Bethany

Synopsis: Claire and her husband find themselves moving back into Claire's childhood home only to have the abusive and traumatic memories of her mother come back to haunt her. As her husband starts to get more work, Claire finds herself mixed up in a fog of past and present with a mysterious figure haunting her memories. What is this small figure that is trying to reach out to her, and what does it want?
Genre: Horror
Production: Uncork'd Entertainment
 
IMDB:
4.6
Rotten Tomatoes:
33%
Year:
2017
90 min
80 Views


Mr. snuffles, what do you

have to say for yourself?

You're so silly.

There you are.

Of course not, we're the

bestest friends forever, ever.

I'll always be true.

Who are you talking

with, Princess?

Just with my dolls, mommy.

Get some sleep, darling.

We have a big day ahead of us.

So that went well.

Are you okay?

I'm okay.

So what did Hodges say, any

legal problems about probate?

Nope, it's all done,

wrapped up in a pretty

legal bow with my signature.

I'm sorry, sweetheart,

that was inconsiderate.

Where would you like to

go, anywhere, just name it.

Home, I'm going home.

Hey, miss Mason,

some of your students

want to say goodbye.

Bye, we love you!

Bye, miss Mason!

We're here, baby.

Wake up, sleepyhead.

You know me and long car rides.

You excited to be home?

Yeah, something like that.

Well, come in.

Let's get some

lights on in here.

All right.

Huh.

Time to buy some light bulbs.

And what is behind

door number one?

Can we make sure that the

kitchen and bathroom work

before we go exploring?

Otherwise, we need to go to

a hotel, I need to shower.

Shower it is, okay, baby.

That's one down.

Now a shower for milady.

I can't believe this is you.

That is some big hair.

How come you never showed

me this pic before?

- Because it's not me.

- What?

That's her, that's mother.

Huh.

She's got a lot of

these laying around.

They're all of her.

They always were.

You two could be sisters.

I'm an only child.

Tea, extra honey.

Thank you.

Looking at pics of

a supermodel, I see.

She seemed to think so.

You never really

talked about her much.

There's a reason.

Care to share?

Mother only cared

about what she wanted,

not what I wanted.

She was impossible to be around.

That sounds like all mothers.

I mean, you know mine,

all she ever does

is guilt-trip me and

tell me to have kids and,

uh, send me corned

beef and cabbage.

She wanted to be around you.

I got so lonely, I had

an imaginary friend.

- Really?

- Yeah.

Her name was Bethany.

What, no neighborhood

kids or kids from school?

I was home-schooled,

and playing with other

children was unladylike.

Wow, my mom is starting to

sound a lot less annoying.

I wouldn't go that far, you

remember last Thanksgiving?

Yikes, yes, I do, and

her cell phone rings

to the stabbing

music from psycho.

This is a big decision,

we need to talk about it.

No, we don't.

Yes, we do, Claire.

Look, baby, I love you...

And I love you, Aaron.

That's not the question here,

it never is, it never was.

I think that we should deal

with things one thing at a time,

and this house is a big

enough thing to deal with,

so can we please

just deal with that...

I am, and you're

right, it is a big thing.

It's a great big thing

that we talked about

and agreed upon

before we moved here.

Well, it's different now.

How?

- It's better.

- For you, maybe.

For me, this house...

It's the best break

we've ever gotten.

Being here feels wrong,

off,

like I'm walking through

someone else's memory of life

and I don't want it to be mine.

I'm sorry, sweetie.

I am.

But the reality is,

this house is old,

it needs a lot of work

before it could make any

money on today's market,

but for us,

it's priceless, we've won

the lottery here, sweetie.

Yeah, well, when

you win the lottery,

you cash in the ticket,

you don't move into

the f***ing 7-Eleven.

Don't.

Don't storm off like

that's your final word.

I left my friends and business

to come here with you,

as well, so don't act like you're

the only one on the cross.

Goodnight, Bethany.

Claire, I think you're

deflecting the question.

Remember, my office

is a safe place.

The only thing that matters

here is honesty to ourselves.

No one is perfect in

the eyes of the world,

so let's address the

monster in the room.

You want to have a

child with Aaron?

Yes, I do, just not right now.

Is that because last time,

the baby was stillborn?

No, it's because I don't want

to have a child in this house.

Why?

Because I don't want

to become my mother.

And having a child in

this house would do that?

I mean, that's crazy.

Do not call me that.

I'm not calling you crazy,

I'm saying the thought process

is crazy...

Well, it's the same thing.

That's good,

Claire, you're angry.

Now let's talk about why.

I cut both of my wrists

after my baby was born dead.

I was filled with pain

and anguish and hormones,

and I lashed out at

myself to end it.

And I have come to terms with

that, it's part of who I am,

but it is not why I don't want

to have a baby in this house.

Good, good.

So, let's figure out why.

What do you think it might be?

Claire?

Honey?

I'm sorry.

It's not your fault, Aaron,

and anger isn't

always a bad thing.

It's progress.

- Really?

- Absolutely!

Her anger will pass,

but the moment will be fertile

ground for contemplation.

Just be patient.

Okay.

Okay, thank you.

She always prides beauty

and status above all else.

These were your mother's?

No, these were mine.

What are they for?

- Beauty pageants.

- Beauty pageants, huh?

How come I never

knew about this?

Because I did them

when I was a little kid.

That's just, that's just cruel,

making a little girl for fight

for the validation of strangers.

That's all my

mother cared about.

I'm sorry, honey.

This is it.

This is my life.

You see, she's

won every pageant,

and she's only just begun.

Her accolades are

quite impressive.

Yes, she's my perfect girl.

Do a pirouette.

Very impressive indeed.

Thank you, miss Freedman,

i also do gymnastics...

Oh, that's enough, you can go.

Nice to meet you, miss Freedman.

You too, sweetie.

You know, she would be

the perfect poster child

for your pageant this year.

She is darling.

I'll see what I can do, Susan.

You know, I think that you

can do more than just see.

I can't accept that.

Of course you can.

This is her life,

it's all she has.

Good.

Tea?

All right.

Don't worry, I'm pretty

sure we can streamline

your workflow and

get your office

up and running in no time, bye.

- Potential new client?

- Potential huge new client.

They me to bid on

the entire building.

That's fantastic.

What did I tell you,

good things ahead.

- I'm really excited for you.

- For us, this could be huge.

I'll be back soon.

And think about it.

Get it.

You know, Gary's

been here five years

and he's never made a

cross-platform proposal like that.

I mean, the guy looks

and talks like Mr. Magoo,

but baby, he's in.

That's great, honey.

He's in, he's down,

and he's on board.

Their infrastructure,

it's a dinosaur.

Their bandwidth's a joke,

the hardware is aztec,

but they just had a massive

acquisition of their ip,

and guess who bought them.

Uh... Come on,

guess, guess, guess.

Who's your favorite

search engine,

that makes cyborg eyewear and

wants to cheer for a march?

- Goo...

- Yeah, that's it!

But don't say anything

because, you know,

they might have

bugged the house.

Rate this script:0.0 / 0 votes

James Cullen Bressack

James Cullen Bressack (born c.1992) is an American film producer, screenwriter and film director. He is the son of Emmy Award-winning writer Gordon Bressack and voice actress Ellen Gerstell. more…

All James Cullen Bressack scripts | James Cullen Bressack Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Bethany" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/bethany_3952>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Excessive use of slang
    B Long monologues
    C Overly complex vocabulary
    D Natural-sounding speech that reveals character and advances the plot