Don't Bother to Knock Page #4

Synopsis: Airline pilot Jed stays at the New York hotel where girlfriend Lyn is a singer. He sees Nell in a window opposite his and they get chummy. When the girl she's baby-sitting, Bunny, enters Nell goes crazy and sends her to her room. She fantasizes that Jed is her long lost fiance. Jed comes to realize that Nell is more than a little whacko.
Director(s): Roy Ward Baker
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
6.9
Rotten Tomatoes:
100%
APPROVED
Year:
1952
76 min
510 Views


- Why is it so important?

Because I belong with you.

I'm just a guy from across the court.

Didn't you ever have

the feeling that...

...if you let somebody go

you'd be lost...

...you wouldn't find anybody

to take their place?

I had that feeling earlier tonight.

That's why I've got to go.

I knew you were the very best.

Even before you came over here.

Every time you looked at me

I wanted to kiss you. Like now.

I did it with a razor. My father's.

You did that to yourself?

- When Philip was given up for lost.

- Your husband?

I was in another hotel room once.

The night before he flew out

over the ocean the last time.

He said we'd be married

when he came back.

I flew with him once in awhile.

So you see why I wanna stay?

It's so pretty here.

- It's me, Nell. It's Eddie.

- No, Eddie! Please.

- Not now, Eddie.

- I brought a Coke.

What's the matter?

- If he found a stranger...

- So?

He wouldn't believe me.

He'd punish me and he might even...

- Just for a minute.

- Hurry it up.

It's me, Nell. It's Eddie.

- Open up, Nell.

- All right, Eddie.

I'm off now,

I can wait around till they...

What're you trying to prove?

You smell like a cooch dancer.

Wait in the lobby.

It'll look funny if you're here...

Not so funny as them finding you

in her clothes.

I forgot, Eddie. I just forgot.

The operator tells me

you been on the phone.

Are you acting that way again?

I've been an elevator jockey

for 14 years.

- Ain't that enough trouble?

- Eddie?

I tried to set you straight.

Would you like some glasses

for those Cokes? I'll rinse these out.

How much longer?

How much longer?

I told you I don't want any.

- Then why the two glasses?

- All right.

- You left the water running.

- Leave it.

The handle came off the faucet.

- I'll call somebody.

- No, I'll do it later.

- I wish you'd leave me alone.

- Why so restless?

- You're ticking like a clock.

- Just go on home.

I'm all right. I can find the bus.

- I thought you were getting better.

- Please!

Now I wonder about everything.

- Ring the room and see how Bunny is.

- What?

The phone's around the corner.

Don't worry.

Bunny can take care of herself.

- Go on, honey.

- I want to. Be back in a minute.

I can be regular. But first take

that thing off. Yes, in the closet.

- If I do, then will you go?

- I might.

You gotta calm down more.

Seemed okay until tonight.

I was glad we told them to send you

to New York, glad to sign the papers.

- There, it's off.

- And that.

Them too.

Take off the other one.

Look like you looked

when I brought you up.

- Stop it, all of you!

- You're not cured.

- Don't say that!

- Put that down!

- You want me committed, like my folks!

- Talk sense!

They didn't send you to that

institution. The doctors did.

You want to keep Philip and me apart.

We're never alone for five minutes.

You call it a sin to be with a man

even to go to a picture show.

- I have to sneak out.

- Wait a minute.

Nobody's going to come

between Philip and me!

- You got a man in there!

- Eddie!

Nell!

Hello? Yes, Mrs. Jones.

Bunny's asleep.

- Good. What's that noise I hear?

- It's a fire engine.

- I don't hear it here.

- We're on the other side.

Oh, yes, I guess that's it.

- You go ahead, have a good time.

- We are.

- Goodbye.

- Bye.

- I beg your pardon.

- It's all right.

- I'm going to see about this.

- Probably a nightmare.

Take it easy. Just hold tight.

That's it.

Get my bearings...

- I think I better get a doctor.

- Don't do that, please.

I just got the wind knocked out of me.

You're wrong. You almost

got the brains bashed out of you.

It's all a mistake.

