It's Love I'm After Page #4

Synopsis: Renowned stage actors Basil Underwood and Joyce Arden are partners on and off the stage. An occupational hazard for Basil is that women often fall in love with what they see of him on the stage, he who sometimes indulges that adoration. Basil and Joyce's personal life is passionate and tempestuous characterized by constant fighting and making up, which is often continued on-stage under their breaths. After their latest fight and reconciliation, they decide to get married... for the twelfth time. They are determined to make it to the altar this time. But Basil feels he needs to wipe clean the slate first by doing a favor for a stranger, Henry Grant, whose fiancée has fallen in love with him. With his latest script in hand, Basil vows to make Henry's fiancée fall out of love with him by playing the cad. He finds that it may be more difficult than he first imagined when he finds out that the woman in question is Marcia West, the young woman who professed her love to him earlier in the eve
Genre: Comedy
Director(s): Archie Mayo
Production: Warner Brothers
 
IMDB:
7.7
APPROVED
Year:
1937
90 min
191 Views


I invited him!

- Really?

- Yes

Of all the ...

Why argue?

Let's have breakfast.

"Every night

got you under my pillow.

"But only your photo, by

unfortunately. I love you. "

Is this a home?

Remember you are

a lady.

Needless to say

everything we think.

Why?

There are some really crazy.

How do you know?

I peeked through the keyhole.

I told you never do that.

What did you see?

There was a man dressed

and another in his underwear ...

Dress ... and told him

other terrible things.

Not another word!

We'll talk after breakfast.

I think I'll have to

teach manners!

Starting

locks!

"I love you passionately,

"And if you send me $ 500,

I'll love you even more. "

- Who is it?

- From a lady, sir.

As always.

A very misunderstood lady.

The usual.

No, that's enough,

Digges. Thank you.

Answers to all

my best pitch.

Very good, sir.

And now, to keep up the charade.

Do you know your first

scene, Digges?

- Al pat, sir.

- Good.

Too bad it has to be she.

It is a good girl, Digges!

- Not too late to change your mind, sir.

- Oh yes it is!

As you say.

What a strange situation!

In which for better person,

I have to behave

like dirt.

I will try to understand while

I'll take my breakfast.

I send my love. Want to know:

What's for breakfast?

Kipper??

Who called kipper?

Did you hear?

Do not be silly, Daddy.

Kipper is a type of fish.

What, and that fixes everything?

What am I? A fish?

My master tells

you want to eat kipper.

Like to fish?

Treats it as a

rotten fish.

Eggs? Would not be right?

They come from aristocratic chickens.

Darling, if you want a kipper Basil,

probably not want eggs

even aristocratic.

I guess with eggs

will have to suffice.

Eggs and a bottle of whiskey.

- At breakfast?

- And another for lunch.

No kippers, ha.

And no autographs on Sundays.

Have you ever heard this?

What a shame!

Good work!

You should be ashamed.

Thank you, friend.

I told him a thing or two.

I think it's wonderful.

What is it?

No kipper.

What a shame!

Do I understand that we are kipper-less?

We eggs.

We kipper

smoked!

- How did you sleep?

- Impossible. Someone was snoring.

- Who?

- I do not know. Me?

We prepare your kipper.

Meanwhile, I offer.

I forgot to present last night.

This is my prom ... A friend

Henry Grant.

How are you?

My aunt Paisley.

- That hand! That hand!

- What's wrong with your hand?

Look how heart line.

He will marry once.

May God watch over his wife.

The lucky!

Mr. Underwood has

time for that.

Oh, Mr. Underwood,

We're soul mates!

I met Sir Henry Irving,

a great actor.

Well, it's your opinion.

Come. May I present

Mrs. Kane.

My friends

say "Blossom".

How sweet!

I know him well:

Wearing boxer shorts with blue polka dots!

Is there reformatory in California?

This is Mr. Babson.

Nice to meet you,

boy.

You can call me "Chico".

The Babson lady.

I recognize the hand.

And Mr. Hinkle, Hinkle Utilities,

and Mr. Kane, Kane Chemicals.

Ah, captains of industry!

Where is my kipper?

Ah, here you are!

