Ferris Bueller's Day Off Page #12

Synopsis: Ferris Bueller is a clever and tricky fast talker, a legend in his own time. He decides to call out sick from school, feigning illness, to embark on a wild adventure involving his girlfriend, Sloane Peterson, his best friend Cameron Frye, and a Ferrari. From Wrigley Field to the Art Institute of Chicago to a Polish Pride parade, Bueller and friends intend on making the most of their day off. However, Ferris' sister and the school dean, Ed Rooney, suspect that Ferris is simply pretending to be ill. Both Rooney and Ferris' sister Jeanie are hot on Ferris' trail and are determined to catch him and his friends in the act of class-cutting.
Genre: Comedy
Production: Paramount Pictures
  Nominated for 1 Golden Globe. Another 1 win.
 
IMDB:
7.8
Metacritic:
61
Rotten Tomatoes:
79%
PG-13
Year:
1986
103 min
1,316 Views


She slips into the Dean's outer office.

131 INT. DEAN'S OUTER OFFICE 131

Rooney's secretary is behind her desk. Jeanie walks in. The

secretary looks up and greets her with a weary smile.

SECRETARY:

Hello, Jeanie. Who's bothering

you now?

Jeanie scowls at her.

JEANIE:

Is Dean Rooney in?

SECRETARY:

I'm sorry, he's out. Can I help you?

JEANIE:

(condescending)

I seriously doubt it. When's he back?

SECRETARY:

I don't know. He left the grounds

on personal business.

132 EXT. STREET. CU. CURB 132

A car tire rolls into FRAME and stops. Slide across to the

sidewalk. Rooney's dress shoe steps out onto the pavement.

Move up to reveal Rooney standing at the door of his

bile-green LeBaron. Rooney peels off his shades and looks

around like he's Dirty Harry. In his mind he is Dirty Harry.

CU. FIRE HYDRANT

Rooney's dres shoe on the hydrant. He ties his lace and

pulls up his sock.

EXT. STREET

Rooney straightens his tie and jacket and slips into a rowdy

hot dog joint.

133 INT. HOT DOG STAND 133

It's jammed with construction workers, secretaries, suburban

businessmen. It's loud and confusing. Rooney pushes his way

in and scopes the crowd.

HIS POV:

A young person is playing a video game in a far corner.

CU. ROONEY

He suspects it's Ferris. It look sort of like Ferris. He

smiles and cuts into the crowd.

CU. THE BACK OF THE VIDEO PLAYER'S HEAD

MOVE IN on the player.

ROONEY (OC)

I've been waiting a long time

for this.

The player looks up.

ROONEY (OC)

Your ass is mine.

The player turns around. It's a GIRL.

CU. ROONEY

The blood evacuates his face. He stares at the girl.

CU. GIRL

She stares at him. She picks up her Coke. She puts the straw

to her lips and sucks.

CU. ROONEY

He's still staring. He can't think of anything to say.

CU. GIRL

Holding the straw in the mouth, she draws it out of the cup.

She raises it, pointing it directly in Rooney's face.

CU. ROONEY

He squints

CU. GIRL

She blows a strawful of Coke in Rooney's face.

CU. NAPKIN HOLDER

A hand yanks a napkin hold.

INT. HOT DOG STAND. SERVICE COUNTER

Rooney wipes his face. Behind him is the kitchen and a

grease-covered TV set broadcasting a Cubs baseball game.

There's a long foul ball. The TV camera follows the ball

into the stands. A kid makes a stab at the ball. Rooney

wipes his suit off. The TV camera zooms in on the boy

triumphantly holding the foul ball aloft. It's Ferris.

He does a little celebration dance. Rooney wads up the

napkin and tosses it in a trashbin. The TV camera returns to

the game. Rooney glances at the screen.

ROONEY:

What's the score?

HOT DOG MAN:

Zero to zero.

ROONEY:

Who's winning?

HOT DOG MAN:

Cubs.

Rooney nods and exits.

134 EXT. WRIGLEY FIELD. STANDS 134

Ferris sits down with the baseball. He shakes his stinging

paw. On either side of him are Cameron and Sloane. Cameron's

scarfing nachos.

FERRIS:

I think I broke my thumb.

SLOANE:

Can we leave now?

FERRIS:

You want to leave? We just got here.

SLOANE:

You got a call, you broke your thumb,

what's left to do?

Cameron offers his nachos to Sloane. She looks at them with

disgust.

SLOANE:

No wonder you're always sick.

Ferris leans back, puts his hands behind his head and turns

his face to the bright sun.

