Gone Girl

Synopsis: In Carthage, Mo., former New York-based writer Nick Dunne (Ben Affleck) and his glamorous wife Amy (Rosamund Pike) present a portrait of a blissful marriage to the public. However, when Amy goes missing on the couple's fifth wedding anniversary, Nick becomes the prime suspect in her disappearance. The resulting police pressure and media frenzy cause the Dunnes' image of a happy union to crumble, leading to tantalizing questions about who Nick and Amy truly are.
Genre: Crime, Drama, Mystery
Production: 20th Century Fox
  Nominated for 1 Oscar. Another 65 wins & 177 nominations.
 
IMDB:
8.1
Metacritic:
79
Rotten Tomatoes:
87%
R
Year:
2014
149 min
Website
10,040 Views


Al BLACK SCREEN Al

NICK (V.0.)

When I think of my wife, I always

think of her head.

FADE IN:

INT. BEDROOM - SOMETIME

We see the back of AMY DUNNE’S HEAD, resting on a pillow.

NICK (V.0.)

I picture cracking her lovely

skull, unspooling her brain,

Nick runs his fingers into Amy’s hair.

NICK (V.0.)

Trying to get answers.

He twirls and twirls a lock, a screw tightening.

NICK (V.0.)

The primal questions of a marriage:

What are you thinking? How are you

feeling? What have we done to each

other?

AMY wakes, turns, gives a look of alarm. *

BLACK SCREEN:

2 EXT. NORTH CARTHAGE - MORNING 2

A carved faux-marble entry—reading FOREST GLEN—ushers us into

a ruined HOUSING DEVELOPMENT. Mostly VACANT houses. A few

Fourth of July decorations hang in windows. A weird, BUCOLIC

air:
swaying grasses, stray wildlife.

3 EXT. NICK DUNNE’S FRONT YARD - DAWN 3 *

TITLE CARD:

JULY 5th, 2012

THE MORNING OF:

NICK DUNNE, 30s, handsome, is taking out the trash; his yard *

is the only one mowed—all around him WILDERNESS encroaches.

The SUN rises over the treeline and blares its FIRST-DEGREE

SPOTLIGHT in his face. He looks ILL.

GG - Blue Draft - 8/29/13 2.

He turns and stares back at his HOUSE as if girding himself.

He strides across the yard, opens the door. His shadowy

figure fills the doorway for a moment. He SHUTS the door. *

4 EXT. BAR PARKING LOT - DAY 4 *

NICK—wearing noticeably different clothes—arrives under a *

glaring SUN. Down the street, a troupe of HOMELESS MEN walks *

single file along the river.

5 INT. THE BAR - DAY 5

Nick’s twin sister, GO, 30s, nerdy-hot, is washing mugs. The

bar is packed with ‘80s k±tsch: board games, toys, posters.

Their very own CLUBHOUSE.

GO:

Ah, the Irish prince graces us with

his presence.

He sits on the bar’s customer side. She flicks suds at him. *

NICK:

Brought you a present.

He sets a decrepit ‘70s—era Master Mind on the bar.

GO:

(sweet - smile)

Master Mind! I hated this game!

NICK:

You loved it.

GO:

You loved it. Thanks.

She places it behind the bar alongside SORRY!, CLUE, LIFE.

NICK *

Pour me a bourbon, would ya?

GO glances pointedly at the clock: 11:09 a.m. She pours two *

bourbons. Settles in.

GO:

What’s up, Jitters?

He shrugs. She tries to wait him out. Fails.

GG - Blue Draft - 8/29/13 3.

GO (CONT’D)

If you don’t talk, I’ll fill the

silence with:
an Excruciating Story

by Margo Dunne.

He smiles. This is an old, reliable routine.

GO (CONT’D)

I could tell you about my customer—

service experience while changing

Internet providers. *

NICK:

I do like that one.

GO:

Or the time I saw a woman who

looked exactly like my friend

Monica but it wasn’t Monica, it was

a stranger—

NICK:

—whose name was.. .Monica.

GO:

Made it kind of interesting.

She gives a look: Talk.

NICK:

It’s a bad day.

GO:

Amy?

NICK:

Our anniversary. Five.

GO:

Five?! That came fast.

NICK:

And furious. *

6 INT. SOMEWHERE - SOMETIME 6

CLOSEUP on a PEN, cursiving across a DIARY. The pen is GIRLY,

topped with pink feathers. We see at the top: January 8,

2005. We hear the words as we see them written in pink.

AMY (V.0.)

