Logan's Run Page #7
- PG
- Year:
- 1976
- 119 min
- 1,194 Views
Walking slowly up to a door, she hesitates, KNOCKS.
Logan opens the door, reacts.
LOGAN:
Are you here to help me?
JESSICA:
What do you need?
A moment, then Logan moves toward her hungrily, pulling her in to
him as the door closes.
94X4 OUT
DISSOLVE TO:
Walking along a handsomely landscaped stream. Laughing together,
stopping to admire the beautiful fish (koi).
JESSICA:
What're you going to do?
LOGAN:
That's tomorrow.
JESSICA:
(turning away slightly)
I wish I could help you.
LOGAN:
(turning her gently back)
Maybe you'll chink of something...
JESSICA:
(hating herself)
I wish I knew what you think I know.
Logan smiles at her, both knowing what's false, but drawn to each
other anyhow. They commence walking again.
94X6ANOTHER ANGLE
The followers, ahead now, watching, trying to make up their minds as
to whether Jessica is bringing Logan to the ambush. As they argue,
Logan and Jessica approach.
LOGAN:
If you did know, you'd tell me.
JESSICA:
Of course--
LOGAN (overriding)
If you trusted me, you'd know.
JESSICA (evading it)
We're coming to Arcade.
(beat)-
Shall we Relive together?
94X8CLOSE ANGLE
As they pass, Jessica looks full in the face of one of the
followers, looks away. Logan does not notice. The followers are
partly reassured. One of the men is now holding a garrote made from
his necklace. The man who first followed gestures and the others go
off purposefully. He continues after Logan and Jessica as they exit
round a corner.
94X9 OUT
94AX9READY ROOM
As 1st Sandman returns, still cheerfully chewing. Francis is
reluctant to give up his place and when he does, he remains standing
there, watching. He loves the work--they all do.
94X10ARCADE - LOWER LEVEL
Logan and Jessica entering. Logan is aware of Jessica's increasing
tension. He pretends unconcern, but he is wary.
94X11ANOTHER ANGLE
Behind them, visible through the crowd--two of the men we saw
before. The Follower and the man with the garrote. They are moving
so as to intersect with Logan and Jessica where the crowd is
thickest, streams coming together to move to a higher level.
94X12FEATURING JESSICA
As they move, fearful--torn between her promise and her feeling for
Logan. Catching a glimpse of the followers, she makes a small sound,
hesitates, pretends to have stumbled.
94X13THE AMBUSHERS
Closer now, closing in -- the wire garrote gleaming between the
man's hands.
94X14LOGAN AND JESSICA
Suddenly she stops. He comes round facing as people eddy by them.
Logan looks at her searchingly.
LOGAN:
Tell me, Jessica.
Behind him the two men move in. The man with the garrote raises his
hands. One more step... Logan senses something, half-turns just as
we hear a familiar urgent SOUND--the sound of his transceiver.
Behind him the man hesitates, drops his hands. Logan takes the
transceiver from his belt and moves out of the crowd to the side,
Jessica with him. Now he bends to read the message and Jessica
cranes her head to see too.
94X15READY ROOM - FRANCIS AND SANDMEN
As the Runner alarm pulses and the readout flashes its message:
RUNNER FEMALE:
CATHEDRAL Q-2...LOGAN-5
The Sandman at the console turns and says:
1ST SANDMAN
Hey, Logan's got a mean one tonight--
why don't you--
But Francis is already at the door. A wave and he's gone. The others
ad lib interest-- "watch out in there--they can cut you before you
see them" etc.
95-105 OUT
105X1ARCADE STATION - THE AMBUSH
The two watching, muscles taut -- wondering.
106-
106X1OUT
106X2ARCADE - TWO SHOT - LOGAN AND JESSICA
As he speaks he leads her into the maze-car station and punches out
his destination on the car caller.
LOGAN:
A Runner...Cathedral. A woman.
106X3MAZE-CAR STATION ARCADE
JESSICA:
You're not going, are you?
LOGAN (a beat)
Why not? Maybe she'll help me.
You won't. You'd better stay here.
The maze-car arrives and they move to it.
JESSICA (touching his
arm)
I'd rather be with you.
LOGAN (knowing she is
lying through her teeth)
That's nice.
They enter the car which instantly moves off. As it passes, the men
in ambush come forward and read the destination. They ring for
another car which pulls in immediately.
107-
109X1 OUT
109X2ANOTHER ANGLE
As the two jam into the maze-car which rockets off in pursuit...
110-
120 OUT
121INT - MAZE-CAR - LOGAN AND JESSICA - MOVING SHOT
LOGAN:
Have you ever been through Cathedral?
Jessica shakes her head.
LOGAN:
They're like beasts. Wild.
JESSICA:
Maybe they're angry because they're
grown in meccano-breeders.
LOGAN (interrupting,
grimacing)
Instead of what? Nine months inside a
woman:
(ugh)
We're all raised the same but most of
us don't become cubs in Cathedral.
JESSICA:
Some people say children need human
mothering.
LOGAN:
Insane. Nurseries are better than any
mother could be.
JESSICA:
I'm only telling you what I've heard...
(slightest beat)
Haven't you ever wondered what your
seed-mother was Like...?
LOGAN:
Uh-uh.
JESSICA:
I have.
LOGAN:
(after a beat)
When did you begin to question Lastday?
JESSICA:
I don't remember exactly...except I was
a Green.
(another beat)
What would you like to relive, Logan?
LOGAN (smiling)
Let's see - how long has it been?
As Jessica turns her head...looking somewhat guilty, the maze-car
slides to a stop.
A warning light pulses on the car's console and a RECORDED VOICE
speaks before the hatch opens.
VOICE:
Attention passengers. Cathedral
Station is a personal risk area.
Persons with business are warned
to be careful.
121X1EXT. - MAZE-CAR - CATHEDRAL STATION
Now the hatch opens. They step out, Logan first, Jessica timidly,
looking around. Behind them the hatch closes, the maze-car sighs
away into the distance.
JESSICA:
I've never been in this quadrant.
(looks off)
Is that Arcade off there?
There are standing on the maze-car platform -- a high overlook like
an "elevated" station.
121X2POV - THE CITY BEYOND THE WALLS OF CATHEDRAL
Arcade shining like distant fireworks.
122EXT. - MAZE-CAR M PLATFORM - CATHEDRAL
Below them a narrow, sharply angled concrete canyon, buttressed
walls rising featureless. The look of an old fortress, blank, dim
and cool. Still visible over an opening the chiseled legend
"Cathedral Plaza--2025 A.D.--Skidmore, Rosenfelt, Hennesy
architects."
Jessica shivers, looking around her. Logan takes her arm and they
descend into the canyon, move toward the wall. Their footsteps the
only SOUND.
LOGAN:
Let me go first. Sometimes they're
waiting just inside there--to rush
you when it opens...
LOGAN:
Quickly now--
He helps her through the narrow opening--the portal's walls are very
thick.. They turn abruptly and see:
123INT. - WALL - DAZZLE CHAMBER
A room of angled, reflecting surfaces. At one end a jagged corridor,
also mirrored, leads away. The zigzag, angled effect creates an
absolute confusion of images. but Logan leads her unhesitatingly
across the chamber to the corridor. Jessica hangs back, momentarily
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"Logan's Run" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/logan's_run_453>.
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