Louder Than Bombs

Synopsis: An upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death, brings her eldest son Jonah back to the family house - forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently.
Genre: Drama
Director(s): Joachim Trier
Production: Motlys AS
  10 wins & 9 nominations.
 
IMDB:
6.6
Metacritic:
70
Rotten Tomatoes:
73%
R
Year:
2015
109 min
731 Views


Ok.

- It will take 'a little' practice.

- Yes.

Ok.

Here it is.

Where's the food?

I'm starving.

Oh sh*t.

Oh God. I...

I put it next to the door ...

I'm so sorry, I'm going

pick something else.

I'm fine.

No, you're exhausted

and you have to eat something.

I'll get

something. Stay down'.

What I ate before

crap, sh*t.

I ', I know it was disgusting, you can

not to say f*** in front of the little girl

for a week?

- It ', a week.

- Okay, one week.

Okay, lie down. Ok.

Be right back, ok?

Your dad 'brings to your mom

some f***ing food.

- A week.

- Make better hurry the f*** up.

You ', very funny.

Hey, excuse me. Knows where...

Do you know if there '... Ok.

Erin?

- Jonah.

- Hello.

Hey.

Hey, I ...

I thought you moved to Brooklyn.

I did too.

But my mother still live here.

I get a bit with her., I think.

I heard that you are still in college

Oh yes'.

- Teach or ...?

- Yes, I am a professor now.

- Wow! As time passes.

- Yes

Why ', not'

nothing serious, right?

You ', you know ...

It's difficult.

He does not even 60 years.

I'm sorry. I'm sorry,

I've always loved her.

She also liked you.

You made a big impression on her.

It 's always critical with my boyfriends

since we broke.

Really.

No, it's true.

You are fine?

What are you doing here?

Well, my wife ...

Amy, her ...

Oh, sorry so 'much.

Yes thanks.

Thank you.

Why 'you took you

so much?

Oh, nothing.

Everything was closed. I'm sorry.

Everything is alright. Isabelle, honey.

Isabelle, look at me.

All right.

Ok.

There are difficult conditions

of work.There is no infrastructure.

When you get in places,

you just have to wait and try.

We often worked together.

There are photographers everywhere.

If something happens,

we are like bees,

looking at the same thing,

focusing on the same thing.

Richard Weissman

Journalist.

But she got the picture.

... producing images

incredible in extreme danger.

Well done!

When I started,

I thought that the work

consisted in approaching

as much as possible.

The exciting part of this work

perhaps he attracted me to do so.

Then I became confused and

I thought that I had to be wait until the tanks went away,

to show the damage.

- Maybe ...

- The consequences of war.

It ', the other side of the war.

I think my last

photographs, the most 'recent,

they are witnessing.

How long it will 'and how

You will 'know when to stop?

I think it's ...

my responsibility '....

No, I do not think I should

stop. Why should I?

Accident

automotive deadly.

To a tragic fate,

After finally leaving

the dangerous job as a photographer,

Isabelle Reed dead in

a car crash

in less than a two kilometers

from his home in New York.

He was 57 years old. He lived

with her husband and two sons.

That should give you some idea.

It must be so 'short.

People will not see long film

at an exhibition.

Sure sure.

It seems to me, it seems

that works for me.

Some of his shots are already '

ready. You saw them, coming out?

No, no,

I have not had the opportunity.

- Oh, they are fantastic.

- Yes'.

Good.

We wanted to ask you, I know that

and 'it has been a bit' of time, but

He held the material at home,

something that we can see?

I am afraid of,

it's just a big mess.

Maybe something from the last trip to Syria?

I saw no pictures from there

Well ... I wrote

Jonah, and, well ...

There is no 'why

you can not look.

Great. We appreciate it.

Did I tell you that I am writing

an article in The New York Times?

- To announce the exhibition?

Yes, they told me.

Always he thought

that one in the press

He had been cut

too right, here.

- Oh, yeah, yeah '.

- I understand what he meant.

So, when I write this article,

I do not think they can avoid ...

to mention what it 'dead.

That is not 'was an accident.

You '.

Are you saying that you write

that has' committed suicide?

I will not be the one to

idealize what 'we do.

Even Isabelle would.

It's so hard. It requires so much.

Then...

well, I must not tell you,

but it was hard for her.

Yes'.

- Yes'.

- Then...

It has passed

a couple of years, so '...

I just wanted to make it known

boys before rolling the article.

They know what

really, it is not it happened?

Well, Jonah know

But Conrad, he had

12, so ...

It 'a difficult subject ...

let me show you something else.

- Yes?

- Hi, it's me.

- It's me.

- I know, Dad '.

So what are you doing?

I'm with Kenneth and others.

Ok.

I just wanted to know

what time do you come back home.

I do not know.

I make taco.

now I have to do papa,

We'll talk later.

Hello.

Can I come in?

What are you playing?

Are you a girl?

It 'a kind of witch.

What?

- I also play with other characters.

- Yes.

You know that meeting

I had this morning?

Richard was there. Do you remember him?

He should write an article, and ...

It reminded me that there are

of the things that you and I

we need to talk.

Can you turn off?

Or put it on pause?

- Conrad, turn off right?

Get out!

Get out, damn it!

Do not talk to me that way.

I'm just trying to talk to you!

Okay, stop,

Stop. Just.

It's not funny.

Stop it!

Wake up ...

'But now, as he sank

more and more 'down' in the waves ...

'Were the crucial moments

that came back to him '.

'Instead, his thoughts returned

the most 'distant memories.

'Small incidents

which had long been forgotten.

'I remember' the phrase he had read the newspaper a few days before ...

'And that he did not understand ...

'he think' to

an old suitcase

'That had kept

in the attic of his uncles.

'A brief look

by a stranger.

'In ... insignificant fragments

of this,

Insignificant.

Insignificant.

'Fragments insignificant

'That preceded

his last seconds.

'Seconds That does not

were more 'seconds,

'But stretched into minutes.

'The suspended time.

'Seconds That does not

were more 'seconds,

'But stretched into minutes.

'The suspended time.'

'What would have thought,

'what step' your mind when

'saw that

the accident was inevitable?

'We remember' when he was

lying on the beach, sleeping,

'feeling the wind that blew

the grains of sand on the face,

'thinking that if he stops

rather, they would have covered.

'Maybe you remember' some places ...

Our Home.

The corridor.

the living.

Maybe she thought of him

That she could have done

'some little thing,

'something he had forgotten.'

'He was hiding,

'listening

call his name.

'Heads' now that

he must have seen,

'all the time

who had been there.

'It was just pretend

not to see him,

'ever moving away too much,

'always watching

out of the corner. '

Conrad?

Conrad?

It seems that she leave

implied that believe

that wisdom arrivals

with old age and the legend.

Do you agree?

- Yes?

- Hi.

It's me.

I know, Dad'.

what are you doing?

I'm with Kenneth and others.

Okay.

I just wanted to know

what time do you come back home.

I do not know.

I make taco.

- Yes'.

I'm a little busy. We'll talk. later.

Can I help you?

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Joachim Trier

Joachim Trier (born 1 March 1974) is a Norwegian film director raised in Copenhagen, Denmark. His father Jacob Trier was the sound technician of The Pinchcliffe Grand Prix, a notable film produced in Norway in 1975. more…

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Submitted on August 05, 2018

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