Jacob's Ladder Page #2
- R
- Year:
- 1990
- 113 min
- 551 Views
JACOB reaches the exit, a huge metal revolving door
surrounded by floor to ceiling gates. He is about to push
when he notices a chain locking it shut. He stares at it in
disbelief.
JACOB:
Goddam it.
He turns in a huff and hikes to the other end of the
platform. As he approaches the far exit, his eyes widen. The
gate there is also locked. His hands reach for his hips as
he studies an impossible situation.
CUT TO JACOB stepping cautiously onto the ladder going down
to the tracks. A rat scampers by and he gasps.
JACOB:
No way!
He starts to climb back up the ladder but sees that there is
nowhere else to go. He juts out his jaw and steps back down.
JACOB is not comfortable on the tracks. He cannot see where
he is stepping. His shoes slpash in unseen liquid which
makes him grimace. The steel girders are coated in subway
grime. The oily substance coats his hands as he reaches for
support.
JACOB:
Goddam f***ing city!
He wipes the grime on his postal uniform as he steps toward
the center track. He reaches for another girder when it
begins to vibrate. Two pinpoints of light hurl toward him.
Then the noise arrives confirming his fear. A train is
bearing down on him. JACOB looks frightened, not sure which
way to go. He steps forward, up to his ankle in slime. He
cannot tell which track the train is on. It is moving at
phenomenal speed. The station is spinning. The train's
lights merge into one brilliant intensity.
In near panic JACOB jumps across the track as the train
spins by. Its velocity blows his hair straight up as though
it is standing on end. He clings to a pillar for support,
gasping in short breaths.
A few PEOPLE are staring at JACOB from the train. Their
faces, pressed up against the glass, seem deformed. A lone
figure waves at him from the rear window. The train bears
them all away. Then it is quiet again. For a moment JACOB is
afraid to move but slowly regains his composure. He
continues to the other side of the tracks and stumbles up
the ladder to the UPTOWN PLATFORM.
CUT TO:
JACOB smiling. The smile, however, is one of irony, not
amusement. This exit too is locked. A heavy chain is wrapped
through the bars. JACOB stares at it with an expression of
total bewilderment.
A sudden muffled scream alerts JACOB that he is not alone.
His head turns but sees no one. He hears the scream again.
He senses its direction and walks toward the MEN'S ROOM. A
crack of light appears under the door. He can hear someone
moaning inside. JACOB knocks softly and the moaning stops.
JACOB:
Hey, is someone in there?
There is no answer. JACOB stands silently for a moment, not
sure what to do. He can hear whispering. He chews his lower
lip nervously and then reaches for the door. It pushes open.
The light from the station penetrates the darkness. He
gasps. He sees a MAN tied naked to the stall with ANOTHER
NAKED MAN grabbing quickly for his clothes. The BOUND MAN
screams.
BOUND MAN:
F*** off! Mind your own business!
A THIRD MAN spins out of the shadows, pointing a kinfe at
JACOB's throat.
MAN:
You cocksucker! Get outta here.
The MAN's face is barely human. Before JACOB can even react
the door slams shut. The lock engages. The crack of light
reappears. JACOB can hear laughter coming from inside,
followed by a scream. He backs away from the door. His face
is white.
JACOB turns with full fury and storms the gate. The chain
gives wayto his anger. It flies apart and the gate flings
open. He stands in amazement, observing the chain as it
slides from between the bars and drops to the concrete
below. The gate squeaks loudly as JACOB pushes it aside and
clangs with an almost painful burst as he slams it shut.
EXT. WILMINGTON TOWERS - DAWN
JACOB walks toward the towering shadows of a massive PUBLIC
HOUSING PROJECT. It is dark and the moonlight silhouettes
the huge monolithic structures. JACOB passes through a vast
COURTYARD dominated by the imposing shapes. Aside from his
moving body everything is still.
INT. HALLWAY - DAWN
JACOB steps off a graffiti-festooned ELEVATOR into a long
impersonal hallway. He uses three keys to unlock the door to
his APARTMENT.
INT. JACOB'S APT. - DAWN
JACOB enters the darkness without turning on the light. He
tries to navigate his way to the BATHROOM, illuminated by a
tiny nightlight in the distance. His effort is unsuccessful.
He bangs loudly into a table. A WOMAN"s voice calls out.
JEZZIE (V.O.)
Jake, is that you?
JACOB:
What the hell did you do, move all
the furniture?
JEZZIE (V.O.)
Why didn't you turn on the light?
JACOB:
I didn't want to wake you.
JEZZIE (V.O.)
(sleepy but pleasant)
Gee, thanks a lot.
JACOB:
Where is the lamp?
JEZZIE (V.O.)
Where are you?
JACOB:
If I knew I wouldn't have to ask.
What did you do? I was happy the way
it was.
JEZZIE (V.O.)
I moved the couch. That's all.
JACOB:
Where to?
JACOB crashes into it. A light suddenly goes on. JEZEBEL
"JEZZIE" PIPKIN, 33, is standing in the BEDROOM door tying a
man's terrycloth bathrobe around her waist. Although sleepy,
disheveled, and not looking her best, it is obvious that
JEZZIE is a beefy woman, juicy and sensual.
JEZZIE:
That help?
JACOB:
(nearly sprawled over
the couch)
Thanks.
JEZZIE:
What do you think?
JACOB:
What do you mean?
JEZZIE:
The room!
JACOB:
Oh God, Jezzie, ask me tomorrow.
JEZZIE:
It is tomorrow. Four A.M. How come
you're so late?
JACOB:
Roberts didn't show up. What could I
say? Besides, it's double time.
JEZZIE:
(seeing the grease on
his uniform)
What happened to you?
JACOB:
(unbuttoning his shirt
as he walks to the
BATHROOM)
Don't ask.
JACOB steps into the BATHROOM and pulls at his clothes,
leaving them in a pile on the floor. He reaches for the
faucet and sends a stream of water pouding against the
porcelain tub. JEZZIE enjoys JACOB's nakedness. She reaches
out to his chest and squeezes one of his nipples. His body
tenses slightly. JEZZIE drops her robe. They enter the
shower together.
EXT. VIETNAM - NIGHT
A DENSE RAIN falls on a dark night filling puddles of water.
JACOB is crawling through the underbrush in the Vietnamese
JUNGLE. His shirt is bloodsoaked. He moves slowly, creeping
on his right forearm. His left arm is holding his intestines
from spilling onto the grass.
JACOB:
Help me. Someone.
Suddenly a flashlight beam can be seen in the distance. It
dances around the bamboo trees and draws closer to JACOB. It
is impossible to see who is carrying it. The light darts
near the ground where JACOB is lying and then bursts
directly into his eyes.
INT. JACOB'S APT. - DAY
SUNLIGHT pours through the BEDROOM window. JACOB is sleeping
fitfully as a bar of light saturates his face. His hand
rushes up to cover and protect his eyes but the damage is
done. He is awake.
JACOB lies in bed for a few moments, dazed. Slowly his hand
gropes along the shelf at the head of the bed, searching for
his glasses. He has trouble finding them. As his hand sweeps
blindly across the headboard it hits the telephone and sends
it crashing to the floor. He sits up with a disgusted look
on his face and searches the out-of-focus shelf behind him.
Suddenly JEZZIE enters.
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