Lincoln Page #38

Synopsis: Lincoln is a 2012 American epic historical drama film directed by Steven Spielberg, starring Daniel Day-Lewis as United States President Abraham Lincoln and Sally Field as Mary Todd Lincoln. The screenplay by Tony Kushner was loosely based on Doris Kearns Goodwin's biography Team of Rivals: The Political Genius of Abraham Lincoln, and covers the final four months of Lincoln's life, focusing on the President's efforts in January 1865 to have the Thirteenth Amendment to the United States Constitution passed by the United States House of Representatives.
Production: Dreamworks Pictures
  Won 2 Oscars. Another 108 wins & 242 nominations.
 
IMDB:
7.4
Metacritic:
86
Rotten Tomatoes:
90%
PG-13
Year:
2012
150 min
$129,477,447
Website
864,663 Views


Lincoln, his stovepipe hat atop his head, is mounted on a

horse on a rise at one end of the field. Behind him, several

UNION OFFICERS are also mounted. It's chilly; the breath of

the men and the horses is visible.

TITLE:
OUTSIDE PETERSBURG, VIRGINIA

APRIL 3

Lincoln flicks the reins of his horse, which starts down the

slope. The officers follow behind him. No one speaks.

119.

Lincoln rides slowly, his focus on the ground before him.

Debris is scattered all around him, along with the bodies of

fallen soldiers.

He looks up and across the battlefield; a terrible battle has

concluded a couple of hours ago.

Looking down, as he rides, he sees soldiers killed by

artillery fire, whose bodies lie twisted, burned, headless,

limbless, torn in two, blown out of their clothing or charred

too badly to tell. He sees soldiers killed by rifle and

bayonet, whose corpses are intact.

At the beginning of his ride, all the dead and wounded are in

Union blue, the casualties of Confederate cannon fire, felled

as the Union army, about six hours earlier, began its final,

successful drive to break through Confederate lines.

As Lincoln and his escorts move across the battlefield, grey

and blue uniformed corpses and badly wounded men intermingle.

He reaches the other side of the field, passing a Confederate

flag to enter the now-ruined town of Petersburg.

EXT. THE THOMAS WALLACE HOUSE, GRANT'S TEMPORARY

HEADQUARTERS, ON MARKET STREET, PETERSBURG - MORNING

Grant, smoking his cigar, his uniform dusty and rumpled, is

sitting on the small porch. He stares piercingly at Lincoln,

in a rocker next to him, watching his troops pass by as they

move in to secure the conquered town. Lincoln closes his

eyes.

He has grown older, the skin around his eyes is cobwebbed

with fine creases, and his hair's thinner, softer, suffused

with grey. His brow has grown smoother.

LINCOLN:

Once he surrenders, send his boys

back to their homes, their farms,

their shops.

GRANT:

Yes sir, as we discussed.

LINCOLN:

Liberality all around. No

punishment. I don't want that. And

the leaders - Jeff and the rest of

`em - if they escape, leave the

country while my back's turned,

that wouldn't upset me none.

120.

When peace comes it mustn't just be

hangings.

GRANT:

By outward appearance, you're ten

years older than you were a year

ago.

LINCOLN:

Some weariness has bit at my bones.

(BEAT)

I never seen the like of it before.

What I seen today. Never seen the

like of it before.

GRANT:

You always knew that, what this was

going to be. Intimate, and ugly.

You must've needed to see it close

when you decided to come down here.

LINCOLN:

We've made it possible for one

another to do terrible things.

GRANT:

And we've won the war. Now you have

to lead us out of it.

EXT. THE MCLEAN HOUSE, APPOMATTOX COURT HOUSE, VIRGINIA -

AFTERNOON:

OFFICERS OF THE CONFEDERATE AND UNION ARMY stand around in

the afternoon sun. Everyone's solemn, even stunned by what's

just happened. No one is speaking.

TITLE:
APPOMATTOX COURTHOUSE, VIRGINIA

APRIL 9, 1865

ROBERT E. LEE comes down the steps of the McLean house, as a

CONFEDERATE OFFICER brings his horse to him. His face is

blank. Lee mounts his waiting horse.

Lee should leave, having just surrendered to Grant inside;

but he's immobile. Some of the officers of both sides look at

Lee, some can't bear it. Lee tries out various expressions:

pride, defiance, blankness.

Grant stomps onto the porch of the house, followed by his

staff. Among them is Robert Lincoln.

121.

Grant, lost in thought, stops, taken aback, realizing that

Lee's still there, astride his horse. Everyone looks at the

two men who look awkwardly at one another.

Then Grant removes his famous slouch hat. Everyone freezes

for a moment, and then one by one, the officers of the Union

Army remove their hats.

Lee is visibly moved by this gesture of respect. He raises

his hat, briefly, only an inch from his head. Then, pulling

slightly on his horse's reins, he rides away.

EXT. A BUGGY RIDE THROUGH WASHINGTON - AFTERNOON

A beautiful spring afternoon. Lincoln and Mary are riding in

the buggy, driven by the old soldier.

MARY:

You've an itch to travel?

LINCOLN:

I'd like that. To the West by rail.

MARY:

(shaking her head no:)

Overseas.

LINCOLN:

The Holy Land.

MARY:

(a laugh, then:
)

Awfully pious for a man who takes

Rate this script:2.9 / 8 votes

Tony Kushner

Anthony Robert "Tony" Kushner (born July 16, 1956) is an American playwright and screenwriter. He received the Pulitzer Prize for Drama in 1993 for his play Angels in America: A Gay Fantasia on National Themes. He co-authored with Eric Roth the screenplay for the 2005 film Munich, and he wrote the screenplay for the 2012 film Lincoln, both critically acclaimed movies. For his work, he received a National Medal of Arts from President Barack Obama in 2013. more…

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Submitted by acronimous on March 13, 2016

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