Don't Knock Twice Page #3
and driven to suicide.
and now Mary wants revenge.
Jess, so far your love
-It's my fault.
-No, it's not. Don't say that.
-Hi.
-Hey! Stay away from her!
I don't want you near my baby.
-Okay. Okay.
Tira, how do I stop this?
- Jess, there is only one way
to save your daughter.
- How?
- By clearing Mary's name.
If she didn't take that boy,
then find out who did.
And if you listen hard enough,
perhaps she will guide you.
-What do you think?
Chloe?
Chloe!
That missing boy Michael..
Were there ever any other
suspects besides Mary?
- Not as I recall.
Chances are he just ran away.
- But Chloe said that
you believed her
about Mary taking Michael,
what changed your mind?
- I didn't say
I changed my mind.
We closed the case, that's all.
Jess.
- And if you listen hard enough
perhaps she will guide you.
- "Michael flowers."
- That Michael flowers,
he's not the first, is he?
What about her?
Or her? Or him?
Tell me!
What do you think
will happen to you
when people find out
what you did?
I will make sure
that everybody does.
- We're here to discuss
what happens next.
-What do you mean?
- Chloe was very upset
when detective boardman
returned her to us this morning.
He's raised
some serious concerns
about your relationship
with her.
She needs me.
- She spent last night
alone on the streets.
She believes that
witches are conspiring
to feed her to a demon.
to this kind of nonsense
protecting her?
- Have you asked Chloe
what she wants?
-Jess, are you using again?
- No. -Then would it be alright
with you to provide a sample?
-Sure. You got a cup?
- You're showing
some aggression.
-Oh, you have no idea.
No f***ing idea.
I am just trying to protect her,
okay?
She's my daughter. She's mine.
Goddamnit!
- There will have to be
a full review
but it's only fair to warn you
that in light of what's happened
it is very likely your contact
with Chloe will be restricted.
She's a traumatized,
vulnerable young woman
who needs a stable environment.
Perhaps you should
consider counseling
for your own issues before
reapplying for custody.
- Michael flowers.
- Sorry?
- Is this detective boardman?
- What?
-Is this detective boardman?
- Yes. He's volunteered
here for years.
The kids love him.
- But 99% of the time
when something bad
does happen to a child.
- Jess, we're not finished.
- It's down to someone
they know.
-Chloe. Come on.
Sh*t.
- This way.
- Jess, I don't think
i can help her.
- Please, tira,
we don't have anyone else.
- Okay. I'll see
what I can do.
- Okay.
- Meet me back in the park.
I don't live far from there.
Thanks for coming back for me.
-Chloe!
Chloe! Chloe!
Sh*t.
Chloe?
Chloe, is that you?
- Yeah, I've got her,
she's down here.
- No, I need more time.
I need more time.
You didn't give me enough time.
I can bring you what you need.
I just need more time.
- You are trespassing.
- Come with us.
- I don't know what to do!
- Come outside. Don't resist.
-Wait. Ow, ow, ow, wait.
- Just stay with her.
I'll be back.
- You're expecting someone else?
This little reformed character
act you've got going
it's paper thin, isn't it?
Scratch the surface
and you're still
the same selfish piece of sh*t
that abandoned your kid
as soon as she got
in the way of your career.
-You don't know me.
-No. You don't understand.
You f***ed up that poor
little girl's life once.
And I am not gonna let you
f*** it up again.
Now, where did you take Chloe?
What did you do with her?
Where is she?
- She took her.
- Who?
-Mary aminov.
Ginger.
- What?
- I thought I could protect her.
But once you knock,
she doesn't stop.
She just keeps coming.
-Oh, enough!
Tell me the truth.
-You didn't tell me the truth.
You said that the kids
hounded that woman.
But it was you.
You blamed her for the killings.
You kept at her until
she couldn't take it any more.
-She killed herself.
She got what she deserved.
-Did she? Did she really?
It's usually down
to someone they know.
That's what you told me.
- So?
- So, you knew them
better than she did.
You knew Michael,
you knew all the kids.
Why were you so determined
Was she an easy scapegoat?
Why were there
never any other suspects?
How did it happen?
How does something
like that happen?
Did you see him out
on the street that night?
Did you offer
to give him a ride home?
How many others have you taken?
-We'll talk again later.
-Come on.
Come on. Come on. Come on.
What are you waiting for?
What are you waiting for?
Chloe? Chloe.
- Jess.
Jess.
This way.
Chloe?
Hello?
Wait. Wait!
Wait.
Hello?
Chloe?
Ah!
- Michael.
- Help! Help!
Get away!
No!
-Jess!
- Hi. I'm gonna get you
out of here, okay?
-It's coming.
Let's go!
- Help!
Help us!
Come on!
Run.
- No!
Come on!
- Wait!
Help me. Help me.
- Come on.
Come on, we gotta go. Come on.
-What the f***?
Jess?
Jess!
What are you doing?
Where's Jess?
I'm calling the police.
-Ben?
So, Chloe and I are home.
Um, we're safe. So, come back.
Okay. Bye. Love you.
You okay?
-Just thinking about boardman.
-He did some very bad things.
He had it coming.
- What do you mean?
What did he do?
-Your friend, Michael boardman
is the one who really took him.
He made everyone think
that it was Mary
so they wouldn't suspect him.
He got what he deserved.
-Boardman didn't take Michael.
He was a good man.
- How are you?
- He's volunteered
here for years.
The kids love him.
-What are you talking about?
-I saw Michael.
Mary fed him to the demon.
Boardman was the only one
who believed us.
- And I investigated.
Thoroughly.
Everybody knows what you did.
She killed herself.
-No!
- She got what she deserved.
- And the only way
that the human slave
can be free of the demon
is if they kill themselves.
into replacing them
by forcing them to do something
truly, truly evil.
- Mary was the demon's slave.
She killed herself to be free.
Tira lied to me.
- It's not a baba yaga
haunting you.
-She tricked me.
- If she didn't take that boy,
then find out who did.
- She made me believe that
boardman was guilty.
Sh*t!
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Don't Knock Twice" Scripts.com. STANDS4 LLC, 2024. Web. 17 Nov. 2024. <https://www.scripts.com/script/don't_knock_twice_7109>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In