Bonnie's Kids Page #4

Synopsis: Two rebellious sisters and a crooked P.I. attempt to escape from the girls' mobster uncle with $400,000 in stolen loot, and meet nefarious characters while dodging a bickering pair of enforcers.
Genre: Crime, Drama, Thriller
Director(s): Arthur Marks
Production: General Film Corporation
 
IMDB:
6.2
R
Year:
1972
105 min
60 Views


But, Diana,

she gives me everything I want.

She says she's lonely.

Even though she's sort of my aunt,

she says she wants to be my best friend.

You know, be close to me.

Hell, I bet she's some

kind of pervert or something.

Let's go in the house?

Come on, baby?

- No, Ben. I don't feel like...

- I said, I want to go. Now.

- If that's what you want...

- That's right. That's what I want.

And so the dutiful wife

bares her body to her lover.

- Rape me, dear husband. Rape me.

- Oh, for Christ's sake...

Oh, what's the matter,

you crude bastard?

Don't you want me?

You did say now, didn't you?

Listen, I wasn't a crude bastard when

I found you and gave you a job, was I?

You didn't mind stripping

that body then, did you?

Now, you listen to me, sister.

Everything you are and everything you

own belong to me. You understand that?

Oh, I understand, all right.

- I'm part of a collection, right?

- That's right and don't you forget it, either.

- You belong to me.

- I belong to myself.

Ben, I can't stand you talking to me. I can't

stand you touching me. I can't stand you!

Listen. I'll shove your nose in so far

you'll never come up for air.

You better shape up, sister!

Or, I'll have a few friends come out here

and show you what life's all about.

Harris tells me with some hard work and his

expert handling, you could really be a top model,

be in big demand.

- Would you like that?

- Who wouldn't?

You know, there's no telling how far

a girl like you could go?

How far, Ben?

- That would be up to you.

- And to you.

Miss Clark likes you.

Said she'd work with you.

Miss Clark's got cold hands

and a very warm heart.

You're a smart girl, Ellie.

You know something?

- You sure look like your mother.

- Yeah?

People back home say

she was no-damn-good.

Some say she loved

every man in town.

I guess that kind of makes me

a bastard, doesn't it?

I like you, Ellie.

I like you very much.

You're straight

and you tell it like it is.

You know what?

I like to do something

real special for you.

You have already, plenty.

How do you like to take a vacation,

at the same time do me a favor? - Vacation?

I haven't finished the one

I'm on yet.

I like you to run down to

Desert Spring for a few days.

You can use Diana's car.

She won't need it.

You can do a little

shopping, too, on me.

- But, Ben, I...

- You don't understand, Ellie.

It's very important

that you do this for me.

You know, I can use

a bright girl like you.

What about Myra?

It's only for a few days.

Besides, I have already made

all the arrangements. What do you say?

Sure, Ben.

I'll do anything you say.

Good girl.

You won't be sorry. You'll see.

Listen, won't you stick around.

Stay in town, have dinner with me.

- Just the two of us?

- Sure, Ben.

I told you I'd do anything you say.

Yes.

Hi, Eddy.

You're late.

You were supposed to call at 5.

All right.

I'm a few minutes late, big deal.

What about number one?

He's a beaut.

He's on his way down there now.

Good.

Number two's all set.

She should be checking

into the motel by tonight.

She?

It's supposed to be a he.

Eddy, it's all arranged.

Ben wants it this way.

Eddy, you can wave the green flag.

Yeah?

OK, baby. It's all go.

Operator, I'd like to call

person to person to El Paso, Texas.

Who?

Oh, Mr. Robert Brown, B-R-O-W-N.

Fill it up.

What do you say?

Hello there.

Tell me, things always this quiet?

Always.

Well, take care.

Sure will try.

Here you go.

Thanks.

Yeah, operator, I want to call area

code 213. The number there is 469-9011.

Yeah, I'll hold on.

Hello?

Myra?

