I'm Not There. Page #11

Synopsis: Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.
Director(s): Todd Haynes
Production: The Weinstein Co.
  Nominated for 1 Oscar. Another 27 wins & 45 nominations.
 
IMDB:
7.0
Metacritic:
73
Rotten Tomatoes:
77%
R
Year:
2007
135 min
$4,000,000
Website
1,197 Views


# I don't need anybody now #

# Beside me to tell #

# And it's all revelation #

# I recede #

# Good night #

# She's a long-bodied beauty #

# But she's gone like a smile #

# And she's gone #

# Yeah, she's gone like the rainbow #

# That was shinin'yesterday #

# But now she's old beside me #

# And I'd like to hear... #

Henry!

Henry!

Come on, Henry. Come on, girl.

Come on.

Come on!

Henry!

Come on!

Bye, Henry!

Good-bye, my lady.

# With your mercury mouth #

# In the missionary times #

# And your eyes like smoke #

# And your prayers like rhymes #

# And your silver cross #

# And your voice

like chimes #

Doesn't really matter, you know,

what kind of nasty names

people invent for the music.

But, uh, folk music

is just a word, you know,

that I can't use anymore.

What I'm talking about

is traditional music,

right, which is to say

it's mathematical music,

it's based on hexagons.

But all these songs

about, you know,

roses growing

out of people's brains

and lovers who are

really geese and swans

are turning into angels...

I mean, you know,

they're not going to die.

They're not folk music songs.

They're political songs.

They're already dead.

You'd think that these traditional music people

would... would gather

that mystery, you know,

is a traditional fact, you know,

seeing as they're

all so full of mystery.

And contradictions.

Yeah, contradictions.

And chaos.

Yes, it's chaos, clocks,

and watermelons...

You know, it's... it's everything.

These people actually think

I have some kind of, uh...

fantastic imagination.

It gets very, uh, lonesome.

But traditional music

is just, uh...

It's too unreal to die.

It doesn't need to be protected.

You know, I mean,

in that music is the only

true valid death

you can feel today,

you know, off a record player.

But like everything else in great demand,

people try to own it.

Has to do with, like,

uh, the purity thing.

I think its meaninglessness is holy.

Everybody knows I'm not a folk singer.

People are always talking about freedom.

Freedom to live a certain way

without being kicked around.

Course, the more

you live a certain way,

the less it feels like freedom.

Me? I can change during

the course of a day.

I wake and I'm one person,

and when I go to sleep, I know for certain

I'm somebody else.

I don't know who I am,

most of the time.

It's like you got yesterday,

today, and tomorrow,

all in the same room.

There's no tellin' what can happen.

