Get Rich or Die Tryin' Page #6

Synopsis: A tale of an inner city drug dealer who turns away from crime to pursue his passion, rap music.
Director(s): Jim Sheridan
Production: Paramount Pictures
  6 wins & 3 nominations.
 
IMDB:
5.2
Metacritic:
45
Rotten Tomatoes:
16%
R
Year:
2005
117 min
$30,885,034
Website
4,127 Views


'Cause when it rains it pours

End up wet up

'Cause when it rains it pours

What's up?

- You need a manager.

- A manager?

In my hood, when it rains it pours

Ain't nothin' changed

Niggas doin' the same old sh*t

Them new hollow-tips

And them same old clips

These folks feeling you, man.

- Come on, let me get in my house.

- Let me be your manager.

Man, let me in my house.

Stop playing and sh*t.

I'm telling you, this sh*t hot, man.

You're looking good.

Thank you. I did it for you.

- Did you miss me?

- Yeah, I missed you.

Yeah?

How about you? How you doing?

I'm cool. Been staying to myself.

You know.

I ain't been doing much talking.

You always have so much to say

in your music.

How come you're quiet now?

It's a different part of the brain.

The part you never let anyone see?

I let you see.

- Do you love me?

- You know I love you.

- Are you still in love with me, though?

- Yes.

I'm pregnant.

- You sure?

- Yeah.

You gonna keep it?

Do you want me to?

Yeah.

But, you know, I was just thinking,

what about your career?

I just know you love dancing.

You won't be able to dance.

I could always dance for you.

- Yo, Marcus! I'm out, man.

- You out?

Yeah. If you ever in Cleveland,

you look me up, all right?

Take care, man.

Turns out I didn't have to go

to Cleveland to meet with Bama.

Yo!

My nigga out?

- What's up, man?

- What's up?

I want you to be my number two, man.

I'm out the game, man.

- What out?

- I'm out.

- You out of your mind, you know that?

- I'm gonna rap.

Justice, tell your boy, man. He talking

about he wants to be a rapper.

A rapper?

Yeah, I was writing music

while I was in there.

Bama.

So, they let the big old

black buzzard out, huh?

Yeah.

They don't know what they did.

Shake up the world.

- Who this nigga?

- He's my manager.

First of all, I ain't nobody's nigga.

I'm his manager, okay?

- Marcus.

- Chill, relax, yo.

- Get in the car, man.

- Shut the f*** up, nigga.

- Who the f*** you talking to?

- Just relax, man.

- You don't know me.

- Relax.

- You all right, man?

- Yeah, it's cool.

I see you got that

little Napoleon thing going on.

I'm gonna be in the car

if you need me for anything.

- You all right?

- Yeah.

I just wanna, you know, just do my thing.

You know, when you get out that chair...

Junebug gonna sit in it.

You know that, don't you?

I need to watch my back?

You know, you're like family to me, yo.

What's up?

He's rolling with Levar.

- Why don't you let me deal with that?

- Shut the f*** up.

Whatever we do,

we gotta be sensible about it.

Yo, man, now that we out of the game,

how we gonna eat?

We gonna eat. Don't worry about that.

- Management gonna handle all of that.

- Management?

Yeah.

- What you doing back there?

- What?

What you back there fidgeting for?

It's your car, B, I'll be still.

You're moving again.

What?

There you go. You still at it, man.

You still fidgeting.

I don't like people moving behind me,

sitting behind me and sh*t.

You gonna sit back there,

you gotta sit the f*** still.

- I don't like that sh*t.

- This motherf***er's crazy, man.

Hey, I just wanna talk to him.

I just wanna have a word with him.

- Talk to him, Marcus.

- Relax.

Why is he moving around

in my back seat?

It's like, man, a motherf***er fidgeting

in your car, you shoot first...

- and you ask questions later.

- Shoot?

You shoot first

and you ask questions later.

You just met him.

He fidgeting, man, I'm right about him.

I'm always right.

It's like, when I'm right, I'm right, and

when I'm wrong, I could've been right...

so I'm still right

'cause I could've been wrong!

That make sense. Come on.

Say that again?

- Come on, get back in.

- It's like, when I'm right, I'm right.

