Kickboxer 3: The Art of War
- R
- Year:
- 1992
- 92 min
- 110 Views
1
[WOMAN SCREAMING]
AAH!
[SHOUTING IN PORTUGUESE]
MILTON, HOW ARE YOU?
FINE.
GOOD TO SEE YOU.
LISTEN, DID YOUR SON
PASS THOSE EXAMS?
YES. WITH HONORS.
THAT'S WONDERFUL.
THAT'S WONDERFUL.
ENJOY.
YOU'RE HERE AGAIN.
FERNANDO.
FRESHEN THESE DRINKS, HUH?
ENJOY.
MORRIS, THIS
ONE'S ON ME.
BOSS, WE HAVE A PROBLEM...
A BIG PROBLEM.
[SHOUTING IN PORTUGUESE]
I DON'T GET IT.
I FEED THEM.
I GIVE THEM A HOME.
I'M LIKE A FATHER TO THEM, PETE.
ME LIKE THAT?
HUH?
[SINGING IN PORTUGUESE]
NOW, GIRLS...
WHAT HAPPENS WHEN WE'RE BAD?
WHO CAN TELL ME?
THIS IS VERY DISAPPOINTING.
AAH!
[GIRLS CRYING]
LESSON IS OVER.
MAN, RIO DE JANEIRO, HUH?
HEY, THIS IS BEAUTIFUL.
HEY, YOU IN THERE?
NO.
AW, COME ON.
I CAN'T BELIEVE THIS.
HOW CAN A GUY LIKE YOU
THIS IS NOT FLYING.
WE'RE DROPPING OUT OF THE SKY
AT A RATE I DO NO WANT TO CALCULATE.
I'M NOT A PASSENGER.I'M
A PROJECTILE.
WHY DON'T YOU TRY
THINKING ABOUT THE MONEY
THAT SHOULD MAKE YOU FEEL BETTER.
AT THIS MOMENT, I
I CAN ONLY THINK OF MORTALITY.
[SPEAKING PORTUGUESE]
THE CHAMPIONSHIP FIGH IS ONLY 7 DAYS AWAY.
THIS AFTERNOON, DAVID.
OH, XIAN, RELAX, MAN.
WE JUST GOT OFF THE AIRPLANE. HEH.
OFF ONCE IN A WHILE.
HAVE IT YOUR WAY.
OH, NOW YOU'RE POUTING, RIGHT?
I DO NOT POUT.
YEAH, YOU DO.
YOU'RE POUTING RIGHT NOW.
I NEVER POUT.
I PONDER.
OK.
[SINGING IN PORTUGUESE]
THE SLAVES IN BRAZIL,
THEY WERE NOT ALLOWED MARTIAL ARTS,
SO THEY DISGUISED IT AS A DANCE...
CAPOEIRA.
IT'S BEAUTIFUL.
VERY LETHAL.
THEY USED TO FIGH WITH KNIVES TIED TO THEIR FEET.
WHOA.
THIS IS REALLY GOOD, XIAN.
HOW'S YOURS?
I'M JUST PICKING.
WELL, I'M SORRY.
I WAS UNDER THE IMPRESSION
A TINY BIT...
I JUST TOOK A TINY LITTLE BIT.
WELL, YOU KNOW, XIAN,
THAT'S HOW IT STARTS.
FIRST IT'S A TINY LITTLE BIT,
AND THEN IT'S HALF A SANDWICH,
AND BEFORE YOU KNOW IT,
YOU'LL BE ASKING ME
IN THE MORNING.
[SPEAKING PORTUGUESE]
NO, NO.
[SPEAKING PORTUGUESE]
WHAT IS THIS?
THE CAMERA!
YO!
HEY, KID!
David:
HEY!HEY, YOU STOP!
[CAR HORN HONKS]
[DOGS BARKING]
HEY!
YO!
[WOMAN SPEAKING PORTUGUESE]
David:
HEY, KID!HEY, STOP!
