Haunted Gold

Synopsis: John Mason returns to the Sally Ann mine to claim his half share. Janet Cater also returns although her father lost his half share to Joe Ryan. Ryan and his gang are also there to get the gold. A mysterious Phantom is also present. Mason's plan to expose Ryan as an outlaw and to force him to turn his share to Janet works. But when distracted by the Phantom, John is made a prisoner by the gang.
 
IMDB:
5.5
PASSED
Year:
1932
58 min
53 Views


He'll be back soon

Sit down. You're acting like

a bunch of half-baked kids

He'll show up pretty soon.

Get going, Isobel.

We're surrounded, boss.

Well, what's this?

Boss, let's go back

to the ranch.

The Sally Ann Mine.

you ain't figuring on goin'

to any haunted mine?

We's followin' that horse.

and I've got a hunch somebody's

trying to cut in on it.

Why, it's Ed's horse.

Or they wouldn't be so

anxious to keep us away.

Shh.

He used to be superintendent

of the mine.

We're gonna find out

something right now.

Just a minute!

And who invited you

into this game?

You boys better get movin'

before I loses control.

Nice neighborly bunch of boys

you have here.

Sure, why not?

Oh, well, we-

We have so few visitors.

And he ain't here

for nothing, either.

Mack, trail him

and see what he's up to.

Hm?

that I haven't given it

much thought for years.

Oh, uh

Go on, Clarence, hit the hay.

Aw, go get some sleep.

This must have been

quite a mansion in its day

Thanks.

Well, you see, I...

that everything's gonna

turn out all right

is all around here.

No, sir.

All right, you wait

out here in the hall

but the best cook

we ever had at the ranch.

A black figure

just went up those stairs.

You couldn't have missed him.

but I swear

no one's come up here.

Where have you been?

He's deaf and dumb.

d-don't you think we oug

hta go on back to the ranch?

But- But, boss, boss...

Come on, boys.

Look.

Mack, you stay

with the horses.

Hold on there, pardner.

Stick'em up.

What are you doing up here?

What are you doing up

here on my property?

Well, we'll find a

way to make you both talk.

Dead men can't tell us anything.

Come on, let's get him.

Mack, go over

and saddle up my horse.

I know nothing

I can't understand it myself.

Oh.

Well, I'm beginning

to understand.

but I simply have to find out

what this is all about.

Help, help!

Help, help!

Help!

You'll be all right now.

And you come along,

and you spoil it all.

Ryan's father stole my

share of the mine.

Come on, I'll tell you

while we're riding.

but what is there

to be afraid of now?

but my nervousness

just lingers on.

in a town like this,

where he can't spend a nickel.

I don't know what he'd want

a thousand dollars in this town.

Must be

up to something.

Well, he'll find us

on the job all right.

All right.

I don't

understand that, boys.

Isobel, get going.

Put'em up.

They is up.

Come on, give us that money.

Now, beat it.

Duke. Duke!

catchin' up with my money.

to tackle almost anything

to earn an honest dollar.

Yes, sir.

Yes, sir.

Come on, get movin'

there, Clarence.

Throw'em in.

And that's where

the thousand dollars comes in.

Now, make up your mind.

Looks like

he's got us, boss.

Make out the transfer

in the name of Janet Carter.

I may not be so generous.

Clarence?

Ye- Ye- Yes, sir!

Get out!

Tie him up.

Get that lantern

and bring that darky.

Bring him along.

Hurry up.

Move on, smokey.

Quit stallin'

Get back there.

That's only an old shovel.

Cut out making that noise.

Well, that water sure didn't

do these guns any good

Get goin'.

Come on, get goin'.

Maybe that's

the angel Gabriel callin' us.

Let's see

what's up this ladder.

Shh.

Hold it there.

You?

Then why does that tun

nel lead to this room?

or it'll be too bad

for both of ya.

Get goin'

Come on, come on.

Cut out the gabbin'

and shove on.

You're pretty tricky, ain't ya?

Move on.

Put'em up.

Tie'em up,

Benedict.

Let'em loose, Tom.

Get me outta this.

And who are you anyway?

Bill Carter.

The man your father

framed and sent to prison.

Yes, dear,

he's your father.

Where is it?

and you're gonna tell us

where it is.

Don't you know me?

It's just me, Clarence.

Duke, I's gonna show'em

a phantom what is a phantom.

Look out-!

What's happened?

What?

When Ryan comes in

and grabs her, I ups and left.

Come on.

I is the phantom.

He ain't no phantom

with that watermelon accent.

I is the phantom.

Sure as you all's born,

I is the phantom.

I hopes to die

if I ain't the phantom.

Well, let's ride

to the shack above the mine.

I guess

they didn't believe me.

for his daughter and for you.

Here's the panel.

the other in the mill.

Keep to your right

in the tunnels!

Get- Get away from me

Giddap!

Giddap!

Duke!

Duke, come here boy!

To the ranch, Duke,

and get the boys.

how'bout exploring

that secret passage?

All right.

My father-

They've been torturing him

Not so fast.

Tie him up, Ed

Turn him loose, Tom.

or none of ya are gonna see

daylight again.

Oh, Father, if there is

any gold, show them where it is.

All right, Ryan.

Tell me what's next.

Snake eyes.

Bye-bye, blackbird

Clarence.

Can you get outta there?

I don't know, but I'm trying.

Well?

There it is.

Guess I knew

what I was talkin' about.

help me lug this out.

Lord, my head's spinnin'...

like a top.

Look.

Why, that's

the boss's horse.

If he's in trouble,

we'll get him out of it.

That's up this shaft.

They're desperate.

Well, make it snappy.

Look.

Let's get outta here.

Up!

Giddap!

Hyah!

Giddap!

Come on, boy, giddap!

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Adele Buffington

Adele Buffington, also known under the pseudonym Jess Bowers, was an American screenwriter of the silent and sound film eras of Hollywood. During her long career, she would be involved in writing more than 100 Hollywood films. In addition, she was one of the founders of the Screen Writers Guild. During the late silent film era, she was a major proponent of using original screenplays, bucking the then-current trend of adapting stories from plays and novels. more…

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Submitted on August 05, 2018

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