Ferris Bueller's Day Off Page #9
- PG-13
- Year:
- 1986
- 103 min
- 1,316 Views
The closet door is open. The wire from the bedroom door is
strung over the top of the closet door. A trophy is attached
to the end of the wire and it's resting on a yard stick. As
the bedroom door closes, the trophy lifts up off the
yardstick and the lump in the bed goes back down to it's
original position.
CU. FERRIS' SYNTHESIZER
Little LED's are lighting up to the rhythm of the snoring.
The snoring it simulated.
109 INT. HALLWAY 109
Joyce listens at the door another beat. She's smiles with
relief and affection.
110 EXT. SEARS TOWER. LATER 110
HELICOPTER SHOT moves in on the world's tallest building. As
it passes we see three figures pressed against the windows.
FERRIS (VO)
This is the world's tallest building.
From our vantage point here on the
103 floor, we are provided with a
view of four states.
CAMERON (VO)
Do you think the car's alright?
FERRIS (VO)
Illinois, Michigan, Wisconsin and
my personal favorite, Indiana.
111 INT. SEARS TOWER OBSERVATION DECK 111
Ferris, Cameron and Sloane are standing against the window.
CAMERON:
I don't feel good, Ferris. Are
we gonna stay long?
FERRIS:
Take a step back...
Ferris steps back. Sloane and Cameron follow suit.
FERRIS:
Now, lean against the glass. Like
this...
He leans forward, putting all his weight on his forehead.
FERRIS:
And look down.
Sloane leans forward. Cameron follows, reluctantly.
SLOANE:
Oh, sh*t!
HER POV:
The street far, far below. A dizzying view.
INT. OBSERVATION DECK
The three are leaning against the glass.
SLOANE:
What if the glass gives?
FERRIS:
Death.
SLOANE:
Cool.
CU. CAMERON
He's looking down.
CAMERON:
I think I see my Dad.
112 EXT. STREET LEVEL 112
A middle-aged man, Cameron's father, HORACE FRYE, is
standing on the street corner. He's lean, clean, tough and
humorless. He's wearing a puzzled look on his face.
CAMERON'S FATHER
I think I see my car.
HIS POV:
The Ferrari screams down the avenue and disappears down the
underground ramp.
113 INT. SEARS TOWER LOBBY 113
Ferris and Sloane bound down the escalator. Cameron follows
glumly. They dance past the giant Calder mobile. They're
singing.
FERRIS AND SLOANE
I BEEN ALL 'ROUND THIS GREAT BIG WORLD
AND I'VE SEEN ALL KINDS OF GIRLS
YEAH, BUT I COULDN'T WAIT TO GET
BACK IN THE STATES
BACK TO THE CUTEST GIRLS IN THE WORLD
I WISH THEY ALL COULD BE CALIFORNIA
I WISH THEY ALL COULD BE CALIFORNIA
114 EXT. STREET 114
Ferris and Sloane burst out the doors garnering the annoyed
stares of the business people busily going in and out of the
building. Cameron politely waits his turn to exit. Ferris
and Sloane head down the street. Cameron follows.
FERRIS AND SLOANE
I WISH THEY ALL COULD BE CALIFORNIA GIRLS!
115 EXT. CHICAGO MERCANTILE EXCHANGE 115
Giant old monolith.
116 INT. CHICAGO MERCANTILE EXCHANGE. TRADING ROOM 116
Traders are frantically buying and selling commodities.
117 INT. GALLERY 117
Ferris, Cameron and Sloane are sitting in the gallery
watching the proceedings.
SLOANE:
Do you love me?
FERRIS:
Do you love me?
SLOANE:
I asked you first.
FERRIS:
Yes. You?
SLOANE:
Yes.
FERRIS:
Would I trash a day of education to
be with you if I didn't love you?
SLOANE:
Yes.
FERRIS:
Would I risk damaging a deep and
wonderfully enriching relationship
with my parents if I didn't love you?
SLOANE:
Yes.
FERRIS:
Would I have introduced you as my wife
if I didn't love you?
SLOANE:
Wait a minute. That was a lie.