It'll be all right.

Take it easy.

Guess you'll be all right.

- You wanna sit up now?

- Yeah, please.

Please, leave us alone. I'll be here.

I'll take care of the kid

until her folks get back.

All right, take care of yourself.

- I begged him not to interfere.

- You're entitled to your own kinks...

- He insulted me.

- No reason for murder.

- You're going?

- Yes. You're uncle's alive.

- I have another date right now.

- Everybody interferes.

Maybe you won't come back.

It's dangerous.

What could I say? What could I tell

anybody? What would become of me?

We'll talk about this another time.

But tonight I've got a problem

of my own to settle.

Two floors above ours.

It's not our business.

It's going to be

the manager's business.

- Open it.

- Please, sir, my job.

- If you make a fuss...

- I won't.

If she sees me or you,

she'll complain.

- I'm in a hurry.

- Please, don't make me lose my job.

- All right.

- Thank you, sir.

Yes?

Before I call the manager,

I'll ask if you can explain.

- Explain?

- What is going on in these rooms?

- Miss, we heard the child crying...

- And screaming.

- Who are you?

- Someone who'll call downstairs.

- What do you mean?

- All that crying.

- Do you have a young child inside?

- Is she yours?

Bunny? Bunny, you asleep?

- Where are her parents?

- They're out. I don't know.

- Didn't they leave a number?

- No.

- That's strange.

- We need to look into this.

We saw the girl at the window.

- I told you everything.

- We'd like to come in.

I've told you again and again.

Why don't you let us speak

to the child?

Speak to her? You're strangers.

- We'll call the authorities.

- No, don't. I told you, she's asleep.

- I knew there was a man!

- Don't let him leave!

That was the child's room.

- He mustn't get away.

- Explain at once.

- Who is that man?

- He came in here before.

- You mean he forced his way in?

- Yes, that's why I couldn't explain.

- He threatened you?

So the child screamed.

- Now it's over. He's gone.

- No, perhaps he can be caught.

Give me the house detective.

Now aren't you glad you came with me?

- Oughtn't you look at her?

- She'd cry if she wasn't all right.

Yes, it certainly is important.

It's over.

Is this the house detective?

It's about time.

It's all your fault.

There was a man. He's trying

to get away right now. He broke in!

You chased him away. We had a bargain.

- I'm trying...

- You devil.

- He wore a dark suit.

- He had on a bright red necktie.

Do you recall if he was good-looking?

Miss, was he good-looking?

Yes. He was very good-looking.

- He was handsome, all right.

- That's a good lead.

- Trouble?

- Ah yes, there's bad news tonight.

- Good night, Joe.

- Good night.

JED:

Lyn?

- Wait a minute.

- What is it?

- I wanna talk to you.

- We talked before.

We wrangled before.

Let's give ourselves a chance

to make some sense.

- I'll buy you a drink.

- I'm not thirsty.

- Then buy me one.

- No, I won't.

- I'll buy you both one.

- No, thanks, not for me.

- What's the matter with you?

- Nothing.

You wanna hear a story?

- Anything serious?

- A girl I met.

A girl?

When I left you before,

I went upstairs to my room...

- Hello, McKinley Hotel.

- What goes, Pat?

Mrs. Ballew found a man under the bed.

You'll catch him.

He'll be passing by here any minute.

Rate this script:0.0 / 0 votes

Daniel Taradash

Daniel Taradash was born on January 29, 1913 in Louisville, Kentucky, USA as Daniel Irwin Taradash. He was a writer, known for From Here to Eternity (1953), Picnic (1955) and Bell Book and Candle (1958). He was married to Madeleine Forbes. He died on February 22, 2003 in Los Angeles, California, USA. more…

All Daniel Taradash scripts | Daniel Taradash Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Don't Bother to Knock" Scripts.com. STANDS4 LLC, 2024. Web. 17 Nov. 2024. <https://www.scripts.com/script/don't_bother_to_knock_7100>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Don't Bother to Knock

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2015?
    A The Grand Budapest Hotel
    B The Imitation Game
    C Whiplash
    D Birdman