It's Alive III: Island of the Alive Page #6

Synopsis: The mutant babies have been placed by court order on a deserted island. Appalled by the cycnicism and exploitation of the children by the legal system and the media, the man responsible for them leads an expedition to the island to free them.
Genre: Horror
Director(s): Larry Cohen
Production: Warner Home Video
 
IMDB:
4.6
Rotten Tomatoes:
50%
R
Year:
1987
95 min
32 Views


They read about me in our newspapers.

Do you read our newspapers?

Yes, you've known about the monster?

But I'm famous, don't you see that?

I'm the father of the monster.

Don't you remember?

Look, the name is Jarvis.

You remember me.

This is a hospital.

You don't remember me.

I have to go all the way to

Cuba to not be remembered.

- Simone?

- Yeah.

Take over for me, will you?

I don't feel very well.

I'm going home.

You got a fever?

I feel kind of like I'm

worried sick about something.

But I don't have anything to worry about.

That's all right.

It's not a problem.

I can handle it.

Oh, I know you can.

This place doesn't need a manager.

It needs a keeper.

Hey, taking off early?

I'm not feeling very well.

Hop in.

Tony, I thought I told

you to leave me alone.

I thought you got over that.

Come on, I'll be nice.

Wait a minute.

Come on, just a minute.

Come on, I'm serious.

Now, just a minute.

Didn't you hear about the

fishing boat that crashed

into the marina with all

those dead bodies on board?

Now why does that give me the chills?

I've been afraid of something all night.

If you're afraid, you don't

wanna spend the night alone.

Oh, clever.

Very clever, Tony.

Hey, hey, he)'-

How many other guys would want

to spend the night with you

if they knew who you were?

Did the old guy with

the two kids find out?

Is that why he dumped you?

What does that mean?

They might think it was sickening.

I never thought you were sickening, honey.

I was always very hot for you.

You're not making any sense.

I'm not making any sense?

I'm in this bookstore the other day,

way in the back where they keep the porn?

And there's all these books stacked up.

For $1.

But they're old, right?

I mean, real old.

Five years old.

So I start to leaf through them...

...and guess

what I come across?

Your picture.

Get in the car.

Get in.

You guys are taking a hell of a risk.

They

wouldn't pay any attention to us,

what we have to say.

We're commies.

You're just a lunatic.

Should I tell 'em how I got here?

They

wouldn't believe that.

Why are you doing this?

Haven't you heard?

We're human beings.

You know, some people

might wanna know about that.

No, they wouldn't.

We're lucky we heard

that report on the radio

about the fishing boat and the bodies.

Buenos tardes.

Maybe I'll see you in Havana some day.

Hey, maybe you'll see

us in Mexico City some day

or Tijuana.

Don't bet on it.

Here.

Take this.

This is a strange thing, isn't it?

A Cuban givin' an American a gun?

A Russian gun.

Do you know how to handle it?

When I was an actor,

I fired off a lot of blanks.

These aren't blanks.

Adios.

Good luck with your kid.

Maybe you won't have to shoot him.

Hey, watch out where you're

f***ing going, you a**hole.

I'm home.

Where are you going?

I'm going to take my break now, Sam.

Bobby, what are you...

Hey, hey, are you on something?

Let go of me.

You wanna try some real good sh*t?

Let go of me.

It's gonna make you feel good.

Get off me!

Who're you running from?

Come on, man.

Let's get her.

Get that b*tch!

No, no!

Get her, yOu GUYS!

No, no!

Let go of me!

Let go of me!

No.

God no!

Stay away!

Let go of me!

Get out of the way, girl.

Get up, get up, run!

What this thing looked like.

We were both on the floor.

We couldn't hear anything.

The music was loud.

My wife works here.

Excuse me, Miss, you know Ellen.

Does she still work here?

Yeah, she took off early tonight.

It's lucky she did because

somebody tried to break

- into her locker.

- Yeah, you know who?

