Logan's Run Page #2
- PG
- Year:
- 1976
- 119 min
- 1,194 Views
Brightly lit, garish. We get only a glimpse as the maze-car
disappears into a tunnel.
24MAZE-CAR STATION - ARCADE
As the maze-car stops, opens and Logan and Francis exit into a
gathering CROWD.
25FULL SHOT - ARCADE
Glittering, crowded. Throngs of people moving on many levels, some
walking, some on moving platforms. It's The Great White Way, Luna
Park -- you name it. Gaudy booths and entrances, featuring every
delight -- too much to take in at a glance.
As they thread their way through a crowd which admires them when it
notices them, across halls and up moving platforms, the good-natured
argument continuing...
LOGAN:
but you don't know, you Just
say what everyone says. One for
one. One for one."
FRANCIS:
Well, why no!? That's exactly how
everything works. How else could
the city stay in balance -You have
a better idea?
LOGAN (laughs)
No, but at least I wonder sometimes --
instead of doing that "one for one" song
of yours. You sound like a sleepteacher
With a stuck tape.
FRANCIS:
Well the minute you get a better
idea you can stop wondering.
(beat)
You know, Logan -- you wonder
a lot. Too much for a Sandman
They are passing the facade of a Relive Shop The signs urging people
to:
RELIVE YOUR MOST PRECIOUS MEMORIES. DO IT AGAIN AND AGAIN!As they cross the entrance, two men come out, grinning broadly,
falling into step just ahead of Logan and Francis. Then one of the
men stops abruptly, almost colliding with them. He mumbles an
apology and starts back to RELIVE.
As he disappears into the RELIVE SHOP, his friend shrugs cheerfully
to Logan and Francis and moves on.
27ARCADE - ANOTHER ANGLE - NEW YOU
They are moving past a shop called NEW YOU #483 when a man comes
cannonading out, thrilled and excited. He rushes over to a pretty
young woman who has been eying Logan and Francis, plants himself in
front of her with his hands framing his face.
MAN:
Well? How do you like it?
WOMAN (critically)
I don't know. The cheeks maybe...
look a little -
MAN:
Cheeks? Cheeks? Right. Too much,
you think?
WOMAN:
Too little.
MAN:
Too little?
(gestures)
Too little. Okay, wait for me.
And he darts back into NEW YOU #483. The woman shrugs, glances
around, smiles and goes off with a passer-by.
28ARCADE - ANOTHER ANGLE - LOVE SHOP
Signs promising LOVE, FULFILLMENT, RARE DELIGHTS. People streaming
in and out. A woman comes out looking glazed, breathing
"yes...yes..." As she passes CAMERA Logan and Francis emerge from
the crowd and CAMERA moves with them.
LOGAN:
Did you ever see Francis-8?
FRANCIS (shaking his head)
I never even visited Nursery before
tonight.
(beat)
When you wonder, it slows you up --
you know?
They are now passing the facade of HALLUCIMILL where the signs
promise:
LIFT OFF, CRAZY LIFT, SUPER LIFT...here the people goingin are simply excited but the ones coming out are clearly stoned
out of their minds...
FRANCIS:
I don't know what makes you so curious.
You have any idea who his seed-mother was?
LOGAN (quickly)
Of course not! I m curious, not sick.
(laughs)
The crowd is growing denser, funneling into a kind of passageway.
Logan and Francis are swallowed up in the group.
29FULL SHOT - ARCADE GREAT HALL
An immense room into which the streams of people coming from the
entertainment area are mingling. There is a general air of
anticipation stirring the crowd as CAMERA singles out Logan and
Francis entering, waving to friends. CAMERA closes in on them just
as they reach a beautiful woman who is obviously pleased to see
Francis. They embrace, and as they break:
FRANCIS:
and that's my friend, Logan.
(as she acknowledges
the introduction)
We're celebrating his next in line.
Carousel - Arcade - who knows?
Want to come along?
WOMAN (smiles, shakes her head)
Only if I make it to the top of
Carousel.
(she holds up her hand)
Thirty -- and the big spin.
In her palm the crystal blinks, red, black. Francis nods, gives her
a half-squeeze.
FRANCIS:
You're thirty -- already? I always
thought I was older than you -
(beat)
Well, give it a good try.
WOMAN (pleasantly)
You know I always have.
Another beautiful WOMAN joins them.
2ND WOMAN (to the first)
Sorry I won't be at Carousel tonight.
It¹s my Love-Shop turn.
WOMAN:
That's all right. Happy turn.
2ND WOMAN
You'll renew. I've got a feeling.
WOMAN (smiles)
So do I...but if I don't at least I'll
have the ultimate thrill. I'd almost
rather have that than renew.
2ND WOMAN
I feel the same way. Sometimes I think
I'm not even going to try and renew when
my time comes. But -- that's three years away.
So long.
FRANCIS (after a beat;
to first Woman)
It's been nice.
WOMAN:
Um-huh.
They look briefly and then she turns away. Francis takes Logan's arm
and they move off.
FRANCIS:
Logan shakes his head.
FRANCIS:
LOGAN:
Well...you can't have them all.
LOGAN AND FRANCIS
(together, it's an old joke)
But you can try.
They laugh, but the laughter is broken as a trio of youngsters,
moving with erratic speed of lightning, smashes between them,
almost knocking Francis over. He reels, Logan catches him and they
recover in time to see the trio rip wildly through the crowd,
knocking people down, screaming with shrill joy as they disappear.
FRANCIS:
The damned Yellows are getting out
of hand. Those three ought to be in
Cathedral. No business scrambling in
Arcade...
LOGAN (laughs
cuffs Francis' arm)
What an old, old man you're getting
to be, Francis. Weren't you ever a
Yellow? I bet you were even wilder
than -
(he breaks off as the lights
in the Great Hall dim)
-- come on, Sandman.
The two of them start to move to the far end of the Great Hall.
As everyone begins to move to the far end, where great curtains
have parted to reveal
31ARCADE GREAT HALL - CAROUSEL ENTRANCE
AC the far end of the hall, where the throng is a huge crystal
design ornaments an entrance The crystal is red and pulsing
rhythmically to the accompaniment of a deep and thrilling TONE. As
we move toward it with Logan and Francis, the TONE deepens, the
great pulse takes on a hypnotic quality...
In the crowd they overtake a fellow Sandman, DANIEL, and fall in
step with him. When they speak now, their voices are hushed.
LOGAN:
You should have been with us in Nursery,
Daniel. I'm positive I recognized him -
FRANCIS (hustling
Logan)
Come on. I don't want to miss the
filing-in. There'll be some I know
tonight, I think...
DANIEL (glances at his
own red crystal, nods)
Yes. Me, too. You know we're
both on Monitor tonight.
FRANCIS:
Damn! That's right. Just when I
Arcade .
LOGAN:
Want me to take your shift? I'm
feeling restless anyway
Francis glances at him, exchanges a look with Daniel. They vanish
into the throng passing under the great crystal, turn the corner and
we see
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Logan's Run" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/logan's_run_453>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In