Big Sur
In the early 1950s, the nation
recognized in its midst
a social movement
called the Beat Generation.
A novel titled "On the Road"
became a best seller,
and its author, Jack Kerouac,
became a celebrity,
powerful and successful book,
but partly because
he, uh, seemed to be
the embodiment
of this new generation.
So here he is, Jack Kerouac.
3,000 miles from Long Island.
It's the first trip I've taken
away from my mother's house
since the publication
of "Road" three years ago.
All over America,
thinking Jack Kerouac
is 26 years old
and on the road
all the time hitchhiking,
years old, bored and jaded.
The book that made me famous
and, in fact, so much so,
I've been driven mad
for three years
by endless telegrams,
phone calls, requests,
mail, visitors,
reporters, snoopers.
I was surrounded
and outnumbered...
and had to get away
to solitude again or die.
So Lawrence Ferlinghetti
wrote and said,
"Come to my cabin in Big Sur.
No one'll know. "
Although Lawrence and I
exchanged huge letters
outlining how I would sneak in
quietly into the West Coast,
I'd ruined my secret return to San
Francisco by getting silly drunk
and marching forth into North
Beach to see everybody.
Everyone recognized me.
I'm telling you.
Hey, everybody,
the bloody king of the
beatniks is back in town.
Two days of that,
including Sunday,
the day Lawrence Ferlinghetti
is supposed to pick me up
at my secret skid row hotel
and drive me to Big Sur woods.
One fast move,
or I'm gone.
You say I'm alone,
and the cabin is suddenly home
only because you made one meal
and washed
your first meal dishes.
Then nightfall.
The flies retreat
like polite
Emily Dickenson flies,
and when it's dark, they're
all asleep in the trees.
Maybe the bees got
a message to come and see me,
all 2,000 of 'em,
a big party once a week.
No booze, no drugs, no binges,
no bouts with beatniks
and drunks
and junkies and everybody.
...forehead.
No better.
What I do now next?
Chop wood?
Long nights simply thinking
about the usefulness
of that little wire scour,
those little
yellow copper things
you buy in supermarkets
for 10 cents,
all to me
infinitely more interesting
than the stupid and senseless
"Steppenwolf" novel
in the shack,
which I read with a shrug,
this old fart reflecting
on conformity of today,
and all the while, he thought
he was a big Nietzsche.
Because on the fourth day,
I began to get bored
and noted it in my diary
with amazement,
"Already bored?"
Even though the handsome
words of Emerson
would shake me out of that,
where he says in one of those
little red leather books
and is relieved and gay
when he has put
his heart into his work
and done his best.
Yet I went crazy
inside three weeks.
In me and in everyone,
I felt completely nude of all
poor protective devices,
like thoughts about life
or meditations under trees
and the ultimate
and all that sh*t.
In fact, the other pitiful
devices of making supper
or saying, "What I do
now next? Chop wood?"
I see myself as just doomed,
an awful realization that I have
been fooling myself all my life
thinking there was a next thing
to do to keep the show going,
and actually
I'm just a sick clown,
not even really
any kind of common sense,
animate effort to ease the soul
in this horrible, sinister
condition of mortal hopelessness.
I hate to write.
All my tricks laid bare,
even the realization
that they're laid bare itself
laid bare is a lot of bunk.
The sea seems to yell to me,
"Go to your desire.
Don't hang around here.
"Why not live for fun
and joy and love
"or some sort of girl
by a fireside?
Why not go to your desire
and laugh?"
But I ran away
from that seashore
and never came back again
without that secret knowledge
that it didn't want me there,
that I was a fool to sit there
in the first place.
The sea has its waves.
The man has
his fireside, period.
It's time to leave.
I'm so scared by that
iodine blast by the sea
and by the boredom
of the cabin.
I'm tired of my food,
forgot to bring Jell-O.
You need Jell-O after all that bacon
fat and cornmeal in the woods.
Every woodsman needs Jell-O
or Cokes or something.
But before I go, I realize
this isn't my own cabin.
Here's the second signpost
of my madness.
I have no right to hide
Ferlinghetti's rat poison
as I'd been doing,
feeding the mouse instead,
so like a dutiful guest
in another man's cabin,
I take the cover
off the rat poison,
but compromise by simply leaving
the box on the top shelf.
I go dancing off like a fool
from my sweet retreat,
rucksack on back,
after only three weeks
and really after only
three or four days of boredom
and go hankering back
for the city.
I figure I'll get a ride
to Monterey real easy
and take the bus there
and be in Frisco by nightfall
for a big ball of wino yelling
with the gang.
I feel, in fact, Lew Welch
ought to be back by now,
or Neal Cassady
will be ready for a ball,
and there'll be girls
and such and such,
forgetting entirely
that only three weeks previous,
I'd been sent fleeing
from that city by the horrors.
This is the first time
I've hitchhiked in years,
and soon I begin to see that
things have changed in America.
You can't get a ride
anymore, but, of course,
especially on a strictly
tourist road like this
or coast highway
with no trucks or business.
But the tourists,
bless their hearts,
after all, they couldn't know,
happy hike with my rucksack,
and they drive on.
If you should ever
stop using that smile,
how could the world go on?
We were gonna come down
to see you this weekend.
You should have waited.
Your mom wrote.
She said your cat died.
I'll go get the letter.
My relationship with my cats
has always been dotty.
Some kind of psychological
identification of the cats
with my dead brother Gerard,
who taught me to love cats
when I was three and four
and we used to lie
on the floor on our bellies,
then watch them lap up milk.
The death of a cat
means little to most men,
but to me, it was exactly...
and no lie and sincerely...
like the death
of my little brother.
What the hell?
Why bother grown-up men
and poets at that
with your own troubles?
Maybe you should
go back to the cabin
for a couple of weeks, huh?
Or are you just
gonna get drunk again?
I'm gonna get drunk, yes.
You can go back soon, huh?
Okay, Lorry.
Did you write anything?
We can drink to that.
It's still a cat.
I know he meant a lot to you.
You know that's
the way of things.
Hey, so by City Lights
bookstore the other day,
there was a workman out
in the front, you know,
hammering away with a
jackhammer really loud.
"Yahh. "
Right in the street.
And the psychic above the
studio leans out the window,
and he says,
"When are you gonna stop
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"Big Sur" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/big_sur_4071>.
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