Yeah, a pervert, and

he tore up all her clothes.

Where does she live?

Excuse me.

Come on, you really

don't expect me to give out

her home address, do you?

She's in danger, Miss.

How do I know you're not

the guy in the locker room?

You saw him, didn't you?

Now you know it's not me.

It's like nobody you ever

saw before in your life.

The Tropicana Apartments.

Why are you doing this to me?

Why am I doing this to you?

'Cause I wanna come up

whenever I wanna come up.

Or else I might go back

and buy up all those books

and distribute them amongst your friends.

Tony, you are the lowest.

You make me sick.

Sick?

I make you sick?

You're the one that gave

birth to that thing.

Now how does it make you feel, huh?

Or did you blame it all on your old man?

Son of a b*tch.

Oh, that's right.

I forgot.

You don't cry, do you?

Do we have an understanding, sweetheart?

What are you doing?

What are you doing?

What are you doing?

What the f*** are you

doing in my car?

What are you doing?

You threw up in my f***ing car.

You f***ing freak's

mother, what did you do?

Look what you...

You threw up in my car!

Look what you did!

Just shut up!

You son of a b*tch!

You son of a b*tch, wait

until I get my hands on you.

Get away from me, you bastard!

You get away from me!

You f***ing son of a b*tch.

you, baby.

I got your number, honey.

You're dead.

You're dead.

You just shut your face, you bastard.

Wait, just let me in here.

I got you.

Open this door.

What a ridiculous human being you make.

F*** it, I'm going to get you.

Shut up down there,

I'm calling the cops.

F*** you. Call the cops,

call the cops. Go ahead, go ahead.

You're going to get me

kicked out of this building.

I know people.

Yes, I know people.

One phone call and you're dead.

Dead meat.

F*** you.

You shut up.

You don't do that to me.

You're dead. You're dead, b*tch.

I'll get her.

She's dead.

She's, look what she did to my car.

She's dead.

That f***ing son of a b*tch.

I'll get her.

Look what she did to my car.

I love my car!

There's a half-dozen

kids under that pier, Doc.

I've seen them.

Pieces of them.

I kept on pumping

bullets into this f***er

and he wouldn't go down.

Better stand back.

Close off this area.

Move all the spectators off the pier.

None of you are to have any

contact with any other officers.

Report to the hospital under quarantine.

Why?

What's the matter?

Damned if I know.

But the corpse has some kind

of a rash all over its body.

Oh, sh*t, I touched him.

Please help!

Please, somebody help me.

Help me!

Please!

Tony, Tony, please, I need you.

Come up here.

Tony!

You a**hole.

Oh my God.

Did you see that guy outside?

Something nearly tore his head off.

Look, there's a door wide

open on the second floor.

Right there.

Suspect sighted on the roof.

- What's going on?

- Just stay inside, all right?

There will be no trouble.

Just stay inside, don't come out.

I don't wanna touch it.

Shoot them, shoot them!

Ellen?

They don't wanna hurt us.

Why did you bring them here?

Why are you doing this to me?

They found you by themselves.

They're here for a reason.

What is it?

Was she right? ls it contagious?

Sh*t, yes.

You've seen it a million times.

Measles.

They look sick.

It's got a rash.

She's got a fever.

She's broken out all over.

She's dying, isn't she?

And you're dying, too.

Do they know what you're saying?

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Larry Cohen

Lawrence G. "Larry" Cohen (born July 15, 1941) is an American film producer, director, and screenwriter. He is best known as a B-Movie auteur of horror and science fiction films – often containing a police procedural element – during the 1970s and 1980s. He has since concentrated mainly on screenwriting including the Joel Schumacher thriller Phone Booth (2002), Cellular (2004) and Captivity (2007). In 2006 Cohen returned to the directing chair for Mick Garris' Masters of Horror TV series (2006); he directed the episode "Pick Me Up". more…

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Submitted on August 05, 2018

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