K-11

Synopsis: K-11 follows Raymond Saxx Jr. (Goran Visnjic), a powerful record producer who wakes from a drug-induced blackout to find himself locked up and classified "K-11." Plunged into a nightmarish world ruled by a transsexual diva named Mousey (Kate del Castillo), Raymond is truly a fish out of water. Complicating matters are a troubled young transgender named Butterfly (Portia Doubleday), a predatory child molester (Tommy 'Tiny' Lister) and the ruthless Sheriff's Deputy, Lt. Johnson (D.B. Sweeney). Ray's struggle to contact the outside world and regain his freedom seems impossible, but he must learn to navigate this new power structure if he is ever going survive and be in control of his life again.
Genre: Drama
Director(s): Jules Stewart
Production: Breaking Glass Pictures
 
IMDB:
5.2
Metacritic:
21
Rotten Tomatoes:
14%
NOT RATED
Year:
2012
88 min
Website
190 Views


1

Sick, killed, or injured?

No. No, he's just stoned.

Okay to book, charges?

Homicide.

All right.

Um, doesn't look great,

he'll be up for a while.

Put him to the process, then

we'll get him over to county.

Intercom:
Next inmate, window 3.

Gentlemen, let's pump it up.

Keep the line moving.

Crash is ready for pick up.

Bring him in the K-11.

Johnson's here for pick up.

Police radio:
Ninety six

days with the doctor.

Give me a few minutes.

I'll wait.

Allergies.

I don't like this.

Next inmate, window 7.

That's Saxx, Raymond.

Homicide 187.

Transferred over

from Beverly Hills.

Can't even question him

until he sobers up.

Beverly Hills.

Can we, uh, rush him through

classification for you?

Get him out of here?

Sweet dreams, sunshine.

Oh, oh.

Hi.

I'm the Butterfly, supreme

symbol of change, silly.

Jeez, are you okay?

I need to fix...

I know.

Please, can you help me?

Mmm, uh-uh.

No, I can't help

you right now.

We're going to be

here all weekend.

Oh, but why is it so

f***ing cold in here?

This will help.

What the f*** is K-11?

Well, if they kill

you on the mainline,

You get to go at K-11.

I like to think it's a

sanctuary for broken toys.

You know, a

away from home.

I wanna go home.

Not me.

I'm f***ing dying.

Oh, Mark and Junior said to

tell you, that they will be

Back in next Thursday and

that they will have the kind.

Today, already!

Oh, no, you didn't!

You dare rush me?

You must be out of your

damn mind rushing me like, oh.

Whoo! This is

not my fault.

Your man, Johnson,

he'd never picked me up.

Wait around for a rookie.

Oh, what the f***?

Yeah and I waited

the whole morning.

He f***ed up, man!

I could've gotten pinched.

All right, man,

you're off the hook.

F*** it.

Count time.

K-11, 10 minutes

to count time.

This rumor is just

excessively cruel.

I mean, chili sauce that is

so hot, you can actually burn

Away cancer cells.

The American Medical...

Show is over.

Walking!

I'll take it from

here, lieutenant.

Don't get distracted

by the females in here.

There aren't any

females in here.

If you touch one of them and

your dick is gonna fall off.

Relax, Harris.

Every rookie does at

least four weeks here.

Most of them survive.

Let's do this.

Let's do it down here.

Harris, take the other aisle.

K-11, face down

and your arms out.

No talking.

Hey, come on,

face down, arms out.

I don't wanna touch you.

Yes, I'm sorry,

sir. Just napping.

Intercomm:
Crowds

clears. Good night.

She'll want

these in red.

I like the

leather stripes.

Hold your horses!

[Knock on the door]

You almost

blew it, man!

You have to be

more careful.

And what the hell

are you talking about?

You're a bust.

I'll have

some of that.

But... no, you won't. I already

gave you a fold this morning.

Where did it go?

I bought someone.

Oh, great.

Great, great and

Precious almost got busted.

And you can't follow

a simple direction.

No, maybe it's time

that, uh, I cut your back.

Oh, no, no.

You can't do that.

Oh, yeah. I can.

All right, look. You're getting

sloppy and sloppy is dangerous.

