Jayne Mansfield's Car Page #4

Synopsis: A young man in the 1940s raises a family in Alabama after his wife leaves him for an Englishman and moves to England. When the wife dies, she leaves a request to be brought back to Alabama to be buried, and at that point the man hasn't seen her in nearly 30 years. The two families - her original family she abandoned and her English family - meet and make an attempt to adjust to each other, with uneven results.
Genre: Drama
Director(s): Billy Bob Thornton
Production: Anchor Bay Films
  1 nomination.
 
IMDB:
6.3
Metacritic:
48
Rotten Tomatoes:
34%
R
Year:
2012
122 min
£14,276
Website
157 Views


all day long.

I need to smoke a reefer with my

nephews. You want to go with me?

Yes, I do. Thank you.

I noticed you didn't eat much.

You don't like Daddy's cooking?

Oh, no, no, no.

It's... it's not that.

Um, I'm sure it's wonderful,

but I can only eat

a very bland diet.

How come?

I was a prisoner during the war,

of the Japanese.

The culinary skills of the Jap

cooks left a lot to be desired.

My insides were left

a bit of a wreck.

Oh. I'm sorry.

I didn't mean to be nosy.

No, that's quite all right.

All three of my brothers

were in the war.

Carroll was in the marines.

He was a medic.

Skip was a pilot in the navy.

They both got decorated.

Jimbo was in the army,

but he don't talk about it much.

He ran the laundry at Fort Polk.

He's so damn jealous

of the other boys' medals,

you'd think

he was in high school.

Well, he shouldn't feel

that way. He did his bit.

Yeah, try telling Jimbo that.

Try telling Jimbo anything.

He's Daddy's boy all right.

Families can be difficult.

They sure can.

So are you married?

Divorced.

Oh.

You got any kids?

No.

Is she pestering the sh*t

out of you, Phil?

No, no, no, not at all.

Neal, get me a beer.

Well, sh*t, you got legs.

Well, may I thank you for your

hospitality, Mr. Caldwell?

The barbecue was superb.

Yeah, well, see you tomorrow.

Hey, sweet ass.

Hey, come here a minute.

Come here a minute. Yeah.

CAMILLA:

Hey, you're blotto.

Hey, listen, there's something

I was thinking about.

I just want to ask you...

This English accent of yours...

there's something about it.

There's just something about it.

Now,

uh, I know we don't know

each other that good yet.

And I'm sure

that you're not gonna just

actually do it

with me yet, but...

But I was wondering

sometime can we just slip off

and you get naked

and talk English

and recite something,

I don't know,

and just let me beat off to you?

Beat off?

Um...

beat... beat off.

What, have a wank?

See? That's what I'm talking

about... that damned English.

Makes me hornier

than Frank Sinatra.

"Have a wank?"

You're mad as a March hare.

I ain't mad.

I just get real focused

on things.

- Think about it.

- Okay.

Goodbye.

SKIP:

Hey, think about it.

DISPATCH:

S.O. to 44A.

MAN OVER RADIO:

44A. Go ahead.

DISPATCH:
Sheriff, are you

still out at Good Frank's?

Give me a 10-84 to Mr. Meyer's.

JIM:

Mm-hmm, yeah.

He's making threatening phone

calls to neighbors, telling them

he's gonna kill their cat.

Caller advised

of a possible 10-96.

SHERIFF:
All right.

DISPATCH:

Unit 59, 10-20?

- Hey.

- Hey, Daddy.

- Hey.

- How are you holding up?

Well...

all right so far.

- Yeah.

- Yeah.

It's all kind of hard

to think about, huh?

What?

Are you gonna be okay tomorrow,

you think?

Tomorrow? Well,

what about it?

The funeral.

DISPATCH:
All units,

we have a three-car accident

- up on Lance highway...

- Yeah.

- Yeah.

- Four fatalities confirmed,

several injuries,

not real sure how many.

It's a shame about

ol' Naomi, you know,

it really is.

Yeah.

You ain't fooling me.

Yeah? I gotta go.

There's a big wreck

right down the road.

- See you later.

- Okay, Daddy.

MAN OVER RADIO:

In five minutes. Lance highway

- and Scott Ranch Road. Over.

- DISPATCH:
10-4.

Let's bring in that new

mystery challenger.

WOMAN:
God bless you.

Go on in. There you go.

Well, yeah.

Yeah. There you go.

DOROTHY:
Mr. Caldwell.

- How are you doing, Pops?

- Please.

Yeah. Yeah.

Yeah.

Naomi.

I forgive you this time.

Bye-bye.

There you go, Mama.

Go on, buddy.

Mama?

- Da... Daddy?

- Hey, buddy, hey.

- Daddy?

- Hey, it's okay, it's okay.

Go on.

Go get with Dad.

PHILLIP:
Father.

- CAMILLA:
Father. Oh my God.

- PHILLIP:
Okay.

DONNA:
What...?

- CARROLL:
Yeah, loosen his tie.

- Father. Somebody get a doctor.

- Give him some air.

- DONNA:
Where's your phone?

CAMILLA:
Father.

CARROLL:

Hey, get some water.

MAN:
There you go.

DONNA:
Well, somebody

ought to go with them.

They're in a strange town.

They don't know anybody.

Donna, we're all headed

over to the church now

for your mama's funeral.

All right?

CARROLL:
She's right, Daddy.

Somebody ought to go with them.

Yeah.

DONNA:
Oh my God,

I hope he's all right.

