Bonnie's Kids

Synopsis: Two rebellious sisters and a crooked P.I. attempt to escape from the girls' mobster uncle with $400,000 in stolen loot, and meet nefarious characters while dodging a bickering pair of enforcers.
Genre: Crime, Drama, Thriller
Director(s): Arthur Marks
Production: General Film Corporation
 
IMDB:
6.2
R
Year:
1972
105 min
60 Views


Yeah, but it's $2.

All right, I'll see your two.

Well, I got to see this. I call...

...maybe we'll take all of it.

- What do you got?

- Three aces.

Three aces?

Billy, you'll break my zipper.

Now, you be good.

Billy, you're gonna tear my dress,

now stop it.

Come on, Myra.

Let's drive over by the river.

You know you want to.

You know I want to, but it's late.

Hell, since when do you ever care

about it being late?

You sleep 'til noon anyways.

Come on, Myra.

I'm all turned on.

I better be getting in.

You know if old Charley finds us out here,

he'll kick your butt all the way back to town.

Your stepfather is a pain in the ass.

But you'd sure be worth it.

- Call me, tomorrow?

- Yeah, you know it.

Good night, you guys.

All right. I'll call.

Ace's over.

Oh, man, I have never seen

the like of your cards.

Hey, Charley, maybe doll face

here can change your luck.

Man, I sure wish I were your age, Myra.

I'd show you a good time.

Why, Mr. Burns?

What's age got to do with it?

You tell him, Myra.

Hell, you'd tease him to death.

Damn your hide, Myra. Clean up these butts

and get us some more beer out of the icebox.

Sure, Charley.

Don't you want me to be

nice to your friends?

Yeah, what do you say, Charley?

You just do as you're told. Your mouth

is getting bigger and bigger. Now, move.

- Who's deal?

- Mine.

How about studs?

You f***ing idiot.

You listen to me, Myra.

If your old man gives you too hard a time,

you come over to my place.

Honey, I'll treat you real nice.

Nobody ever had a better step daddy

than I got.

Go on. Go on.

I'll get you those beers.

I'll open for a buck.

Charley, I don't know how you do it.

- Pass.

- I'll call once.

Call. Do what?

Control yourself.

Having a sweet young body like Myra

around the house is one thing.

But that sister of hers!

Hell, man, that's a real woman.

I wouldn't mind that any old time.

- Hi, Ellie.

- Hi, Ellie.

Hi, guys.

- Want some coffee?

- Yeah.

Give me one of those chocolate ones

with a jelly inside.

You know,

I got a real sweet tooth going.

- Oh, I know, guys, who have worse habits.

- Like what?

Well, Harry Phillips, you're the law around

this dumpy place, you ought to know.

I wasn't thinking about the law.

I was thinking about the sweet

young things over at Melvin's place.

Hey, Ellie.

Married three months and he's

already catting around. - No, I wasn't.

Harry Philips, you just got

a dirty mind, don't you?

I sure do.

Well, you see, Ellie, an honest cop, but

I ain't married and you know I'm dishonest.

Need a ride home tonight, Ellie?

Not with you two, you're dangerous.

Besides, I got Charley's pickup truck

and a 25 dollar mechanic bill.

Since when does this old tight wad Charley

spend 25 bucks for anything? - Outside of booze.

He's driving to Montana tomorrow.

His old man's terminal and I guess

he wants to see him before he dies.

Hell. With his disposition,

he never had an old man, the bastard!

I hope you yellow-bellied jackasses

get yours. Cheating mothers.

You know, there's one thing

about you, Charley.

You've always got the three M's.

You're mean, miserable,

and demented.

What a bunch. Drink my booze, take my money,

and all you can do is badmouth me.

Hey, Charley, I got a great idea.

When you get to Montana, why the hell

won't you stay there? Don't come back.

Oh, you'd like that, wouldn't you?

You'd all like that.

Yeah.

Don't worry. We'll take real good care

of your pretty little daughters.

Good night.

