Look Who's Talking Too Page #5

Synopsis: Mollie and James are together and raising a family, which now consists of an older Mikey and his baby sister, Julie. Tension between the siblings arises, and as well with Mollie and James when Mollie's brother Stuart moves in. Mikey is also learning how to use the toilet for the first time.
Director(s): Amy Heckerling
Production: Sony Pictures Home Entertainment
  3 nominations.
 
IMDB:
4.5
Rotten Tomatoes:
14%
PG-13
Year:
1990
81 min
1,515 Views


rough-and-ready wrestlers from Tonka!

Wrestling Buddies by Tonka?

I want one of those!

Here comes the new Cobra Hammerhead.

The Cobra Hammerhead'll

sink those Joes!

I need a Cobra Hammerhead!

Hey, I want a Cobra Camerahead.

It's for boys. Jeez.

- Hey, Priscilla.

- Hi, Elvis.

- Mikey, guess what I got you?

- A Cobra Hammerhead?

- An aeroplane!

- Oh, man.

It's a Lear 24,

just like your dad flies.

One day I'll take you to the airport.

You can sit with me.

- Want to do that?

- No.

Man, I have never been more insulted.

I get up for this job interview

today. Everything's great.

It's for this liberal organization.

Which one?

I don't know. The American Foundation

of Crybabies or some sh*t.

He tells me the salary,

and I wanted to kick his ass.

- Who does he think he's talking to?

- Are you hungry?

I'm checking out

the Faster Pussycats.

That'll be fun for you.

- You think I could borrow $20?

- Sure.

Hey, Stuart? Nice jacket.

Do you mind? I got a date.

I guess not.

Here. And I want you to take this.

This is mad money.

And don't take the subway.

There's a lot of weirdos. Take a cab.

- There's a lot of weirdos there?

- Yeah. You take a cab. Bye.

I don't mind that every job interview

he goes up on, he gets upset.

It doesn't really bother me

that he takes my clothes.

I can even put up with

his Fascist views.

But you know what bothers me?

What really ticks me off?

Is this and this!

He drinks everything but a drop,

then puts it back.

He takes bites of everything,

then puts it back.

He reads our magazines, hides them

before we get to read them!

- I'll have a talk with him.

- No, I want him out.

- He doesn't have a place.

- Your mother's.

They'd kill each other.

Why do you put him ahead of me?

- I don't.

- You do.

Decide, him or me.

You can't ask me to choose

between you and my family!

He's still family at your mother's.

I won't kick him out. And I hate you

for asking me to do this.

- You hate me?

- You're being mean and selfish.

- You're inconsiderate and stubborn.

- Oh, yeah?

I think you are a big, stupid slob!

I think you're big and stupid!

I may be big, but I am not stupid!

So you just get out of here!

- I pay half the rent!

- I pay all the utilities!

Fine!

Elvis is leaving the building!

Hey, I don't want him to go.

What happened?

Oh, yeah? Chase my daddy away,

I'll show you.

Here, here. Go ahead.

Hey, that's mine!

All the yelling. Here's what

I think of your little friend!

Oh, no!

Bye-bye, birdie!

Think you're a bird?

Let's see if you can fly now.

Oh, my friend!

You hurt my friend.

You creep!

- Who is it?

- It's me, Rona.

- Hi, hon.

- You mind if I stay the night?

I'm too scared to go to

my apartment. I was robbed.

Of course you can. What happened?

I went to put the key in the door

and I saw it was a little open.

I peeked in and the place was wrecked.

- What'd they get?

- Everything.

They got my telephone,

my stereo, my camera.

They got my grandfather's gold watch,

that pocket watch?

They got all my costume jewellery.

And some was really expensive.

The worst thing's the mess!

Everything was thrown around.

- Just when I was getting organized.

- Freeze!

Stuart, put the gun down.

Rona, this is my brother, Stuart.

Hi. What a surprise.

Mollie never said she had a brother.

Sorry for aiming this at you.

That's okay. No one was killed.

Come on. You can stay

in my room tonight.

