Millie

Synopsis: Millie Blake has a love affair that goes wrong, so Millie plays the field recklessly from that point on. When she finds out that one of the reckless players from her past has now cast his spell on her daughter, she takes matters into her own hands and finds herself in a courtroom trying to find a better defense plea than mother-love and honor-protection.
Genre: Drama, Romance
Director(s): John Francis Dillon
Production: RKO Pictures
 
IMDB:
6.3
TV-G
Year:
1931
85 min
80 Views


1

You.

Hey look well if it isn't Jack Maitland

tearing up the town again who's out in

the front seat Milly Blake Milly

oh well it wasn't any of these rags

going on before her old man died that

girl needs a father huh really knows how

to take care of herself and don't I know

it well maybe she does oh I love this

I've never read fast enough I get a

thrill out of it I want excitement I

want to live to go everywhere see

everything is still everything

how would you like to go to New York.

Millie oh I love it.

Oh it'll be a long time before I get

there I guess

how would you like to go with me

that's the one thing I won't do

I thought we settled that a year ago at.

Miller's car well I mean it I think

you're the most beautiful girl in the

world and I'm the man to take care of

you

am I being proposed to you're getting

the news broken to you gently that

you're going to be mrs. Jack Mason of.

New York

see that looks funny it looks great

anything else sir

ice water if I wanted to take out I'll

call you I just.

Nellie my darling you're trembling it's

just excitement mrs. Jack Maitland

are you sleepy no no why don't we try to

pay you up now

no it's only two hours oh I see here who

is your boss my husband you love him yes

great of him

I guess I'm silly of course you are now

come on darling and get some rest

you're all tired out a little rest of

the worlds of good I have to Telegraph.

Telegraph yeah my mother oh good heavens

I'll telephone her you get to bed

hello give me long distance please

hello mrs. Blake this is Jack Maitland

if Milly wants to talk to you hold of

our please yes home phone Oh Milly Milly

come on darling this is long distance

step on it.

Oh you having anything to put on oh here

please hurry honey hello dear I'm not

read I'm married Jack Maitland we're in

a hotel in Greenwich Mary what if your

marriage is such a fine manner Jack.

Maitland what are you crying about.

I never got married before how can I

tell I'll write to you when we get to.

New York

did you tell her yes what did you say

she said for you to be good to me

you didn't think of that such a big girl

I don't know my little thing

yes dear do you want your bath now huh

you do as your mama give it to you oh

you dear mother loves you so just come

on stand up up sugar oh you're getting

so big Connie I don't know my little

girl come on

should we go in alrighty come in time

for the baby's bath miss Maitland oh let

me give her back with it I'll do it just

like Yahoo and make them

don't tease all gone please let me I'm

sorry miss Maitland say old baby you

said well what's that all about

oh it's not governance you think she

owned my baby oh we see it about ten

minutes a day Oh Jack don't be cross

honey it's awful I haven't got a thing

to do all day long until you come home

too bad about you isn't it a beautiful

home all the clothes that money can buy

in a car to ride around in that doesn't

make up for being lonely yes little bags

are all packed and the cars at the door

yes Oh jack are you gonna go away again

this weekend my business demands it oh

forget business for a couple of days

let's be like we used to just the two of

us are you going to start that again I'm

sorry I I won't talk about it anymore

you're a sweet kid.

I thought she was going to forget again

this morning forget what kiss me will

you see I didn't over Jacox I mean a

real kiss the way you used to

there you are

well what's the matter no don't you love

me anymore well of course I do sweet but

you don't kiss like you well good

heavens dear I can't waste all my days

billing and cooing I have business to

look after well business didn't bother

you when we were first married you don't

love me anymore that's what it is I

loved you when I married you and I love

you now well then why do you leave me

day after day I get so lonesome I could

die do you think I'd go away because I

want to are you always kicking well why

shouldn't I kick I like a little fun for

a change I like a little loving once in

a while what do I guess you're downtown

all day when you do come home at night

you go to fame you snore listen I'm not

going to stand here argue with you I

have a train to catch

good morning Millicent good morning

mother how's the baby oh she she's just

like a little angel what's the matter

sweetie I'm afraid I was cross with Jack

this morning oh he'll get over it

I'm sure of that it takes time for young

people to adjust themselves to each

other and a whole lot of patience you do

like me a little don't you I love you

Millicent I was thinking only this

morning

that if I had a doctor I should want it

to be just like you I could just hug it

and faces was a thing to do

maybe the check now hello what why Angie

wake her sure when did you get New York

and you never told me my auntie and I

grew up together well I didn't bring you

because I thought you might be too proud

to talk to me well then I got thinking

you might get sore if I didn't so I did

so she did oh I live with a girl named

Helen oh I'm I'm working so you're a

salesgirl at mayson's I'm a salesgirl at.

Macy's you've got the day off I got the

day off

tell her to meet you in front of Mason's

at 1:
00 can you meet me in front of.

Mason's one o'clock one o'clock all

right I'd like to see you pretty bad

goodbye I got her to come you got her to

come she's coming in spite of you yes I

know how to talk to a friend from home

without you telling me did you tell her

how to bring your room rent

you will get your money now will you say

fight I never knew they had cabarets

running in the daytime yes it's a place

for tired businessmen to relax in oh

hello

same as usual Yeah right I'll take

ginger man yep I come here pretty often

yes I I see you're rather well acquitted

it isn't hard for a girl to get

acquainted in this town no img' don't

try me I'm your friend tell me how did

you happen to come to New York well I

got engaged to a man who got a divorce

in Mexico you would well how can a girl

tab is gonna happen in Mexico hello miss

Riley oh hello max I'm looking for my

girlfriend oh nevermind there she is a

very wrong idea miss Riley miss Blake oh

well mrs. Maitland now is it not well

just Milly if you like won't you have

something creme de menthe not hard to

manage you know this is a pleasant

little which part say what's that crack

I beg you beat it beat it go on beat it

oh well I hope you don't misunderstand

my dear no I I don't

oh then I can relax they honestly Millie

you're a good egg oh so say I I like to

call my home

and suppose we have didn't you know gee

that'd be swell where the phones right

over there by the door

I'll show you Millie oh don't bother I

can find it

hey you know Angie I like that Dame what

ails you

well the dirty cheater who him her

husband that one with the blonde dirt

but whatever major bring her here you

little moron know why even here all the

Rate this script:0.0 / 0 votes

Donald Henderson Clarke

Donald Henderson Clarke (August 24, 1887 – March 27, 1958) was an American writer and journalist, known for his romantic novels, mystery fiction, and screenplays. more…

All Donald Henderson Clarke scripts | Donald Henderson Clarke Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Millie" Scripts.com. STANDS4 LLC, 2024. Web. 26 Dec. 2024. <https://www.scripts.com/script/millie_13781>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Millie

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The character biographies
    B A detailed summary of the screenplay
    C The first draft of the screenplay
    D The final cut of the film