When I'm wrong,

I could have been right...

so I'm still right

'cause I could've been wrong, you know.

And I'm sorry,

'cause I could be wrong right now.

I could be wrong right now. But I'm right.

- It's beautiful.

- Yeah, it's nice.

I used to come here

with my moms when I was young.

After the baby's born,

we gonna get our own place?

- Promise?

- Yeah.

- Can we get rid of him?

- Yeah.

You sure?

Hi.

Thank you.

How is little Antwan?

He's doing pretty good over there.

You call him Antwan? After me?

Antwan.

Nah, nigga, I don't know

I don't know who got you

I don't know who stabbed you

I don't know who shot you

I don't know who cut you

I don't know who robbed you

But you think I know

'Cause you know how my squad do

Nowadays niggas snitchin'

so much in the street

That you gotta talk to them

like they the police

- And you say you got this from who?

- Dangerous.

- Dangerous gave you this contract?

- Yeah, I f***ing told you that.

I don't know who hit the studio

And popped your man

Well, this is some slave-ass contract.

The same contract he's under.

You sure you didn't get this

from Majestic?

What the f*** you trying to say?

I think I'm saying it.

Nigga, you don't make no decisions.

This is on Marcus.

I ain't signin'

that motherfucking contract

I ain't a b*tch like you

I ain't going out like that

Me? I don't play

them kind of motherfucking games

You got your answer, man.

- No.

- Let's see if Dangerous can take a joke.

Dangerous in the booth

But not in the streets

You a Jehovah Witness, nigga!

Your daddy a doctor in Riverdale,

nigga, you ain't from the hood.

This can get me killed.

He is talented.

You talk that sh*t,

you don't live that sh*t, boy.

We got to stop this

from getting out there.

"We?"

F*** you gonna do

when I catch your ass without Majestic?

Up you come, beautiful. Up you come.

There you go.

There you go, beautiful.

Life is precious.

Tell Marcus to apologize.

It's best for everyone.

Motherf***er touched my kid.

Nobody touches my family.

I want security, 24/7.

Done.

Look, Marcus, man, I'm sorry,

I don't know how he knew.

I'm gonna kill him.

No, not that way.

I'm gonna humiliate him.

Bring him to me.

Let's see what he's got.

It's on now, nigga

Welcome to hell

My hood, there's no telling

What they do to you

Across the street from Lucifer, he's only

Man, who's he talking about?

Nigga, turn around and push the button.

You'll be losing your brain

And your boss is a b*tch

He snitched on Levar

Junebug's a f***ing flunky

I don't trust him, either

Eeney meeney miney mo

Catch a piggy by the toe

Click clack pow, officer down

- He ain't gonna like that.

- You know what? F*** Majestic.

This song is about you.

"Click clack pow, officer down."

He the f***ing snitch.

From this day on, he ain't nothing to me.

Nothing.

End it. And get rid of the manager, too.

I don't wanna get anybody killed, man.

Let's go.

Since Majestic couldn't get to us...

he made sure

we couldn't get a record deal.

It's Young Caesar.

F***, man. This sh*t is crazy, man.

They trying to shut us down.

F*** it. Why don't we just go back

to doing what we do best?

- I can't do that.

- I ain't talking about crack.

Rate this script:0.0 / 0 votes

Terence Winter

Terence Patrick Winter (born October 2, 1960) is an American writer and producer of television and film. He is the creator, writer, and executive producer of the HBO television series Boardwalk Empire (2010–14). Before creating Boardwalk Empire, Winter was a writer and executive producer for the HBO television series The Sopranos, from the show's second to sixth and final season (2000–2007). In 2013, he wrote the screenplay to Martin Scorsese's The Wolf of Wall Street for which he was nominated for an Academy Award for Best Adapted Screenplay. He is the co-creator, writer and executive producer of another HBO television drama series, Vinyl (2016–present). more…

All Terence Winter scripts | Terence Winter Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Get Rich or Die Tryin'" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/get_rich_or_die_tryin'_8888>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Get Rich or Die Tryin'

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "SFX" stand for in a screenplay?
    A Script Effects
    B Screen Effects
    C Special Effects
    D Sound Effects