Hi, Ellie.

Hi. I just got in. It's really

a great looking place here.

Man, I sure wish I was with you.

This is the dullest place

I've ever been in.

I mean, nothing ever

happens around here.

Where's Diana?

She's in town.

She'll be back tonight.

Hey, Myra, I got to thinking

about leaving you alone.

Hell, you act like I was nine years old.

I can take care of myself.

I know that, except with all that's happened

I don't want you making any mistakes.

- Don't worry, I won't.

- OK.

I mean, things are going really good for us now and

we just got to be careful for a while, you understand?

Sure.

When are you coming back?

Oh, a couple three days.

All right. Well, I'll see you then.

You have a good time.

- Bye-bye, Ellie.

- Myra!

How about some beer?

Man, this is really the life.

You know, if Mr. Seaman

could see me now he'd kill me?

- I won't tell if you won't.

- That's a deal.

Harry?

- You've been with a lot of girls?

- Some.

As pretty as me?

No.

No one as pretty as you.

You really are something, Myra.

Harry?

You got any money?

Nope, and I don't want

none neither.

Why not?

Think of the things you could do.

Like what?

For Christ's sake, you're not

going to charge me are you?

Hell, you're not going to play with horses

the rest of your life are you?

And what's the matter with that?

Diana pays me pretty good.

And I'm making it with you, aren't I?

You're dumb.

You could get just about anything

you wanted if you weren't so dumb.

What are you talking about?

How?

Look around you, there's

nothing but money around here.

I'd rather look at you.

How would you like to

look at Diana? Naked?

Well, sure I'd like to

look at Diana, naked.

But how am I going to do that?

She's a lonely woman, Harry.

She needs some loving.

All you'd have to do

is be nice to her.

Besides, who'd want to turn down

a handsome buck like you?

Everyday at 12 o'clock the

bus gets into town, be there.

It's always on time.

The package you're to pick up

is in the name of Mr. Brown.

You sign the receipt

Robert Brown, B-R-O-W-N.

Give them the baggage ticket

and they'll hand you the package.

The baggage number is 1-2-2-3-5-9.

Don't lose it, Larry.

Larry, this is a private matter.

We prefer you handle this alone.

I'd really appreciate it if you kept quiet

about it, didn't mention it to anybody.

Nowadays, with industrial spying, you know,

one company is stealing secrets from another,

you have to be a little extra careful,

you understand? - Sure.

Oh, the company fee is

$50 a day plus expenses.

Do a good job and we'll make it

another 50 for you.

Oh, OK,

I got the package, then what?

You have to deliver it at 2 o'clock

sharp, room 240 at the Oasis Hotel.

Two o'clock sharp, Larry.

Well, do I have to hand it to anyone

at the 240? What about a name?

He's my cousin.

You tell him it's for Brown.

- Telephone call, Mr. Hagen.

- Hi.

Look, we haven't met

and my name is Evans.

Larry Evans.

Well, you sure don't look like

Mr. Brown's cousin.

Gee, I don't know Mr. Brown or his cousin, so

why don't you just go... - Now, that's not nice.

You know, you really

ought to be more careful.

Oh, I try to be.

I mean, this hot desert sun on a

young tender body can be dangerous.

- So can strange men.

- If they're not on your side.

We're on the same team.

Look, we're working together.

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Arthur Marks

Arthur Ronald Marks (born August 2, 1927) is an American film and television director, writer and producer best known for his work in the blaxploitation genre, directing films such as Togetherness, Bonnie's Kids, Detroit 9000, Friday Foster, Bucktown, The Monkey Hu$tle, and J. D.'s Revenge, [A woman For All Mem]".. He also directed and produced numerous episodes of the American legal drama Perry Mason as well as episodes of Starsky & Hutch, Mannix, I Spy, My Friend Tony ,The Dukes of Hazzard", "Steve Canyon" , "[Young Daniel Boone]". more…

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Submitted on August 05, 2018

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