Don't Bother to Knock
- APPROVED
- Year:
- 1952
- 76 min
- 519 Views
We guests who live here deserve
a little consideration too.
- Certainly.
- These conventions taking over!
I'm very sorry.
This hotel is getting rundown.
The food isn't what it was 10 years ago.
Are you?
Thursdays, I like to see a smile.
Expecting a fellow, aren't you?
- You tell me.
- Oh, sure.
Bringing in a flight from Miami.
- Nashville.
- Chicago.
He ought to be in the city,
if he had a tail wind.
He had a tail wind.
- Ever been wrong, Joe?
- What do you mean? Did you two fight?
- No, no fight.
- Well, can I ask what, then?
- I've just been thinking.
- Thinking?
That's serious.
I'm afraid so. I wrote him a letter.
- I invited him not to see me anymore.
- I thought he was something special.
He is. I like almost
everything about him.
Except what?
Except me, I guess.
I like New York in June
How about you?
I like a Gershwin tune
How about you?
I love a fireside
When a storm is due
I like potato chips
Moonlight, motor trips
How about you?
I'm mad about good books
Can't get my fill
And Tyrone Power's looks
Give me a thrill
Holding hands in the movie show
When all the lights are low
May not be new
But I like it
How about you?
I like New York in June
How about you?
I like a Gershwin tune
How about you?
I love a fireside
When a storm is due
I like potato chips
Moonlight, motortrips
Oh, how about you?
- Hello, Pat.
- Hi, Eddie.
Nell. What's the smile about?
- You seem different in those clothes.
- I'm different all the time. Hop in.
- You didn't have trouble finding it?
- No. I took the bus.
I heard them talking in the elevator:
"Somebody to look after the girl."
"There must be a service," she said.
I said, "How about my niece?"
- Did you say I had no experience?
- What's the point? Then they worry.
You're an old humbug, Eddie.
How high do we go?
What? Oh, yeah. Eight.
- How old is she?
- 6 or 7. She's a good kid.
- You won't have any trouble, will you?
- No, I don't think so. Why should I?
- Oh, you shouldn't. I only asked.
- I'm grateful. And I've wanted a job.
A lot of kids stay here. We could make
it a regular thing. Do you want that?
I suppose so.
- Didn't we pass eight?
- Oh, of course, yeah.
You mustn't worry about me, Eddie.
I like being in a hotel.
- To the zoo?
- In Central Park.
- To the subway?
- To Coney Island.
- To the automatic?
- No, the Automat.
Where they have food that you put in
a nickel and it comes out like music?
- Right.
- If she's a good girl tonight.
Don't worry. I will be.
This place is such a mess.
- Yes?
- It's Eddie. We're here.
Coming.
I thought these trays went out
with near beer.
Hello, Eddie. Good evening, Miss...
- Nell Forbes.
- How do you do, Miss Forbes?
- She'd love it if you'd call her Nell.
- Oh, yes.
- All right, Nell.
- Nice of you to come on short notice.
- It's nothing. I'm happy to do it.
- She found it just like that.
- Then you're not a New Yorker?
- No. I've been here for a few weeks.
- I'm Bunny.
- This is Nell. She'll be with you.
- She'll read you a story, won't you?
- Of course. Maybe I'll make one up.
That's nice, but
I like the one in the book.
That's Bunny's room. After you've put
her to bed, you can stay in here.
Oh, sure, or you can play
the radio if you want to.
Or the bar here. It's this notch.
Number five.
There isn't anything to read.
- We could have magazines sent up.
- Please don't bother.
RUTH:
See if Nell likes candy.
Oh, no. No, thank you.
I... I never eat candy.
- Not me. No, thanks.
- All right, Bunny. One piece.
Thanks, Mommy.
- That's a beautiful dress.
- Thank you.
- You'll have a beautiful evening.
- Nell will be fine. Bunny too.
I can stop by later.
Forget it. Bunny'll be asleep
in a jiffy. We're right downstairs.
In the ballroom.
My husband's getting an award.
For his editorials. I forget,
not everybody reads them.
The car is here on eight.
Would you like to go?
- Well, is there anything else?
- Mothers are such worry-buttons.
- You've thought of everything.
- Good night, honey bun.
Make a good speech, Daddy.
Mow 'em down!
And I'll drop up about 11:00
just to say hello. Bye.
Bye.
You're gonna like your dinner.
It's fillet. The chef told me.
You been here as long as I have,
you take an interest.
Lipstick tissue? Sometimes they
forget to leave them in the rooms.
- Well, thank you.
- That's a $5 idea. Oh, excuse me.
- Sorry, sir.
- I just got here.
Sorry I kept you waiting.
- That's right.
Everything going all right?
- Everything's fine.
- Yes, sir.
- Good evening, Mrs. McMurdock.
- Good evening. Come, boy.
Come on, baby. Come here this instant!
- Come, boy.
- Here, Rover! Here, Rover!
I've let him become too intelligent.
- What's his name?
- Rio.
Rio, come here.
Takes a certain tone of voice.
Oh I'm a rollin' stone
Just a-rollin' on and on
I'm a rollin' stone
That's just been here and gone
Wouldn't trade the moon
Or the stars in June
For a home on a streetcar line
'Cause a house and fence
Doesn't make much sense
When the whole wide world is mine
Oh I'm a rollin' stone
Just a-rollin' on and on
I'm a rollin' stone
That's just been here and gone
Gotta move on
Here and gone
Summer journeys to Niagara
And to other places
Aggravate all our cares
We'll save our fares
I've a cozy little flat in
What is known as old Manhattan
We'll settle down
Right here in town
We'll have Manhattan
The Bronx and Staten Island too
The zoo
"The prince went to the witch
to release his bride.
The old lady merely pointed
to the 100 nightingales.
How was the prince to find her?
The birds were all singing, all but one.
He dashed to this cage and touched it.
And behold, the cage
and the nightingale disappeared.
A lovely girl stood in their place.
And she clasped him around the neck
and she was as beautiful as ever."
- You didn't read very long.
- It wasn't a very long story.
But it has a happy ending.
I think that's nice, don't you?
It's all right.
Will you read me another?
I would. But I think your mother
would rather you went to sleep.
- Are you tattooed?
- No. Are you?
Not now. But I'm gonna be when
I grow up. I can turn out my own light.
- Of course you can.
- But I'm not sleepy.
When the light's off, the sandman'll
come and pour sand on your eyelids.
- Not sand. Cookie crumbs.
- Good night, Bunny.
I'm hot.
There. That'll let in some air.
Could I have my elephant, please?
Now, you turn off the light, Bunny.
- Good night.
- Good night.
A short vacation
On Inspiration Point will spin
And in the station house
We'll end
The city's bustle cannot destroy
The dreams of a girl...
...and boy
We'll turn Manhattan
Into an Isle of Joy
- Hi.
- Hello.
When are you on again?
Whenever I feel like it.
When anyone feels like it.
I liked that last song. You give your
singing character. That's what I like.
Straight from the shoulder.
Like your letters.
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"Don't Bother to Knock" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/don't_bother_to_knock_7100>.
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