I’m so crazy, stupid happy.

GG - Yellow Revisions 9/27/13 4.

7 INT. BROOKLYN APARTMENT - NIGHT 7

AMY ELLIOTT, early 30s, gorgeous, is in a crowded hipster

party. Dude-heavy. She weaves her way through the guys.

AMY (V.0.)

I met a boy.

She spots her FRIEND deep-flirting a guy, and stops midway,

stuck with TWO BEERS. She makes her way toward a table with

picked—over food and scans the room for anyone she knows. She

spots NICK DUNNE—he spots her.

AMY (V.0.)

A great, gorgeous, sweet, cool-ass

guy.

Nick weaves his way over. She’s setting down her beer.

NICK:

It’s dangerous to set down a monk— *

brewed Belgian wheat beer when the *

party is down to three Beast Lites

and a bottle of Pucker.

AMY:

Might attract some desperate

characters.

He gestures toward a group of Williamsburg musician-types:

suspenders and broad-brimmed hats.

NICK:

Things could get ugly. The Amish

are on Ruinspringa.

AMY:

They already relieved me of my

artisanal meat platter.

NICK:

Finally, someone to tell me how to

pronounce that word.

AMY:

Meat?

NICK:

One syllable.

He picks up the beer.

GG - Blue Draft - 8/29/13 5.

NICK (CONT’D) *

Whose beer am I drinking? *

(moving closer to her, so *

they have same POV) *

What’s your type? *

They scan the crowd together. Cozy. Nick points to a hornrimmed,

haughty DOUCHEBAG. *

NICK (CONT’D) *

I can’t picture you sitting still *

while he bloviates about his post- *

grad thesis on Proust. *

Nick points to a sideburned guy in a NOVELTY TEE. *

NICK (CONT’D) *

Ironic hipster so self—aware he *

makes everything a joke? *

AMY *

I prefer men who are funny, not *

‘~funny.” *

Nick points to a wavy-haired granola-yoga type. *

NICK:

Please tell me it’s not Deeply

Sensitive Emo-Dude

—who says things like “I love

strong women.”

NICK:

Code for ‘~I hate strong women.”

A beat as they scan the room, then face each other. *

AMY *

And what type are you? *

NICK:

Corn-fed, salt-of the earth *

Missouri guy.

AMY:

Missouri?! How cute.

NICK:

Ah:
native New Yorker!

GG — Yellow Revisions 9/27/13 6.

AMY:

World ends at the Hudson. I’m l~my.

NICK:

So tell me, Amy. Who are you?

AMY:

A. I am an award—winning

scrimshander. B. I am a moderately

influential warlord. C. I write

personality quizzes for magazines.

NICK:

(taking her hand)

A. Your fingers are far too *

delicate for real scrimshaw work.

B. I am a charter subscriber to *

Middling Warlord Weekly—I’m sure

I’d recognize you. So: C. *

AMY:

And you? Who are you?

NICK:

I’m the guy to save you from all *

this awesomeness.

8 INT. APARTMENT ELEVATOR - NIGHT 8

They head down:
tipsy, not touching, but thinking about it.

AMY:

So if you write for a men’s

magazine, does that make you an

expert on being a man?

NICK:

In theory, I know what men drink,

what men wear-

AMY:

How men bullshit.

NICK:

Not with you.

Amy laughs:
ha, ha.

NICK (CONT’D)

I’m serious.

She stops, studies him.

GG - Blue Draft - 8/29/13 7.

AMY:

It’s hard to believe you. I think

it’s your chin.

NICK:

My chin?

AMY:

It’s quite villainous.

She places a finger over his chin. Tests the view. *

NICK:

No bulishit. 100% truth.

9 EXT. BROOKLYN - NIGHT 9

They are huddling together, walking to hail a cab.

NICK:

I love New York parties because I *

get to leave and walk out into New *

York. The Great What Next? *

They turn the corner and step into a cloud of powdered sugar

Rate this script:5.0 / 1 vote

Gillian Flynn

Gillian Schieber Flynn (born February 24, 1971) is an American author, screenwriter, comic book writer and former television critic for Entertainment Weekly. Flynn's three published novels are the thrillers Sharp Objects, Dark Places, and Gone Girl, the last of which she adapted for the screen in the 2014 film of the same name directed by David Fincher. more…

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