FERRIS:
True.
Ferris puts his arm around Sloane.
FERRIS:
Would you want to get married? I
mean if I wasn't an a**hole.
SLOANE:
Sure.
FERRIS:
(serious)
Today?
Sloane stares at him. Is he serious.
FERRIS:
I'm game.
SLOANE:
No way!
FERRIS:
I'll do it, if you will.
Cameron suddenly adds his two cents.
CAMERON:
You need a blood test.
Ferris looks around at him.
FERRIS:
Huh?
CAMERON:
If your blood's not compatible,
you could produce a pinhead. The
state requires a blood test.
FERRIS:
So?
CAMERON:
So, you can't get married today.
FERRIS:
Tomorrow?
CAMERON:
If you get a blood test today.
SLOANE:
I'm not getting married.
CAMERON:
I'm with you, babe.
FERRIS:
Why not?
SLOANE:
What do you mean, why not? Think
about it.
FERRIS:
Besides being too young and your
father hating my guts and not
having any place to live and feeling
awkward about being the only cheer-
leader with a husband, give me a
good reason why not.
CAMERON:
I'll give you two. My mother and
father.
Ferris and Sloane look at him curiously.
CAMERON:
They're married and they hate each other.
(to Ferris)
You've seen them. Am I right?
FERRIS:
You're father's a toad and your
Mom's always wired out, but so what?
They're old. That's natural.
CAMERON:
It makes me puke. Seeing people
treat each other like that. It's
like the car. He loves the car.
He hates his wife.
SLOANE:
My parents are divorced. So what?
It's not like it doesn't happen
ten thousand times a day.
CAMERON:
Just because it happens doesn't
make it right. Are you comfortable
with it?
SLOANE:
No. It's not something I can get comfortable
with. I've tried. Are yours divorced?
CAMERON:
They may as well be.
SLOANE:
Do you think they're staying together
because of you?
Cameron hasn't seen it that way. He shrugs.
SLOANE:
Do they like you?
It hasn't occured to Cameron that his parents might not like
him. That parental love might not be a given.
CAMERON:
Yeah. Sure.
SLOANE:
Consider this...my father canned me
and my brother and my Mom for a
twenty five year old dipso with fake
tits. He dropped us like a rock. Everything
was cool at our house. I thought so.
We all thought so. Then BLAM! It's over.
FERRIS:
(to CAMERA)
This is all news to me. She keeps a
pretty good secret.
SLOANE:
(to Cameron)
It was pure selfishness. When I have
a kid, I don't care how much I want
something, if it's gonna screw-up the
kid, forget it.
FERRIS:
(to CAMERA)
She's not lying.
CAMERON:
You could change.
SLOANE:
Yeah. But I'm gonna try not to.
gonna try to prevent it.
FERRIS:
This is optomism. It's a common
trait with my age group. Adults
think it's cute, it's like a charming
quick that infests youth. But it's
a cool thing and I think, deep down,
crusty old shits wish they had some.
They wish they had her, too.
(points to Sloane)
Sorry. She's taken.
CAMERON:
I'd rather not have my family break
apart, thank you.
SLOANE:
Well, you know what? It ain't up
to you. It's out of your hands.
CAMERON:
So, I in other words, I should just
sit back and watch it crumble?
SLOANE:
You're merely an inhabitant in their
universe.
FERRIS:
Frightening choice of words.
SLOANE:
They call the shots. When you split
from them, you call the shots.
CAMERON:
So, you're saying I should run away?
FERRIS:
No. She's saying it's time for lunch.
SLOANE:
What?
FERRIS:
Let's go feed Cameron.
They stand up and head out. Ferris hangs back a moment. He
cups his hands to his mouth. He yells at the top of his
voice.
FERRIS:
BUY!
And he exits. Cool and casual.
118 INT. CHICAGO MERCANTILE EXCHANGE. TRADING FLOOR 118
It explodes with activity in response to Ferris' shout.
We HEAR A RADIO ANNOUNCER.
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"Ferris Bueller's Day Off" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/ferris_bueller's_day_off_857>.
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