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America's Sweethearts Page #6
It's roses blooming, flags flying,|butterscotch pudding.
-Are you on something?|-It's a panic high.
Just order an entre, chew a little bit,|smile and go.
They have a delightful pork tenderloin tonight.
8.00. Thank you so much!
-It was Gwen's idea.|-Really?
Absolutely.
I can't believe you said|I'd have dinner with him.
I hear they serve|a very nice pork tenderloin.
I'm not going. Here.
I've been with him enough today|for the rest of my life.
I have to give him the divorce papers.
When will you do that?
Just before we leave.
What, will you toss them at him|as your limo pulls away?
Kiki, you don't understand. It's complicated.
I'm trying to be nice to him, so it'll be easier|when I give him the papers.
But if I'm nice, he thinks there's hope.
-Is that your foot?|-Sorry.
Pedicure. Hello?
-So when you're nice, he thinks--|-I can't talk about it right now.
It's so hard being someone|people just don't get over.
-Tell him I have a headache.|-I won't lie for you.
-You lie for me all the time.|-Not to him.
This is high school all over again.|Nothing's changed.
When you wanted to break up|with your boyfriends at high school, did you do it?
No, you made me do it.
-I did not.|-Oh, please.
Let's refresh your memory.|Robert Mancuta?
Kyle Hassler? Toby Franks?|Half the lacrosse team?
By the end of the year,|I was the most hated girl in school.
That's not true.
My quote in the yearbook was,|"Hey, we have to talk." I was despised.
Fine. Don't go.
Eddie will sit there like an idiot.|And it'll be all your fault.
Whatever.
-How are you?|-Lee.
-Where's the film?|-What?
The film's in its canister,|waiting to be shown, to go into history.
There is no film, is there?
What have I seen five times that gave me|the best feeling I've ever had in a theatre?
You'll have a great time. See you later.
We're doomed. We're dead.|We're doomed. Thank you.
Look at you. You clean up good.
Thanks.
What's going on?
Gwen isn't feeling well,|so she won't make it to dinner.
She isn't sick.
Not physically.
I just didn't want you to sit here,|wondering.
Thanks. Really.
Want to join me? Come on.|Haven't you read the papers?
I'm unstable. Don't let me alone with me.|Join me. We'll catch up.
-A few minutes.|-Yeah.
We have an understudy.
They never make it easy, do they?
The house phone, please.
Thank you.
Hello, darling.|Holly Golightly's cottage, please?
-Who's that?|-Gwen's code name.
From Breakfast at Tiffany's.
What's that?
It's a movie, a great movie.
-Hepburn?|-Right. Katharine.
Let me tell you something:
Don't tell anybody|you're in the movie business. Thank you.
Hello? Hey, Gwen, it's Lee.
I'm at the restaurant, and guess what?|You're not.
Are you okay?
Oh, that's too bad.
No, Eddie's fine. He's with Kiki.|She looks unbelievable.
It may be a little|Hello, Young Lovers for me.
I may have some fires to put out later.|But that's my problem.
Have a nice night.|Feel better. Okay. 'Bye.
Five minutes.
-You're amazing.|-Take notes, kid.
Larry Flange for Let's Go to the Movies.
I'm sitting here with the lovely|and talented Miss Kiki Harrison.
You play a lesbian fire-fighter|on an oil rig in the North Sea.
One word comes to mind: Typecasting.|Your thoughts. And then:
You really want my thoughts?
-Larry.|-Larry.
Okay, Larry...
...the truth is...
...after playing Madame Curie...
...and discovering radium...
...I just thought it would be a hoot...
...to strap on those big rubber boots...
...kiss my favourite gal goodbye|and go fight some fire.
Very personal role for you.
-Very close to my heart.|-Nice.
-That's funny. You're funny.|-I am. Yeah.
Remember when we were in Carolina,|doing Silent Run? We rented that go-cart?
You attacked the director....
-I didn't. There was no attacking.|-You rammed him repeatedly.
Then you rammed me.
He cut me off. Ramming you was different.
And you rammed Gwen.
-She wasn't laughing, and we were.|-Furious.
-She wasn't too happy.|-No.
That memory kept popping in my head.
Those were good times.
I'm sorry I didn't call you.
She's your sister. I understand.
But you're my friend,|and I just let myself get kind of....
It's good to see you now.
It's good to see you now.
That's a nice necklace.
It's not really mine.
I know.
-It's Gwen's.|-I know.
She gave it to me.
And I gave it to her.
I know.
-It looks good on you, though.|-Thank you.
What are you thinking right now?
I'm thinking about something|I shouldn't be thinking about.
Me, too. What were you thinking about?
How much I really want to eat|that breadstick.
You want to eat this?
No, I don't eat bread.|I just dream about bread.
I've been going to a lot|of dream analysis since I...
-...cracked up.|-At the centre.
At the centre. And I believe...
...bread represents something forbidden|you want but can't have.
What do you think?
I think when I dream about bread...
...that would represent...
...bread.
Pretty much.
What are you thinking about?
Gwen...
...is here.
Sorry I'm late.
-Thought you weren't well.|-All better. Just like that.
Thanks. You can go.
-She doesn't have to go.|-No, it's fine.
-Stay. Have dinner with us.|-Good to see you.
-I need some mouthwash.|-Okay, right away.
So....
I hear they have great pork tenderloin.|Yummy.
-She didn't have to go.|-Thank you, honey. You look great, too.
-Excuse me. Is Holly Golightly here?|-What is the name?
Holly Golightly.
-What the hell is he doing here?|-I'll get rid of him.
No. Get a camera.|Film, tape, anything. Go, go!
It's Gwen Harrison. The actress?
-Lee Phillips. We met the other day.|-Where is Gwen?
-I want to see my Gwen.|-I don't want to get involved.
You're all adults.|People in love, how to stop them?
What are you talking about?|Where's Gwen? I want to see her now.
I can't cover for them anymore.|They're in the restaurant. That's all I'll say.
They're right over there.|She's in the red dress, over there.
-Hi.|-Hector!
Jesus.
-That's all right.|-Hi, Gene.
Don't wave at him like that.
I promote my movies.
I know.
It's part of the biz.
I apologize.
-I'm sorry.|-Hector.
-I apologize for him, too.|-Hector's here.
What's going on?|For why are you sitting with him?
Get in there.|Would you get out of the way?
Good. Get that side. Let's go.
What are you doing here?
Protecting the woman I love.|What are you doing?
-I'll let you two catch up.|-Why don't you be quiet, okay?
-I'll get to you in a minute.|-Don't point.
Don't tell me what to do.
-Don't you trust me, Hector?|-I trust you implicitly.
It's this a**hole I don't trust. I don't!
"Mecka lecka halava beem sala beem."
What? What did you say?
I hope he's not making fun of my accent.
Okay, enough!|You guys enjoy your little public display!
I'm leaving.
Okay, p*ssy boy's leaving.
What's the matter? You don't like that?
Maybe you want to take a swing at me?
Tall boy. Come on.
What are you....
-What is that?|-Let's go.
Please. Please, make my day.
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"America's Sweethearts" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/america's_sweethearts_2662>.
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