See you, Charley.

Hey, look what I found.

Does it got a label on it?

All I can tell you is

it was made in this county.

Hell, man, this is the best damn

county in the whole world.

Hey, Wally, look.

Yeah, man.

How would you like to

touch her all over?

How sweet.

So sweet.

If I didn't know you fellas so well,

I figure you were looking at that pretty

young thing like some kind of perverts.

Well, hell, George,

we just stopped for a minute.

Out of the corner of his eye,

Jack here,

well, I mean he spotted Myra

standing there naked.

Showing everything she's got

to the whole world.

There ought to be a law. It's not right to

go around showing it the way like she does.

- It's manslaughter.

- Manslaughter?

That's right. It's wrong.

I mean, a body like that

can be a dangerous weapon.

That's right, as long as she keeps

what she's got concealed.

She keeps showing it off like that,

she could tease a man to death.

I think you two fellas had better be moving along

before your old ladies come looking for you

and then get your

behind in a sling.

I don't care what you say, George.

There ought to be a law.

I may be married

but I sure ain't dead.

Come on, lover boy.

Let's call it a night.

Hello.

Why, Glenn,

you know I can't do that.

Because that's why.

Well, I guess he's gone to bed.

I don't hear a sound.

I don't mind kissing you like that.

You like it, don't you?

Come on, now. You got hot blood

just like the rest of them.

OK, then.

How about when I rub your back

and make all those goose bumps?

You are lying, Glenn Stensel.

You're the biggest liar I know.

Of course I like you.

Don't I show it?

Of course, if you think

someone could do it better...

Of course I like you, Glenn,

you're a sweet boy.

You sure smell good.

I like a boy that uses scented

colognes. I think it's sexy.

It turns me on

if you know what I mean.

Of course I like you to touch me.

I like to feel your hands

all over my body,

making my skin tingle and

making me aching for loving.

Glenn, you sure know

how to take good care of me.

I wish you were here right now.

You no-good little whore.

I'm going to give it to you good.

What do you do, give it to every

male goat who comes sniffing around?

What's the matter, step daddy?

Jealous?

Afraid there ain't going

to be any left for you?

You dirty old man!

You're just like your old lady.

No damn good and never will be.

I've watched you throwing your

body around, tempting men,

baring your breasts to any boy

who will give it a try.

And I'm going to teach you a lesson you'll

never forget. You no good little whore.

You get away from me.

Get away from me,

you horny old man!

Horny? Horny? I'm going to

show you what a man's like.

I'll teach you to throw

your body around.

I'm going to rip you.

You hear me?

I'm going to rip you!

Charley... Charley!

Charley, let her alone.

Hey, Ellie, come on over here.

You know she's no damn good.

Just like her ma, no damn good.

You know,

you're the only good one, Ellie.

Come on, give Charley a kiss.

Remember, Ellie,

when you were a little girl?

I'll treat you good, you will see.

Don't be afraid of Charley.

I'll take real good

care of you, Ellie.

Sure, Charley.

Sure you will.

Come on, baby, come on.

Ain't no one

going to find him down there.

Come on.

Come on, Myra,

will you hurry up?

What is your hurry?

Just don't give me any lip.

Benjamin Seaman Enterprises.

Yes, I'll connect you.

So... I swear they were both 90.

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Arthur Marks

Arthur Ronald Marks (born August 2, 1927) is an American film and television director, writer and producer best known for his work in the blaxploitation genre, directing films such as Togetherness, Bonnie's Kids, Detroit 9000, Friday Foster, Bucktown, The Monkey Hu$tle, and J. D.'s Revenge, [A woman For All Mem]".. He also directed and produced numerous episodes of the American legal drama Perry Mason as well as episodes of Starsky & Hutch, Mannix, I Spy, My Friend Tony ,The Dukes of Hazzard", "Steve Canyon" , "[Young Daniel Boone]". more…

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Submitted on August 05, 2018

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    "Bonnie's Kids" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/bonnie's_kids_4475>.

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