Malcolm's Echo: The Legacy of Malcolm X Page #4
- Year:
- 2008
- 84 min
- 13 Views
with no other answer.
If that 300 gets returned
in the next hour,
I won't call the cops.
- I don't have the car, man.
- No, I'm trying to give you
the benefit of the doubt here.
- Call the cops, man.
I don't have the car.
- I can't keep you on until
that 300 turns up.
- Yeah.
All right.
[wind rushing]
[crashing]
- Hello?
[footsteps running]
Hello?
[girl whimpering]
- Yo, what's this?
How the hell did this happen?
Damn, man!
Watch the shop.
- [gasping]
[distant whispering]
[breathing heavily]
[door creaking]
[screaming]
- Are you okay?
- Alyssa Foldes?
Alyssa Foldes.
Anybody-
nobody knows her?
Alyssa Foldes?
You know Alyssa?
It's really important
that I talk to her.
- Sorry.
I don't know where she is.
- Come on.
You got to help me out.
- She put a lot of trust in you.
And you're going to end up
hurting her again.
She can't deal with that
in her life right now.
- You don't know
what's going on.
- I know Alyssa
never showed up tonight.
I know she didn't turn in
her final.
And I know she's only been
acting like this
since you showed up.
Just leave her alone.
She knows about the other girl.
- What other girl?
- The woman at your apartment.
- Did-did Alyssa talk to her?
- Don't know.
- Just have her call me.
[knocking at door]
- Bobby, you there?
It's Hector.
The city towed
the wrong car, man.
You still have your job
if you want it, man.
[knocking at door]
Bobby!
Are you all right, kid?
Hello?
Little girl?
You all right?
Hello?
Where are you?
Hello?
Little girl?
[gasps]
Help!
Help!
Anybody?
Help!
[phone beeping]
Damn it!
[panting]
[choking]
[phone ringing]
- Hello?
- Mr. Reynolds, do you know
what day it is today?
- No.
What?
- It's your weekly check-in.
Appointments with your PO
are not optional.
I thought we understood
each other.
- Yeah.
Sorry.
- Is there something
I should know?
Mr. Reynolds?
- I can't talk right now.
- Look, let me give this to you
in vivid detail.
You speed your way
into the parole office
right now,
or you illegally violate,
and we come looking for you.
You get me?
Mr. Reynolds?
- Help-help me!
I know you're in there!
Please!
Please open the door!
[strange scraping noises]
[people chattering]
- Bobby?
Bobby, can you hear me?
Look, um, those-
those noises that you heard,
I think-
I think I may be
hearing them too.
I don't understand
what's happening.
You were trying to tell me
something,
and I didn't listen,
and I'm sorry.
And I'm going to come
and find you, okay?
[knocking at door]
- Open the door!
- Bobby?
- Think I don't know
you're in there?
- I don't want trouble.
- You've been watching me.
I see you in the window.
What are you looking at?
Something happened
on that floor.
You know something, don't you?
- There was this family
living there.
One night,
the mother, she kept screaming.
- No.
Don't!
- It doesn't make sense.
You could-you could have
just called the cops.
- A lot of terrible things
happen in this city every day.
would call the police,
or we were afraid to,
or worse.
[woman screaming]
Some of us just didn't care.
The next morning,
they were all dead.
[gunshot]
- It's your fault.
You could have done something.
You let them die.
Any one of you,
my mother included,
could have saved them.
You realize that?
[locks clicking]
Hey, hey, hey!
Wait!
- I'm sorry.
I can't help you.
- Why-why won't they stop?
[knocking at door]
- Hello, Miss?
Is he in there?
I really need to find him.
[knocking at door]
Anyone home?
Sorry, l-
the woman who walked
in here, do you...
[door slams]
[locks click]
[locks clicking]
[gasps]
[door slams]
[panting]
[screaming]
[moaning]
[screams]
[coughing]
[screams]
[whimpering]
[Alyssa crying]
[crying]
- Oh, my God!
Alyssa?
Alyssa!
I'm so sorry.
I'm so sorry.
Oh, my God.
What did they do to you?
[phone trilling]
Oh, God.
Oh, God.
Please.
- 91 1.
What is your emergency?
I-I need an ambulance.
Please.
- What is your current location?
[high-pitched discordant
piano music]
Sir?
Can you hear me?
Sir?
- You're doing real good, honey.
Everything's going to be okay.
But I want you to be strong
for mommy.
You got me?
Right.
Let me see that pretty smile.
There.
- Hey, what are you doing?
- Please don't do this.
- Don't do what?
- We're leaving.
- Why are you leaving?
- You know why.
- But you...
- Don't!
- You can't leave.
Whoa, whoa.
What?
Don't what?
What?
[gasps]
Shh, it's okay.
It's okay.
- Where are you?
- Here, here, here,
here, here, here.
- [crying]
- Listen, listen.
- You just close your eyes
and go to that special place
like always.
Nothing else will matter.
- Carly, are you okay?
Why are you crying?
What-
- No.
- l-I really don't understand
what's happening here.
What-what-
Why do you want to leave me?
[crying]
- Why?
- Hmm?
- Look at me.
You did-
you did this to me.
- I didn't do that.
Who the hell did that to you?
- [crying]
Go!
Run, baby, run!
Look at me!
Just let Carly go, please.
- Uh, Carly...
- Do what you have to do to me!
- Carly.
I don't understand
what's happening here.
- Walter.
It makes me so mad!
- [crying]
- It's making me lose
my freakin' mind, you know.
[breathing heavily]
- Why won't you just let us go,
please?
Please.
- Baby.
I love you so much.
Just say it for me once okay?
Just tell me that you love me.
Just once.
Just say it.
Just say that you-
- No, no!
Somebody help us!
Please, someone help us!
Open this door!
Come on.
Please.
No, don't, please.
No, no.
[scraping noises]
Please, somebody help us!
Come on and help me!
Open the door!
Somebody help us, please!
No, Walter, no!
No!
No!
- [crying]
- [panting]
- [whimpering]
- [crying]
- [crying]
- Walter, no!
- Stop!
You got to stop.
- You mind your own business.
Agh!
- [screams]
- Agh!
[wet thudding]
- No!
- [screaming]
- [panting]
- [screaming]
- [coughing]
- [sighs]
- [crying]
- Alyssa!
- [whimpering]
- Alyssa?
- [crying]
- Oh, it's okay.
It's okay.
[sirens wailing]
[high-pitched discordant
piano music]
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"Malcolm's Echo: The Legacy of Malcolm X" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/malcolm's_echo:_the_legacy_of_malcolm_x_7447>.
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