AAH!
[SHOUTING IN PORTUGUESE]
HEY, THAT KID STOLE MY CAMERA.
NO.
THAT KID STOLE MY...
[BOTTLE BREAKS]
AAH!
GET OVER HERE, KID.
WHERE DO YOU THINK YOU'RE GOING?
AW, COME ON, KID.
NOW, DON'T BE STUPID.
UNH!
NOW, YOU GIVE METHE CAMERA,
THAT'S IT.
NOW, WHAT'S THE MATTER WITH YOU,
PULL A KNIFE ON ME LIKE THIS?
INTO THE AUTHORITIES.
NEXT TIME, I'LL KILL YOU.
YOU KNOW, YOU GOT A SERIOUS
ATTITUDE PROBLEM, KID.
YOU OUGHT TO WORK ON IT.
PHEW!
AHH, I WAS HOPING YOU WOULD MAKE I IN TIME FOR DESSERT.
MINE IS GREAT.
OH... HEY, KID GAVE
ME A SOUVENIR.
OH, THEY'RE GOING TO FIND HIM
FLOATING FACE DOWN IN
THE RIVER, I'M AFRAID.
HEY.
I WANT MY KNIFE.
WHAT?
MY KNIFE.
I DON'T WANT TO HAVE
TO GET ROUGH WITH YOU.
I'M NOT KIDDING.
I WANT MY KNIFE.
I THINK HE MEANS IT, DAVID.
WHAT AM I GOING TO DO?
THEN FEED HIM.
Kid:
I NEED MY KNIFE.Xian:
FORGET THE KNIFE.DON' WORRY ABOUT IT.COME ON, EAT YOUR FOOD.
OR I DON'T LIVE LONG.
I'LL PAY YOU FOR I WHEN I GET A LITTLE MONEY, OK?
[WHISTLES]
David:
AH, YOUR PARTNER IN CRIME.WHO'S THIS?
MY SISTER.
WITHOUT THE KNIFE, I
CAN'T PROTECT HER.
TELL YOUR SISTER TO
SIT DOWN, PLEASE.
SENT A.
DON'T TOUCH HER.
[SPEAKING PORTUGUESE]
IS EVERYBODY HAPPY?
CAN WE PLEASE NOW JUST EAT LUNCH
WITHOUT ANYBODY ELSE
Kid:
THANKS.David:
THAT'S BETTER.ALL RIGHT, WAITER,
WE NEED ANOTHER ORDER OVER HERE.
HEY, THAT LOOKS PRETTY GOOD.
NAW, YOU DON'T WANT THAT.
THAT'S CAT BARBECUE.
CAT BARBECUE?
YEAH.
THEY SAY IT'S COW, BUT IT'S CAT.
YEAH, WELL, UH, MAYBE I'LL SKIP IT.
LOOK, YOU NEED SOMEONE
TO SHOW YOU AROUND.
THERE'S PLACES YOU
MUST STAY AWAY FROM...
BAD PLACES.
I KNOW THESE PLACES.
YEAH, I'LL BET.
I ALSO KNOW THE GOOD PLACES...
NICE PLACES.
I'M YOUR NUMBER-ONE GUY.
WHY NOT?
OK, KID, YOU'RE HIRED.
ALL RIGHT.
NOW GIVE ME MY WALLET BACK.
WHAT?
GIVE ME THE WALLET.
ANYTHING YOU WANT, JUST ASK.
WOW, THIS IS A NICE HOTEL.
YEAH, IT SURE IS.
OH, OK, SO WE'LL
MEET YOU RIGHT HERE
TOMORROW MORNING, FIRST THING.
ALL RIGHT?
YEAH. NO PROBLEM.
OK.
YOU NEED SOME ADVANCE.
NO, I DON'T TAKE CHARITY.
YOU'D STEAL THE
FILLINGS FROM MY TEETH,
BUT YOU WON'T TAKE
A COUPLE OF BUCKS?
