Cloud Atlas

Lornsome night.

An' babbits bawlin', wind bitin' the bone.

Wind like this...

full of voices.

It's the ancestry howlin' at ya;

yibberin' stories.

All voices... tied up into one.

One voice different...

One voice

whisperin' out there; spyin' from 'he dark.

That fangy devil,

Old Georgie hisself.

Now you hear up close

and I'll yarn you about the first time we met

eye to eye.

And thus it was that I made the acquaintance

of Dr. Henry Goose,

the man I hoped might cure me of my affliction.

Have you lost something?

Question one:

What secret in Sixsmith's report

would be worth killing for?

Question two:

Is it reasonable to believe that they would

kill again to protect that secret?

And if so, question three:

What the f*** am I doing here?

While my extensive experience as an editor

has led me to a disdain for flashbacks

and flash forwards and all such tricksy gimmicks,

I believe that if you, dear reader,

can extend your patience for just a moment,

you will find there is a method to this tale of madness.

My dearest Sixsmith,

I shot myself through the roof

of my mouth this morning,

with Vyvyan Ayrs' Luger.

A true suicide is a paced, disciplined certainty.

People pontificate "suicide is a coward's act".

Couldn't be further from the truth.

Suicide takes tremendous courage.

Any problem, sir, you just hit this button.

Thank you.

On behalf of my Ministry and the future of Unanimity,

I would like to thank you for this final interview.

- Hello.

- Press pass.

Expecting trouble?

I was Dermot Hoggins' publisher,

not his shrink or his astrologer

and the ruddy, bloody truth is,

I had no idea what the man was gonna do that night.

This beach was once a cannibal's banqueting hall,

where the strong gorged on the weak,

but the teeth, sir, they spat out,

like you or I would expel a cherry stone.

Do you know the price a quarter pound of these will earn?

Remember this is not an interrogation or a trial.

Your version of the truth is all that matters.

Truth is singular.

Its "versions" are... mistruths.

Don't let them say I killed myself for love.

Had my infatuations, but we both know in our hearts

who is the sole love of my short, bright life.

[CLOUD ATLAS]

[The Pacific Islands, the year 1849]

There you are, Mr. Ewing.

As binding a covenant there can ever be between men...

outside the province of Scripture.

Thank you, Reverend Horrox, I...

know my father-in-law is profoundly excited about this deal.

Haskell Moore is a great man.

Future generations depend on men like him;

men capable of speaking the truth.

Quite.

When I first encountered Haskell Moore's writing,

its perspicuity struck me as though delivered

through divine revelation.

The learned doctor here and I have

already spent many a night debating Mr. Moore's tractus.

I'm only willing to concede that he makes a compelling case

as to why we are sitting here, enjoying this divine lamb,

while Kupaka stands there, content to serve.

Indeed. Uh, Kupaka...

you enjoy your life, here with us, do you not?

Oh yes, Reverend, sir.

Kupaka very happy here.

You see, you see? This is Moore's ladder of civilization.

The reason behind this natural order...

Please, Giles, do shut up.

I've been listening to this for weeks, I...

would love to know what his own son-in-law

has to say about it.

Oh... well let's see... ah,

it is an inquiry concerning God's will and the nature of men.

And what does he have to say about the nature of women?

I'm afraid that's a subject he prefers to pass by in silence.

He wouldn't be the first.

Uh, pray, Mr. Ewing, continue.

Well, uh... you know, the question he does pose is...

if God created the world, how do we know

what things we can change

and what things must remain sacred and inviolable?

Reverend Horrox is specific how to run plantation.

Georgian way best way he say.

God, this heat is unbearable. How do they take it?

Reverend Horrox say,

slaves like camel, bred for desert.

He say... they not feel heat like civilized folk.

Now we should get you out of the sun.

Now what... what is that noise?

- Hup, there you are.

- What happened?

It is as I suspected. Gusano Coco Cervello,

better known as the Polynesian worm.

Once saw a man's brain after the worm

had finished with him.

Maggoty cauliflower. Ooph.

But have no fear, this particular devil

and I are well acquainted.

Here we go.

[Whispers]:
Ah, yes, yes. All gone.

I... I, I don't know what I would have done

had our paths not crossed.

Well, for starters, you would have died.

I... I shall find a way to repay you.

Oh, unnecessary, I assure you. I am a doctor, Adam.

A tiger cannot change its stripes.

[Cambridge, the year 1936]

Sixsmith, I do hope you will be able to

find it in your heart to forgive me.

Mr. Frobisher?

Mr. Robert Frobisher!

The management would like a word with you, please sir.

Mr. Frobisher, open this door, please!

We do know you're in there, Mr. Frobisher. Please, comply.

A letter is being drafted to your father, sir.

Mr. Frobisher!

Hated leaving you like that.

Wasn't the goodbye I had in mind.

By the time you read this, I will be on my way to Edinburgh;

on my way to fame and fortune.

I know you haven't heard of him, but trust me,

Vyvyan Ayrs is one of the musical greats, Sixsmith.

The tragedy is that he hasn't produced any new work

in years due to illness.

My scheme is to persuade him to hire me

as his amanuensis

and aid him in the creation of a masterpiece,

that goes shooting up through the musical firmament,

eventually obliging Pater to admit that yes,

the son he disinherited is none other than Robert Frobisher,

the greatest British composer of his time.

I know, Sixsmith, you groan and shake your head,

but you smile too,

which is why I love you.

P.S.

Thanks for the waistcoat.

I needed something of yours to keep me company.

St. George and the Dragon.

Reminds me that composing is a crusade.

Sometimes you slay the dragon;

sometimes the dragon slays you.

All right, then.

A Frobisher, is it?

I trust Mackerras taught you enough to be useful.

I've had this little melody for viola rattling

about my head for months.

Let's see if you can get it down.

[Hums melody]

Subtle grace note before the third.

[Humming continues]

Soft and simple. Got it? Now, it gets interesting.

[Hums next phrase]

Good.

Play that back.

Would love to, sir.

Um... what key are we in?

What key? G minor, of course.

And the time signature?

For Christ's sake, did you hear it or not?

- Just... just need a little more time.

- You need?

My dear boy, who is working for whom here?

- I apologize, sir...

- Are you an amanuensis or an apologist?

Now pay attention.

Three-four changes to four-four on the fourth bar

and back to three-four on bar five,

if you can count that high.

Crotchet G, pause for a quaver, repeat G quaver,

then E-flat on the down beat.

[Hums last phrase]

And so on.

All right. Let me hear it.

[Plays single note melody]

[Continues playing with discordant harmony]

Rate this script:0.0 / 0 votes