything about the titles.

I love them. I have no notes.

When's the press junket?

Weekend of the 21st. Why?

'cos I want the press to be first to see it.

I'll bring it to the junket.|We'll all experience it together.

Hal, no. I'm the head of the studio.|I don't experience things with the press.

I'm hanging up now.

Wait! Give me that. Hello?

No, no.

God...

...damn it!

He won't let us see it before the press!

-At the junket?|-Yes, at the junket!

-No, no.|-Lee.

You've got to do this junket.

You want me to set up a junket in 2 weeks,|and you're not sure if you have the film.

-Yes.|-No!

Lee!

Don't make me beg.

-You already are.|-Lee, please.

Please, come on. Lee?

-Danny can handle it.|-No, Lee.

Danny cannot handle it.|It's his first junket.

I need the master. When working|with the press, you're a legend.

I prefer to remain a living legend.

If you won't do it for me,|do it for my father.

You worked together a long time.|You had a real bond.

Your father was a psychotic.

-You spoke at his funeral.|-I loved him. You, I can't stand.

Do this for me. Please.

The studio will go under.|I haven't had a hit in almost two years!

I have the last Eddie and Gwen movie ever made|and I can't get my hands on it!

Tell me what you want.|I'll tell you what I want.

I want only one thing.

If people think Eddie and Gwen|are back together, they'll see the movie.

-Make that happen.|-That'll be easy.

Just make it look like it could happen.

She has a restraining order against him,|and he flipped out.

He's living in some nut hut|in the mountains.

I don't care! I need Eddie and Gwen|back together again, smiling and happy!

-We can sell the sh*t out of it.|-And the Spaniard?

Unless I get a script called|I Schtupped Castro, I don't know.

So, what do you want?

I want the golf cart.

-No, it was a gift from Arnold.|-I'm kidding.

-I can have anything?|-Yeah. Within reason.

I want my job back.

-Don't do this to me--|-Have a great junket. Tell me how it went.

All right. Yes.

If you get Eddie and Gwen back together,|you can have your job back.

-Where are we booked?|-Four Seasons, Beverly Hills.

Cancel. We need to get these people|in the middle of nowhere.

Once they know there's no movie,|they can't escape.

We need a hotel like the one|in The Shining. Isolated.

The new Hyatt in Nevada?|It's in the desert, and it's just opening.

Book it. We have to keep|the press entertained and on the go.

The best junkets are when the press thinks|it's not about the movie, but them.

Program the sh*t out of them:|Cocktail parties, hayrides, circle jerks.

Keep them from remembering they|haven't seen the movie they're to review.

What about gifts?

The movie's about a cop|who travels through time, so I did a gun.

-You're giving press members a gun?|-It's not real.

We'll do a really nice bag.|Call the bag man.

Diamond earrings for the ladies,|money clips for the men.

Chocolate truffles, the best perfume.

I don't want this to be awkward for you...

...but I've got some work to do.

-How will you get Eddie and Gwen there?|-Don't worry. I know somebody.

I love you. I'd do anything for you.|You're just asking an awful lot.

A junket with Eddie|isn't high on Gwen's list of priorities.

No lilies. Take them out.

Yes. I understand.

Yes. Excuse me, hold on.|Could you please put that out?

Rate this script:0.0 / 0 votes

Billy Crystal

William Edward Crystal (born March 14, 1948) is an American actor, writer, producer, director, comedian, and television host. He gained prominence in the 1970s for playing Jodie Dallas on the ABC sitcom Soap and became a Hollywood film star during the late 1980s and 1990s, appearing in the critical and box office successes When Harry Met Sally... (1989), City Slickers (1991), and Analyze This (1999) and providing the voice of Mike Wazowski in the Monsters, Inc. franchise. He has hosted the Academy Awards nine times, beginning in 1990 and most recently in 2012. more…

All Billy Crystal scripts | Billy Crystal Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "America's Sweethearts" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/america's_sweethearts_2662>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    America's Sweethearts

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The opening scene
    B The introduction of characters
    C The final scene
    D The highest point of tension in the story