Breakfast at Tiffany's Page #9

Synopsis: Holly Golightly is a flighty Manhattan party girl, who expects "money for the powder room as well as for cab fare" for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany's, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly's walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul's situation is closer to Holly's than he woul
Genre: Comedy, Drama, Romance
Director(s): Blake Edwards
Production: Paramount Pictures
  Won 2 Oscars. Another 10 wins & 13 nominations.
 
IMDB:
7.7
Metacritic:
76
Rotten Tomatoes:
88%
NOT RATED
Year:
1961
115 min
4,789 Views


not to condemn me.

"I have my family to protect

and my name

"and I am a coward where

these institutions enter.

"Forget me, beautiful child.

And may God be with you.

"Jos."

Well?

Well, at least he's honest.

-It's kind of touching.

-Touching?

That square-ball jazz.

He says he's a coward.

All right. So he's not a regular rat

or even a super-rat.

He's just a scared little mouse,

that's all.

But, oh, golly.

Gee, damn.

Well, so much for South America.

I didn't really think you were cut out

to be queen of the Pampas, anyway.

-Clayton Hotel.

-Idlewild.

What?

The plane leaves at 12:00.

And on it I plan to be.

Holly, you can't.

I'm not hotfooting it after Jos,

if that's what you think. Oh, no.

As far as I'm concerned,

he's the future president of nowhere.

Only why should I waste

a perfectly good plane ticket?

Besides, I've never been to Brazil.

Please, darling, don't sit there

looking at me like that.

I'm going and that's all there is to it.

Now all they want from me

are my services as the state's witness

against Sally.

Nobody has any intention

of prosecuting me.

To begin with,

they don't have a ghost of a chance.

Even so, this town's finished for me.

At least for a while.

There are certain shades of limelight

that can wreck a girl's complexion.

They'll have the rope up

at every saloon in town.

I'll tell you what you do for me, darling.

When you get back to town,

I want you to call up the

New York Times or whoever you call.

I want you to mail me a list

of the 50 richest men in Brazil.

The 50 richest.

-Holly, I'm not going to let you do this.

-You're not going to let me?

Holly, I'm in love with you.

-So what?

-So what?

So plenty.

-I love you. You belong to me.

-No.

-People don't belong to people.

-Of course they do.

I'm not gonna let anyone

put me in a cage.

I don't want to put you in a cage.

I want to love you.

-It's the same thing.

-No, it's not.

-Holly...

-I'm not Holly.

I'm not Lulamae, either.

I don't know who I am.

I'm like cat, here.

We're a couple of no-name slobs.

We belong to nobody.

And nobody belongs to us.

We don't even belong to each other.

Stop the cab.

What do you think?

This ought to be the right kind of place

for a tough guy like you.

Garbage cans, rats galore.

Scram!

I said take off! Beat it!

Let's go.

Driver

pull over here.

You know what's wrong with you,

Miss Whoever-you-are?

You're chicken. You've got no guts.

You're afraid to stick out your chin

and say, "Okay, life's a fact."

People do fall in love.

People do belong to each other

because that's the only chance

anybody's got for real happiness.

You call yourself a free spirit,

a wild thing.

And you're terrified somebody's

going to stick you in a cage.

Well, baby, you're already in that cage.

You built it yourself.

And it's not bounded in the west

by Tulip, Texas

or in the east by Somaliland.

It's wherever you go.

Because no matter where you run,

you just end up running into yourself.

Here. I've been carrying this thing

around for months.

I don't want it any more.

Here, cat!

Cat!

Where's the cat?

I don't know.

Cat!

Cat.

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George Axelrod

George Axelrod (June 9, 1922 – June 21, 2003) was an American screenwriter, producer, playwright and film director, best known for his play, The Seven Year Itch (1952), which was adapted into a movie of the same name starring Marilyn Monroe. He was nominated for an Academy Award for his 1961 adaptation of Truman Capote's Breakfast at Tiffany's and also adapted Richard Condon's The Manchurian Candidate (1962). more…

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Submitted on August 05, 2018

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