WHAT'S THE MATTER WITH YOU, KID?
I'M A MAN.
IF YOU TAKE SOMETHING,
YOU ARE A THIEF,
BUT IF YOU'RE GIVEN SOMETHING,
YOU'RE A FRIEND.
David:
COME ON, BIG GUY, GO FOR IT.ALL RIGHT.
THANKS.
DON'T BE LATE.
ALL RIGHT.
[SPEAKING PORTUGUESE]
DAVID... THAT KID
STOLE OUR CAMERA.
AGAIN?
AW, WE'LL GET IT TOMORROW.
PSST. PSST.
[SPEAKING PORTUGUESE]
[SPEAKING PORTUGUESE]
[IMITATING SHUTTER CLICKING]
GOOD MORNING, MR. SLOAN.
HEY, DAVID!
OH, HEY, MARCOS.
THANKS.
NO PROBLEM.
IT SAFE FOR YOU.
YOU GOT TO WATCH IT, DAVID.
THERE'S A LOT OF
ROBBERS IN THIS CITY.
TELL ME ABOUT IT.
COME. WE HAVE A SURPRISE FOR YOU.
YEAH?
Marcos:
WHAT'S ALL THIS?David:
IT'S A BENEFI FOR HOMELESS KIDS.I DIDN'T KNOW YOU WERE
THE KICKBOXING CHAMPION.
YOU DIDN'T ASK.
I DON'T BELIEVE IT.
TAKEN YOUR CAMERA
IF I'D KNOWN WHO YOU WERE.
YEAH, THAT'S GOOD TO KNOW.
OH, HI, MR. SLOAN.
HOW NICE.
LET ME SHOW YOU TO
YOUR DRESSING ROOM.
WHO ARE THEY?
THEY ARE WITH US.
WE WANT THEM TREATED PROPERLY.
OH, OK.
[SPEAKING PORTUGUESE]
DON'T WORRY.
THEY'LL BE TAKEN CARE OF.
THIS WAY, PLEASE.
THE WORD FOR TODAY IS "EXHIBITION."
WHATEVER ELSE HAPPEN,
EXHIBITION.
YES. WE DO IT FOR CHARITY.
WE GIVE SO WE MAY RECEIVE.
NEXT WEEK, WE FIGH TO BE THE BEST...
THE CHAMPION.
TO MAKE MONEY.
YEAH, TO MAKE MONEY.
WE HAVE A LITTLE.
WE ARE IN NEED.
WE'RE DESPERATE.
WE ARE CUTTING OFF MY CIRCULATION.
OH.
SORRY.
HELLO. MY NAME IS MIGUEL MACHADO.
I'M FIGHTING AFTER YOU.
HI.
IT'S A PLEASURE
I'VE SEEN YOU FIGHT.
VERY IMPRESSIVE.
I'M HAPPY THAT YOU THINK SO.
DAVID, MY CORNER MAN,
COULD NOT BE HERE.
WOULD YOU HONOR ME
BY TAKING HIS PLACE?
OH, ABSOLUTELY.
YEAH.
YOU'RE RIGHT.HE'S GOOD.
NICE KID.
Announcer:
E AGORA, DAVID SLOAN![CROWD CHEERING]
[DING DING DING]
Crowd:
MIGUEL! MIGUEL! MIGUEL!MIGUEL! MIGUEL!
[CROWD BOOING]
OHH!
IT'S YOU I WANT!
YOU!
NEXT WEEK, YOU DIE!
[DING]
[DING DING]
[CROWD BOOING]
WHAT'S YOUR PROBLEM?
HUH?
WHAT THE HELL WAS THAT?
YOU KNOW WHAT AN
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Kickboxer 3: The Art of War" Scripts.com. STANDS4 LLC, 2025. Web. 1 Feb. 2025. <https://www.scripts.com/script/kickboxer_3:_the_art_of_war_11720>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In