Hobson's Choice Page #9

Synopsis: 1880s Salford, England. Widowed Henry Hobson, owner/operator of Hobson's Boots, lives with his three adult daughters, Maggie, Alice and Vicky, in a flat attached to the shop. Henry is miserly, dipsomaniacal and tyrannical, not allowing his daughters to date as their sole purpose in life is in service to him and to the shop, they who receive no wages in that professional service. He changes his mind about Alice and Vicky, for who he will choose husbands, despite they, the romantic ones, already having chosen the men they would marry if given the opportunity. He will, however, not provide them with a dowry, which may prove to be a challenge in finding them who he would consider suitable husbands. Concerning Maggie, he believes she is far too useful to him as the overly efficient and organized one to let go, and too old at age thirty for any man to want her anyway. Incensed by her father's attitude about her, Maggie decides that she has to show him how wrong he is about her being an unmar
Genre: Comedy, Drama, Romance
Director(s): David Lean
Production: Criterion Collection
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
NOT RATED
Year:
1954
108 min
707 Views


I'll transfer to this address

and what I'll do that's generous is this.

I'll take you into partnership

and give you your half-share

on the condition you're sleeping partner

and don't try interference on with me.

Partner?

"William Mossop, late Hobson"

is the name this shop'll have.

Just a minute, Will.

I don't agree to that.

Oh, so you've piped up at last.

I began to think you'd both

lost your senses together.

It had better not be

"late Hobson", Will.

- That's the way I want it, Maggie.

- Now wait a bit.

I'm to be given

a half-share in me own business

provided I take no part in running it -

is that what you said?

- That's it.

- Well, I've heard of impudence before...

- It's all right, Father.

- Did you hear what he said?

Yes, Father, but it's settled, quite settled.

It's only the name we're arguing about.

I won't have "late Hobson", Will.

I'm not dead yet, my lad,

and I'll show you that I'm not.

I think "Hobson and Mossop" is best.

His name on my sign-board?

The best I'll do is this.

Mossop and Hobson.

No.

Mossop and Hobson,

or it's Oldfield Road for us, Maggie.

Very well, Will.

Mossop and Hobson.

- Now look here!

- Fine.

I'll make some alterations in this shop

and all, I will so.

- Alterations in my shop?

- Look at that chair!

How can you expect high-class customers

to sit on a chair like that?

We'd only a cellar,

but they did sit on cretonne!

Cretonne?

It's pampering folk!

Cretonne for a cellar,

morocco for this shop.

Folks like to be pampered. It pays.

We'll have carpet on that floor too.

Carpet? Morocco?

Young man!

D'you think this shop is

in St Ann's Square, Manchester?

Not yet...

but it's going to be.

It's no further

from Chapel St to St Ann's Square

than it is from Oldfield Road

to Chapel Street.

I've done one jump in a year,

and if I wait a bit I'll do t'other.

Give him time, Will.

It's come a bit sudden.

I'm afraid I bore on him too hard.

- Did I sound confident, Maggie?

- You did all right.

I wasn't as certain as I sounded,

but you told me to be strong and use

the power that's come to me through you.

Words came into me mouth

that made me jump at me own boldness.

And when it came to facing you

about the name,

I fair trembled in me shoes.

I was carried away like.

I'd not have dared to cross you, Maggie.

Don't spoil it, Will.

You're the man I made you

and I'm proud.

Yes, but I... I said such things to him

and I sounded as if I meant them too.

- And didn't you?

- Aye, aye, that's just the worst.

I mean, from me to him.

I... Well, he's the old master and...

And you're the new!

Will, are you doing?

Leave my wedding ring alone.

- You've worn a brass one long enough.

- I'll wear that ring forever, Will.

I... I was for getting you

a proper one.

That brass stays where you put it, love.

And if ever we get too rich and proud,

we'll just sit down together

and take a long look at it

so as we'll not forget t'truth

about ourselves.

- I've come to a decision.

- Yes, Mr Hobson?

Will Mossop, you've forced me to it.

I never thought I'd have to stoop so low.

But I'm going round

to see Albert Prosser.

- Albert Prosser?

- Aye.

I'm gonna fence you in with the law.

Albert Prosser's going to draw up

a deed of partnership.

- Yes, Father.

- Aye.

Well, by gum!

By gum!

Tubby! Shop!

By gum!

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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Submitted on August 05, 2018

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