It's nice meeting you.

Mollie said some wonderful things

about you.

- I'm not gonna tell you again.

- Move.

- You shove over. This is my side.

- Get your arm away.

You afraid you'll get recognized?

- Bitchir wheels.

- Ex cept I gotta ride beside her.

- Buzz off.

- Get your finger out of my eye.

You got a sister?

Better for you.

Mom tells them to be good,

they poke you in the eye.

Worse... Try and stay with me

when I'm talking to you.

What I'm saying is

your parents forget about you.

No, dude. Don't say that.

Well, the way it's going...

- See you later.

- I gotta bail, dude.

Mommy is so funny. She's always

doing something so inventive.

She's the greatest.

She's so clever.

Imagine using your hand

and turning it into a duck.

Sure, sure, laugh now.

Wait'll they take that big sharp

thing and stick you with it.

I hope they don't stick me today.

She'll be knocked out from the shot...

...so no operating heavy machinery.

I'm only 1,

and I know that's not funny.

What's that?

I can't watch this part.

Oh, my God!

Smarts, does it?

Hurts just a little?

Will this pain ever go away?!

Maybe it will. Maybe it won't.

Hey, look at this.

Look what I'm doing.

I'm walking.

Oh, my tush hurts.

Hey! My friend's back.

Now I remember.

He killed my friend.

As God is my witness,

I'm going to learn to walk...

...and get the hell out of here!

Mike, what do you say we see a movie?

What do you say you carry me

around for once?

Yeah, bite my teething ring.

All right, we got Schwarzenegger,

and we got Betty Boop.

Tough call. They're both really built.

They both talk funny.

What would Arnold say?

He'd say, " Do it. Why don't you do it?

You are here. See my movie. "

I think they're a little young,

don't you?

Yeah, he says we're too young.

You're not gonna pull...

...the "Sir, my kid left her shoe

inside. Can I go get it?" gag?

He won't go for it.

Sir, my kid left her shoe inside.

Can we get it?

- Thanks.

- Okay, I guess he went for it.

Mike, here. Remember

your obnoxious routine, okay?

- Remember it? I live for it.

- Say popcorn.

Popcorn! Popcorn!

Can I help you?

Yeah, the kids knocked over

the popcorn in the theatre.

Popcorn, popcorn!

All right, calm down.

Just a minute.

Hey, I can be obnoxious too!

Just go.

Oh, no, really? You're great.

Thanks.

Yeah. It's all right.

Always works.

Now look, you guys,

you know I'll be home soon.

If your mother doesn't stop bossing

me around, I'll never be a good dad.

I know that ice cream doesn't

make up for me not being home.

Yeah, well, it's a good start.

I miss you kids so much.

Please don't be mad at me

whatever she says, okay?

Remember, this has nothing

to do with you guys, all right?

It's not your fault,

and it's not your fault.

- I think it is his fault.

- I think it's your fault.

Me? You're the bad one.

I miss you so much.

Pop.

- You miss me?

- Yeah.

Ick. Male bonding makes me sick.

She needs to be changed.

Hi.

There you go, Mike.

Jimmy, have you given any more thought

to what we talked about?

What? You mean my being

a big stupid slob?

We gotta boom-a-boom, a-boom-boom.

Or my being selfish

and you wanting me out?

I got upset. I didn't think

you appreciated me getting that job.

- Mikey, stop it!

- All right, I'll do it soft.

I'm not one of the kids.

I can do things for myself.

Like becoming a pilot

when you fly two hours a week?

- It'll take until you're 50.

- For your information, I got a job.

- We got a boom, baby, boom...

- Knock it off!

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Amy Heckerling

Amy Heckerling (born May 7, 1954) is an American film director. An alumna of both New York University and the American Film Institute, she directed the commercially successful films Fast Times at Ridgemont High, National Lampoon's European Vacation, Look Who's Talking, and Clueless. Heckerling is a recipient of AFI's Franklin J. Schaffner Alumni Medal celebrating her creative talents and artistic achievements. more…

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Submitted on August 05, 2018

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