I think you're forgetting

mister that I'm the one who's

In charge here not you.

I could have you

declassified right now

And take all your drugs.

What do you think of that?

I can have you

tested right now.

And your piss is toxic.

All right, so if

I lose, you lose.

Know this.

This is 58 car 17.

RTO patch in.

This is RTO, go ahead.

RTO, notify watch

commander, we have a 187

At 16324 Fordella Drive.

Suspect is in custody and

under the influence,

Barely conscious.

Witness states,

fight ensued, victim is DOA.

Requesting 5A homicide

detectives and coroner...

What the f***!

Last night, you

fainted and hit your head.

I got scared because you bled.

So, I cleaned you up

and wrapped you up

And kept you

warm instead.

You've been asleep

for a quite some time.

You should just try to relax.

I promise to take care of you.

What's your name?

Raymond Saxx.

Relax, Mr. Saxx.

I have been taking care

of people for a long time.

I'm here because I

took care of my daddy.

Bad things come to bad people.

So, I think you'll be fine.

Here, you need to

change, hurry up.

Ian, I-I don't understand.

Come on, you don't

wanna walk out here

Dressed like that, do you?

What?

You've got a bunk in the dorm.

Come on, get that crap off.

I... I just...

Yeah, whatever,

just get dressed.

Oh, and Bobby.

Your paperwork, uh,

misfiled but you'll be

Back in your

bunk soon.

Okay.

Let's go!

Keep movin'.

Face the wall.

You'd never survive

in general population.

They'd put hands on you.

I'll keep you safe.

Gerald Is there a

problem out here?

No, ma'am.

Then give me the

boy's paperwork.

Mr. Saxx, you're

in bunk 36 Low.

You understand?

Okay, then.

Gerald!

What is wrong with you?

You know that you can't

be in there by yourself,

It's dangerous.

Get out!

[Singing from the shower]

Trouble here, trouble

there, follow me...

"I'm going crazy

for my liberty..."

Hey, get off my

driveway, fool.

Get back to

the freeway.

K-11. You get the baby blues,

that's some nasty sh*t.

[Indistinct conversations]

Mr. Saxx, are you homosexual?

To place a collect call,

please record your name.

Raymond Saxx.

[Phone line ringing]

Come on, come on, come on,

come on, come on.

You have reached the

Los Angeles office.

The charges for this

call cannot be accepted.

Please hang up and try again.

F***! F***!

Hey!

What?

Hey, you only

get one call.

Back in line.

F***.

I missed you

so much, baby.

Yeah, I missed

you too.

I gotta tell you, it's just

not the same without you here.

I was gone for one week.

Take these off already.

Oh, you know I like it

when you're restrained.

What?

Come into my office

and make love to me,

It's been so long.

No, I just got here

and I wanna clean up.

Streets are nasty.

That's fine, I can wait.

But I think you should know

that Crystal has been

Working Ben all week.

And she's the

new house mouse.

Well, I'm back now.

Besides, Ben is a man.

I wouldn't expect

him to go without.

I would never do

that, I love you.

Just come in to the

office for a minute.

Bully, touch me

now, give me my sh*t!

Ordale!

I took very good care

of that like you want.

Don't, don't

worry it's all there,

It's all there.

Liar!

This was a quarter and now

it's less than an eighth.

You know, we always

got your fat sack,

But you steal from us anyway.

I'm watching you,

Gerald, and so is Ben.

Please don't get

mad at me, baby.

I don't wanna hear it!

Open the door.

[Whispering]

This was all...

Close it, quietly.

Time for chow?

Mamma, go back to sleep. You

don't need to see this.

I said, wake up,

you motherfuckers.

Radio!

[Screams in Spanish]

You f***ing b*tch.

[Cursing in Spanish]

I'm sorry!

I'm gone for one week.

Working, mind you and I come

back to find this in my bed.

Unacceptable!

Stay out of my sh*t.

You, stand by me

and hold my hand.

Rate this script:0.0 / 0 votes

Jared Kurt

All Jared Kurt scripts | Jared Kurt Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "K-11" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/k-11_11529>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A The end of the screenplay
    B A camera movement
    C A transition between scenes
    D The beginning of the screenplay