Anna Karenina

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,760 Views


INT. POKROVSKOE--NIGHT

CLOSE--Expert fingers--female, unlovely, capable--shape a small lump of

dough which, with some shreds of cabbage, becomes a filled bun called a pirozhok . . .

which is now placed on a baking tray to join rows of pirozhoki ready for the oven.

CLOSE-- One hand opens the oven, and, mittened by an apron, removes

a tray of perfectly baked pirozhoki, which the other hand replaces with the

fresh tray . . . slightly burning itself on a knuckle.

TITLE OVER:

FEBRUARY 1872

POKROVSKOE, KONSTANTIN LEVIN'S ESTATE

300 MILES SOUTH OF MOSCOW:

INT. KITCHEN, POKROVSKOE, SAME TIME--NIGHT

Agafia sucks her knuckle and checks what's cooking on the stove-top. She is

the cook-housekeeper.

AGAFIA:

He needs to come in if he's to wash himself.

A Kitchen Maid at the sink obediently dries her hands on her apron. A

dozing dog, Laska, pricks up her ears.

EXT. YARD, POKROVSKOE, SAME TIME--NIGHT

It's snowing. The Kitchen Maid, shawled, with a lantern, makes her way

across the yard towards the cowshed, a short distance, and pushes open the

frozen door. Laska is at her heels, but is made to stay outside.

3

INT. COWSHED, POKROVSKOE, SAME TIME--NIGHT

The herd stirs at the lantern light. The bull, Berkut, with a ring through

his nose, snorts as the girl goes by. At the back of the shed a cow is calving.

Levin is midwifing, sleeves pulled back, blood and slime up to his elbows.

He is 34. His steward, Vasili, holds up a lantern. Levin pulls carefully at

the emerging forefeet.

LEVIN:

Good girl . . . good girl, Pava.

The calf's head emerges.

KITCHEN MAID:

(ARRIVING)

Agafia Mishaylovna says dinner's like to

spoil.

The calf enters the world like a diver. Levin is feeling great pride and

pleasure.

LEVIN:

. . . her father's colour.

VASILI:

Worth coming home for, Konstantin

Dmitrich!

LEVIN:

I stayed too long in Moscow.

The cow nuzzles and licks her calf.

4

INT. DINING ROOM, POKROVSKOE--NIGHT

Cleaned up, in a smock shirt, Levin bites hungrily into a pirozhok, talking.

He has a book on a book-rest. Agafia ladles soup for him. Three generations

of family portraits look down on him.

LEVIN:

. . . She's a beauty. That's twelve cows sired

by Berkut!

AGAFIA:

So one of you is doing what the good Lord

made you for.

Levin evades, ducks into spooning up soup, finding his place in his book.

Agafia goes out. Alone, Levin closes the book and stares into himself.

INT. (MOSCOW)-- DAY

CLOSE--Expert fingers scrape a cut-throat razor across a lathered

cheek . . . and again, skirting luxuriant facial hair on pampered skin.

TITLE OVER:

PRINCE OBLONSKY'S HOUSE, MOSCOW

INT. OBLONSKY'S DRESSING ROOM, OBLONSKY

HOUSE, SAME TIME-- DAY

There is a door to the landing and a door to the bedroom.

5

Prince Stepan Oblonsky-- Stiva to his friends--is 34 and liked by every-

body. A barber comes in every morning to shave him. His valet, Matvey, is

older and almost a friend. He holds up an enormous pear.

MATVEY:

What should I do with this?

Oblonsky puts the barber on hold to have a look.

OBLONSKY:

Where did you find it?

MATVEY:

In your hat. Your Excellency.

Oblonsky thinks about it, lets the barber finish. He stands and removes his

dressing gown.

OBLONSKY:

Yes . . . I picked it up somewhere for Daria

Alexandrovna and the children.

Matvey is ready with Oblonsky's shirt, which he puts over his master's head

like a horse's collar.

INT. "DAY NURSERY," OBLONSKY HOUSE, SAME

TIME--DAY

There is a sloping lineup of five children, aged eight, five, four, three and

two, dressed and brushed for presentation to their mother, Princess Daria

Oblonsky, known as Dolly . . . who we now see is heavily pregnant. Stand-

ing by is a French governess, Mlle. Roland, and a Nurse. Mlle. Roland

is buxom.

6

Dolly picks up the youngest, Vasya, to kiss him and hands him to the

Nurse, and kisses the others in ascending order.

DOLLY:

Bonjour, Lili; bonjour, Masha; bonjour,

Grisha; bonjour, Tanya.

Who's coming to see Grandmama?

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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