FERRIS:

Do you realize that if I played by

the rules, right now I'd be in gym?

135 EXT. HIGH SCHOOL. PLAYING FIELD 135

A boy's gym class is doing laps. A blue Fiat pulls into the

shot.

136 INT. FIAT 136

Jeanie's at the wheel. She sneaks a glance at the school.

JEANIE:

I can't believe my brother's making

me put myself in a position where I

could get expelled. Selfish little

moron.

(pause)

Ferris? You're overshadowed

me long enough. I'm gonna get

you, buddy.

She puts the car in gear and drives out of the shot.

137 EXT. STATE STREET 137

A parade is underway. Floats and politicians. Marching

bands, drum and bugle corps, soldiers, school kids. Figure

skating club in outfits and skates performing their routines

on pavement. It's GERMAN-AMERICAN APPRECIATION DAY.

EXT. STATE STREET. FLOAT

Riding atop on a float is Ferris. He's waving to the crowd.

He and half a dozen homely German-American Beauty Queens.

He's leading the girls in singing, "DANKE SHOEN".

EXT. STATE STREET. SLOANE AND CAMERON

They're watching Ferris go by. They wave to him.

SLOANE:

I love him.

CAMERON:

It's hard not to.

Cameron breaks a smile. As worried as he is about the day

and getting caught, he has to admire Ferris for his lack of

inhabitions. Cameron mumbles a few words.

CAMERON:

Stop...water...want...

SLOANE:

Do you believe in reincarnation?

CAMERON:

Huh?

SLOANE:

Do you believe that you lived before?

CAMERON:

Yeah. Sort of.

SLOANE:

DO you ever wonder what you were?

CAMERON:

I don't have to wonder. I know.

Sloane looks at him with amazement.

CAMERON:

I was a tractor tire.

EXT. STATE STREET. FLOAT

Ferris is on his knees, reaching down from the float,

shaking hands with people in the crowd.

FERRIS:

Guten tag, dude!

EXT. STATE STREET

Sloane and Cameron continue their conversation.

CAMERON:

What were you in a previous life?

SLOANE:

I'm not sure but I think I know

who Ferris was.

CAMERON:

Hannibal.

SLOANE:

From the A-Team?

CAMERON:

No. The guy who rode the elephants

into Switzerland.

Sloane laughs at herself. They step out of the crowd and

head down the street in the direction the parade's heading.

SLOANE:

I think if he was anybody, he

was Magellan. You know, the guy

who went around the world.

Cameron nods.

SLOANE:

I could see him ignoring popular

belief and taking off on some

impossible mission.

CAMERON:

Yeah. As long as I've known him,

everything works for him. There's

nothing he can't handle. I can't

handle anything. School, parents,

the future. Ferris can do anything.

EXT. STATE STREET. FLOAT

Ferris is playing "TWIST AND SHOUT" on the accordian. The

girls on the float are singing.

FERRIS:

WELL, SHAKE IT UP, BABY, NOW!

GIRLS:

SHAKE IT UP, BABY

FERRIS:

TWIST AND SHOUT!

GIRLS:

TWIST AND SHOUT!

FERRIS:

COME ON, COME ON, COME ON, BABY ON!

COME ON AND WORK IT ON OUT!

GIRLS:

WORK IT ON OUT!

EXT. STREET. SLOANE AND CAMERON

They continue their conversation.

SLOANE:

The future's worse for a boy, isn't

it?

Cameron doesn't understand what she means.

SLOANE:

A girl can always bail out and

have a baby and get some guy

to support her.

CAMERON:

That's a pretty grim thought.

SLOANE:

True, but it's an option. No options

is worse.

CAMERON:

I don't know what I'm gonna do.

SLOANE:

College.

CAMERON:

Yeah, but to do what?

SLOANE:

What are you interested in?

CAMERON:

Nothing.

SLOANE:

Me either.

They walk on for a few beats. We HEAR "TWIST AND SHOUT"

GROWING LOUDER AND LOUDER. The sons is taking over all the

other tunes in the band. It's infecting the entire parade.

Rate this script:3.3 / 3 votes

John Hughes

An American filmmaker. Beginning as an author of humorous essays and stories for National Lampoon, he went on to write, produce and sometimes direct some of the most successful live-action comedy films of the 1980s and 1990s. Most of Hughes's work is set in the Chicago metropolitan area. He is best known for his coming-of-age teen comedy films which often combined magic realism with honest depictions of suburban teenage life. more…

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Submitted by aviv on January 26, 2017

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