I was thinking about what you said

on my acting conditions.

You call this kipper

smoked? Test.

What's this?

Who brought it?

Quemado, and so all the meat.

What crap is this? Where

is the rascal cook?

How dare, villains, you get this from

and serve wardrobe who does not appreciate?

Take him everything!

With knives, mugs and everything!

Petruchio!

The Taming of the Shrew!

- I tell to you, Kate ...

- My name is Ella.

That is burned ... and dry.

And I can not even touch it ...

Begets anger ... well,

Rooted anger!

Because of his nature we have

fact likely to anger ...

better still feed

more dried meat.

It seems he did not like.

And I thought that since

had seen it all!

I'm stunned.

Interpretation insurmountable, sir. And we

leads directly back to Miss Joyce.

What a lack of education!

I'm sorry that happens, my dear,

But what did you expect?

I get sick!

Price and pruritus!

What right do they criticize?

What are manners? Rules

small for small people ...

It's too big for that. Genius

is above such trivialities.

I will apologize

on behalf of all.

Marcia, wait!

Oh, sorry the

attitude of our guests!

No problem, dear.

We're used to it.

Are you fond of horses?

As a child, I liked the carousel.

I ride on Sunday.

I'd love to come.

Would you? Yes.

What's that? What?

That little thing on your cheek.

Oh! That is a beauty mark.

None of that.

Is it a mole!

A wart certainly, sir.

Here is another one!

Right.

If she has two, she must have a third.

- I have another!

- Where?

It is not your business.

What do you want from

my daughter, Mr. Underwood?

Leave him alone, Dad. Please!

Nobody has my

minor consideration.

I can not bear to

Women with warts.

Enter the convent! Gone!

Ah! Hamlet, Act III, Scene 1a.

How can you say that?

It's a beast!

I hate you! I hate you!

Last act last scene!

Go players we are, sir!

Henry, I congratulate

their future commitment.

Quick but effective.

I can never thank

enough.

No, no, it is I who have

be thankful ...

For allowing me to recover ...

my dignity.

Oh, please, don't mention it!

And now, sir?

Pack your bags.

For this relief, thank you very much.

Hamlet, Act I, Scene 1a.

My sweet ...

Now you see it as it is.

But he's right.

How?

These warts are horrible!

I had not noticed ...

Not true. I love them!

You know what beauty!

He is an expert ...

I'm going to get.

What do you mean?

Cut them??

Well, I do not know the other, but ...

These two have

to go!

All for what that fool says?

He's not dumb, I'm the one

behaved like a child.

It is frank, and I admire him.

Do you admire? ... Listen to me:

If you love me, or touches.

Sorry, but you are not engaged to

my warts. And I'm going to remove.

Come on, Digges, Miss Joyce

will be proud of us.

I hope with all my heart, sir.

Today there will be a wedding at noon.

Oh, nothing like

a wedding at noon!

Hey, Lord Actor!

Be something you ignore.

She knows something

we ignore.

It may not be as important

if ignored.

Where are you going?

To a desert island with little children.

You'll never know what

she going to do?

It will get rid of your moles.

At least two.

He's crazy about you!

And Henry is that doctrine.

Come, sir, remember the wedding.

I have caused the effect

"Bash me-to-me-love" ...

I do not know that you will be given

you, but it works!

Wait!

I have to talk!

Sorry, man, I gotta go!

Cracks, huh?

"Sticks and stones will break my bones,

but the words do not touch me. "

He's right, Digges.

What do you say?

Not here.

Top.

With his hand on the lock.

If you do, stick a pin.

Use a glove, Digges.

If I were not a gentleman,

behave like a lout.

What is Babson's room?

Second lock on the left.

I made a

small tactical error.

Error.

Come on, before it gets worse.

What do we do?

I have not exhausted my repertoire.

Think of something more drastic.

Think of something that works.

- It's noon and you said ...

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Casey Robinson

Kenneth Casey Robinson (October 17, 1903 – December 6, 1979) was an American producer and director of mostly B movies and a screenwriter responsible for some of Bette Davis' most revered films. Film critic Richard Corliss once described him as "the master of the art – or craft – of adaptation." more…

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Submitted on August 05, 2018

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