Cutie and the Boxer
Gyu-chan...
- It's your birthday.
- Huh?
Damn... I'm finally 80 years old.
- You wearing those?
- No, these are for you!
Oh. What a surprising birthday present.
Look at these ducks.
Quack, quack.
Where are the candles?
We don't have 80 candles.
- We only have a "three."
- Three is fine.
You have to blow it out.
You have cake all over your face.
I really don't care!
I don't listen to you.
That's how I... keep young.
It's nothing to do with you turning 80.
You've never listened.
So isn't it about time you listened?
? Food, sex, sleep ?
? Money, health, flow ?
? Speed, love, nurse ?
? Peace, hair, clothes ?
? Dreams, space, fate ?
? Trouble, home, flower ?
? Push, murder, breeze ?
? Water, curves, tan ?
? Alone, mirror, truth ?
? Mother, risk, fall ?
? Shock, color, caress ?
? Hands ?
? Good ?
? Nasty, heat, please ?
? Wit, whims, sperm ?
? Just, you, fool ?
? Empty, laughs, skin ?
? Different, smell, third eye ?
? Hunt, time, fight ?
? Sacrifice ?
? Nicotine, youth ?
? Sane, lies, blue ?
? Info, clear, noise ?
? Reason, teasing ?
? Honesty, hard, soft ?
? Beauty, danger ?
? Curves, tan ?
? Alone, mirror, truth ?
? Mother, risk, fall ?
? Shock ?
? Pain, body, fame ?
? Hear me, free me ?
? Eat me, kill me ?
? Give me, form me ?
? Game me ?
? Heaven, cold ?
? Jealous, release ?
? Subtle, nature ?
? Shelter, energy ?
? Flavor, control ?
? Dirt, street ?
? Scream, ideas ?
? True, hell ?
Here you go. Let's go.
Here, let's go.
We've got water dripping
into our bedroom from the third floor.
I'll bring it up to here.
Just a minute.
All right.
It's like Niagara Falls.
OK. Let's go.
You know we haven't paid this month's
rent? Landlord sent us a bill.
And we need to pay utilities
or they will shut them off.
How much do we need?
Too scary to think about...
$1,000.
The rent plus $1,000.
That would be enough for a while.
OK. We're here. Let's go.
Open sesame.
Boom.
OK, go ahead.
- You don't have to hold it.
- No, no, we have to do it together.
Remove the one underneath.
Pull more. A little more.
I'm putting everything
into my next show.
Maybe I can sell. I have to sell.
This cardboard motorcycle is my pride.
My pride and a chance...
to show everyone.
With this show, my reputation
is going to go like:
Bam!
- The headlight is too big.
- The headlight?
- Maybe we should redo it.
- Too big? It's too late.
You can't tell what it is.
I guess after painting,
it will look more like something.
Yeah.
I'm not his assistant.
It's better I make mine... my work.
But sometimes I help
because it's an emergency.
Because I'm husband!
You are so pitiful.
Be careful.
Don't get mugged on the way home.
I'm sure you can tell Noriko
doesn't really want to help.
She is just an assistant.
The average one
has to support the genius.
That's what I think.
It's done.
Big Blue's defense
step it up again.
Look at that big sack
by Justin Tuck
on the Giants' 7-yard line.
Gyu-chan! Dinner is ready.
This red snapper is delicious.
But it's so cheap.
My cooking is expensive.
Yeah.
This would cost ten times more
in a restaurant.
It's like you get to eat
in an expensive restaurant every day.
What's the problem?
I've spent a lot
of time on this meal
and the way you
gobble it up is so gross.
That's why I hate eating together.
I made it all pretty
but you quickly make a big mess.
This soup is excellent.
Do you know the correct way
to eat a cherry tomato?
Tomato?
Look what happens
when you do it the wrong way.
OK, didn't come out this time.
What the hell are you doing?
You should just
throw it up and catch it.
- You should try.
- I can't.
OK, I'll give it a go.
Go ahead.
There's no way you can do it.
I almost had it.
I'm hopeless.
I give up.
You did it.
Remember in Spielberg's movie?
Lost Ark...
I don't remember.
There's a scene where they poison food
like this and someone's about to eat it.
But right then, this monkey grabs it
and eats it and it dies.
But the Spielberg film
we saw the other day was horrible.
You mean the last Indiana Jones?
Yeah. It sucked.
Are you sure it was Spielberg?
Yeah, he's done. He's too old.
I love Jaws.
Jaws was the best.
You always say
the first work is the best.
Yeah. Young Spielberg.
But you could say the same for artists,
their first work is always the best.
Yeah, I guess.
It's the later work
where things get tough.
So if that's the case,
there is no hope.
Why continue?
Does it fit?
Yeah, it does. It does.
No, it won't fit.
- What's wrong?
- It's bent there.
OK, there it goes.
I got it. Nut, nut, nut.
Gyu-chan, hold the other side.
I need a nut!
Right, right, right.
Little more, little more.
This show in New York
which we call
"Shinohara:
Wham! Pow! Vroom!"
is the idea of action
and also "Vroom!"
for his motorcycle,
because Shinohara has been
making sculpture, you know,
since the beginning
of his artistic career.
He's been famous
for, you know, years.
But now is maybe
one of his key moments.
In the 1960s,
a Japanese painter
came to New York
seeking to create art
that would reflect the city's
prosperity and chaos.
This artist is Ushio Shinohara.
Early morning in SoHo:
cardboard has been discarded
in the streets,
and by walking a couple
of blocks from his loft,
Shinohara can collect all
he needs for his day's work.
At the moment, he is preparing
a new sculpture
using great amounts
of cardboard
while his wife, Noriko,
works on her own paintings.
As a young man in Tokyo,
he emerged as a leader
in Japan's
avant-garde art movement
with his imitation
of American pop art
and action painting.
The quality
of Ushio Shinohara's art
is, to say the least,
in some doubt,
but it does illustrate
the rather frenetic spirit
of rebellion
among some young people--
and not only in Japan,
throughout the world.
When he arrived
in the United States,
he was at once in the limelight
of the mass media.
It is said Shinohara
is the most famous
of the poor and struggling
artists in New York.
While his works
are exhibited across Japan,
American collectors often say,
"That's a wonderful image
but not my taste,"
so most of Shinohara's pieces
have never sold.
What do you think of my opening?
It hasn't even started yet.
I'm nervous.
- Like, "Will they sell?"
- You don't sell at an opening.
You never know.
I'm tired.
- Why
- Huh?
- I'm tired from preparing for today.
- I'm not tired at all.
Of course, this is your event.
It's not my show,
so I just get frustrated.
Come on, give me a break.
Really, what's most important
is that moment when he created
the painting.
This is a result,
but--and a beautiful result--
but also it's the action,
so that's where--
the energy is in there.
- You've met Ushio.
- Nice to meet you again.
Pleasure seeing you.
This is wonderful.
And he also made this
extraordinary new sculpture.
This is my main work.
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"Cutie and the Boxer" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/cutie_and_the_boxer_6173>.
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