# Once upon a time,

you dressed so fine #

# Threw the bums a dime

in your prime #

# Didn't you? #

# People call, say beware, doll #

# You're bound to fall

You thought they were all #

# Kiddin'you #

# You used to laugh about #

# Everybody that was hangin' out #

# Now you don't talk so loud #

# Now you don't seem so proud #

# About havin' to be scrounging #

# Your next meal #

# How does it feel? #

# How does it feel #

# To be without a home #

# Like a complete unknown #

# Like a rolling stone? #

# Things are crashing better #

# She's all too tight #

# In my neighborhood #

# She cried both day and night #

# She's a lone-hearted mystic #

# And she can't carry on #

# When I'm there, she's all right #

# Then she's not when I'm gone #

# Heaven knows that the answer #

# She don't call no one #

# She's the way forsaken beauty #

# She's mine for the one #

# And I've asked her hesitating #

# About temptation as it runs #

# She don't follow me #

# I'm leaving #

# I'm gone #

# Now, I'll cry tonight #

# Like I cried the night before #

# And I'll feast on the highway #

# But I'll dream about the door #

# It's alone #

# She's forsaken #

# By her fate #

# Words to tell #

# It don't have approximation #

# She smiles fairly well #

# Her smile is contagious #

# I was born to love her #

# But she knows that the kingdom #

# Waits so high above her #

# And I run #

# But I race #

# But it's not too fast to stand #

# But I've got to be free #

# And I'm not there #

# I'm gone #

# Well, it's too hard to stay here #

# And I don't want to leave #

# It's so hard for so few #

# Sleep, but she's hard #

# Too hard to breathe #

# It's a load #

# It's a crime #

# The way she mauls me around #

# But she don't phone to hate me #

# But it's time to make the clown #

# Yes, I believe that it's rightful #

# I believe it in my mind #

# I been told #

# Like I slept #

# Before I carry on the grind #

# Yes, the soul judge had told her #

# That I should carry on #

# The child's been hurt and alone #

# Then I'm gone #

# Mama, take this badge off of me #

# I can't use it anymore #

# It's gettin' dark #

# Much too dark to see #

# Feel I'm knocking on heaven's door #

# Knock, knock, knocking

on heaven's door #

# Knock, knock, knocking

on heaven's door #

# Knock, knock, knocking

on heaven's door #

# Knock, knock, knocking

on heaven's door #

# Mama, wipe this blood from my face #

# I'm sick and tired of the war #

# Don't know if it's night #

# Or if it's the sun #

# Rising higher #

# Scared I'm knockin'

on heaven's door #

# Ooh, ooh, ooh-ooh #

# Ooh, ooh, ooh-ooh #

Subtitled By J.R. Media Services, Inc.

Burbank, CA

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Todd Haynes

Todd Haynes (; born January 2, 1961) is an American independent film director, screenwriter, and producer. He is considered a pioneer of the New Queer Cinema movement of filmmaking that emerged in the early 1990s. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's tragic life and death, using Barbie dolls as actors. Haynes had not obtained proper licensing to use the Carpenters' music, prompting a lawsuit from Richard Carpenter, whom the film portrayed in an unflattering light, banning the film's distribution. Superstar became a cult classic.Haynes' feature directorial debut, Poison (1991), a provocative, three-part exploration of AIDS-era queer perceptions and subversions, established him as a formidable talent and figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film Safe (1995), a symbolic portrait of a housewife who develops extreme allergic reactions to her suburban life. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. Haynes' next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era, drawing heavily on the rock histories and mythologies of David Bowie, Iggy Pop, and Lou Reed. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival and an Academy Award nomination for Best Costume Design. Haynes gained critical acclaim and a measure of mainstream success with his 2002 feature, Far from Heaven. Inspired by the cinematic language of the films of Douglas Sirk, Far From Heaven is a 1950s-set melodrama about a Connecticut housewife who discovers that her husband is gay and falls in love with her African-American gardener. The film received four Academy Award nominations, including Best Original Screenplay for Haynes. His fifth feature, I'm Not There (2007), marked another shift in direction. A nonlinear biopic, I'm Not There depicts various facets of Bob Dylan through seven fictionalized characters played by five actors and an actress. I'm Not There received critical acclaim and an Academy Award nomination for Best Supporting Actress for Cate Blanchett. In 2011, Haynes directed and co-wrote Mildred Pierce, a five-hour mini-series for HBO, which garnered 21 Emmy Award nominations, winning five, as well as four Golden Globe Award nominations and a win for lead actress Kate Winslet. In 2015, Haynes returned to the big screen with Carol, his sixth feature film and the first film not written by him. Based on Patricia Highsmith's seminal romance novel The Price of Salt, Carol is the story of a forbidden love affair between two women from different classes and backgrounds in early 1950s New York City. The film received critical acclaim and many accolades including six Academy Award nominations, five Golden Globe Award nominations, and nine BAFTA Award nominations. more…

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    "I'm Not There." Scripts.com. STANDS4 LLC, 2024. Web. 22 Jul 2024. <https://www.scripts.com/script/i'm_not_there._10553>.

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