What if he's dead?

Thank you.

NEAL:
Broken teeth and bones

and hair and sh*t...

I mean, it's the hardest fought

game...

He's gonna pinch my last nerve.

NEAL:
We got one point

with one second to go

- and you know what happens?

- I- I don't know.

They missed the dang

extra point!

Oh, hey, babe, did they

get your mama buried all right?

- Yeah.

- Hey, listen, I gotta get

something else to eat.

This thing tastes like sh*t.

- How's your daddy doing?

- He's doing well. Thank you.

He had a heart attack

about three years ago,

so of course we were worried

about that.

But the doctor said

he just fainted

because of the stress

and exhaustion.

He's resting now.

And Camilla's with him.

Oh, thank God.

How long

are they gonna keep him?

They said they'd release him

in... in... in a bit.

But they don't want him

to travel for a day or two,

which means we...

we won't be leaving tomorrow.

Well, he can't stay

at the Pines Motel.

I mean, none of y'all should

be there in the first place.

That ain't nothing but

an after-prom f*** joint.

No telling whose jizz

y'all are sleeping on.

Y'all are staying at Daddy's.

That's very kind,

but we couldn't possibly.

Oh, yes, you could possibly.

I think it's a great idea.

Daddy would insist.

NEAL:
All right, girls,

let's go.

We got sh*t to do.

PHILLIP:
Neal, thank you so much

for your help at the hospital.

NEAL:

Hey, no sweat, slick.

Take care of yourself,

all right?

DONNA:
Y'all drive safe.

Call me when you get there.

Hey, Neal, keep it on the road.

Bye, babies.

NEAL:
Hand me one of

those beers back there.

- Aunt Donna.

- Yeah?

Uh, Connell's band's

playing tonight.

Really?

Yeah, at the main dollar store

parking lot.

And I'm doing the sound

and the lights.

Uh, you ought to come.

- All right.

- All right?

- Okay, I'll see you later then.

- I'll see you there.

Okay.

I feel like dancing anyway.

Let's go dance.

I should stay here

with my father.

You need to relax.

There's a whole house

full of people

to take care of your daddy.

Well, I'm not really a dancer.

Well, you will be

when I get through with you.

Hey, what's going on?

Any gruesome car crashes?

Any homicides?

No, doesn't appear to be, no.

Too bad.

Hey, let me ask you a question.

How cold can it be in there?

Is it really that dark

and cold inside you

that you can't even hug

your own son

on the day

of his mama's funeral?

You're drunk. Go home.

Yeah. Hey,

let me ask you another question.

You remember when I was

wounded on Saipan,

I was in the hospital

for three months?

JIM:
Of course I do.

Yeah, I wrote you a letter

from that hospital.

I spilled my guts out to you.

I told you everything

you ever meant to me,

Rate this script:0.0 / 0 votes

Billy Bob Thornton

Billy Bob Thornton (born August 4, 1955) is an American actor, filmmaker, singer, songwriter, and musician. Thornton had his first break when he co-wrote and starred in the 1992 thriller One False Move, and received international attention after writing, directing, and starring in the independent drama film Sling Blade (1996), for which he won an Academy Award for Best Adapted Screenplay and was nominated for an Academy Award for Best Actor. He appeared in several major film roles in the 1990s following Sling Blade, including Oliver Stone's neo-noir U Turn (1997), political drama Primary Colors (1998), science fiction disaster film Armageddon (1998), the highest-grossing film of that year, and the crime drama A Simple Plan (1998), which earned him his third Oscar nomination. In the 2000s, Thornton achieved further success in starring dramas Monster's Ball (2001), The Man Who Wasn't There (2001), and Friday Night Lights (2004); comedies Bandits (2001), Intolerable Cruelty (2003), and Bad Santa (2003); and action films Eagle Eye (2008) and Faster (2010). In 2014, Thornton starred as Lorne Malvo in the first season of the anthology series Fargo, earning a nomination for the Outstanding Lead Actor in a Miniseries or TV Movie at the Emmy Awards and won Best Actor in a Miniseries or TV Film at the 72nd Golden Globe Awards. In 2016, he starred in an Amazon original series, Goliath, which earned him a Golden Globe Award for Best Actor – Television Series Drama. Thornton has been vocal about his distaste for celebrity culture, choosing to keep his life out of the public eye. However, the attention of the media has proven unavoidable in certain cases, his marriage to Angelina Jolie being a notable example. Thornton has written a variety of films, usually set in the Southern United States and mainly co-written with Tom Epperson, including A Family Thing (1996) and The Gift (2000). After Sling Blade, he directed several other films, including Daddy and Them (2001), All the Pretty Horses (2000), and Jayne Mansfield's Car (2012). Thornton has received the President's Award from the Academy of Science Fiction, Fantasy & Horror Films, a Special Achievement Award from the National Board of Review, and a star on the Hollywood Walk of Fame. He has also been nominated for an Emmy Award, four Golden Globes, and three Screen Actors Guild Awards. In addition to film work, Thornton began a career as a singer-songwriter. He has released four solo albums and is the vocalist of the blues rock band The Boxmasters. more…

All Billy Bob Thornton scripts | Billy Bob Thornton Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Jayne Mansfield's Car" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/jayne_mansfield's_car_11206>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Jayne Mansfield's Car

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which part of a screenplay provides a detailed description of the setting, actions, and characters?
    A Dialogue
    B Scene headings
    C Action lines
    D Character arcs