Mishima: A Life in Four Chapters

Synopsis: A fictionalized account in four segments of the life of Japan's celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima's life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko's House, and Runaway Horses), while the fourth depicts 25 November 1970, "The Last Day"...
Genre: Biography, Drama
Director(s): Paul Schrader
Production: Criterion Collection
  1 win & 1 nomination.
 
IMDB:
7.9
Rotten Tomatoes:
88%
R
Year:
1985
121 min
1,820 Views


Yukio Mishima was

Japan's most celebrated author.

On his death, he left

a body of work consisting of

35 novels, 25 plays, 200 short stories

and 8 volumes of essays.

Both his personal life and artistic works

were closely followed by the general public.

On November 25, 1970, Mishima

and 4 cadets from his private army

entered the Eastern Army Headquarters,

forcibly detained the commander

and addressed the garrison.

Improved & Timing by

cycles

FRANCIS FORD COPPOLA AND GEORGE LUCAS

P R E S E N A FILM BY PAUL SCHRADER

"Mishima"

.

"Mishima"

a life in four chapters

ORIGINAL MUSIC COMPOSED

AND ARRANGED BY:

PHILIP GLASS:

WRITTEN BY:

PAUL SCHRADER & LEONARD SCHRADER

1- Beauty ... "Temple of the Golden Pavilion"

2- Art ... "Kyoko's House"

3- Action ... "Runaway Horses"

4- Harmony of Pen and Sword

1- Beauty

Good morning.

Good morning, Mr. Mishima.

Would you like breakfast now?

Not today.

What about the children?

Your wife's already

taken them to school.

Recently I've sensed

an accumulation of many things

which cannot be expressed

by an objective form like the novel. TO

SHINCHOSHA PUBLISHING CO. NOVEMBER 25, 1970

Words are insufficient.

So I found

another form of expression.

Is everything as planned?

Read these in the car.

I'll be right out.

Did you get my letter?

Don't worry. You'll find

our little drama newsworthy.

And bring a photographer.

When I examine

my early childhood,

I see myself as a boy

leaning at the window...

forever watching a world

I was unable to change,

forever hoping

it would change by itself.

At seven weeks of age,

I was taken from my mother

by my grandmother.

Close the curtain!

It's almost time

for him to visit his mother.

No! I need him to rub my legs.

Tell her

I'm too sick this week.

Next week.

You would have died

in your mother's care.

A delicate plant like you...

must not go outdoors.

If you want her so much,

just go!

Leave me forever!

Be a good boy

and rub my legs.

That's wonderful.

Only you can make

Grandma feel better.

I looked after

my grandmother's failing health.

She entertained me with stories

and provided playmates.

On special occasions,

she arranged

trips to the theater.

- Watch it!

- Sorry.

Don't apologize

to these commoners.

Can you believe these crowds?

When I was a girl,

people still had

a modicum of manners.

Eat your lunch.

Look. All this riff-raff.

You're just a fragile plant.

The theater is very stimulating.

You're old enough to go now.

It would have been too much

for you before.

The stage made everything

more beautiful.

It turned men into women.

It transformed the entire world.

Look this way.

Look up, sweet.

When I was 12,

my grandmother, then dying,

permitted me to return

to the care of my mother.

Later that year

I entered middle school.

All right, you cowards!

Who's next?

Who is this? The poet?

Mr. Tough.

I'm shaking.

- You'll get killed!

- Mama's boy!

In my earliest years,

I realized life consisted

of two contradictory elements.

One was words,

which could change the world.

The other was the world itself,

which had nothing to do with words.

For the average person,

the body precedes language.

In my case,

words came first.

Temple of the Golden Pavilion

Published 1956

I can't hear

a word you're saying.

Your name's Mizoguchi.

I know what you want.

To be friends

because we're both cripples.

Your stuttering

and my frog feet.

That's all right.

I do too.

You're still a virgin, right?

Yeah, I thought so.

No success with girls,

and not enough guts

to go to a whore.

If you're looking for another virgin,

you struck out with me.

Stutter!

Go ahead and stutter.

Virgins are beautiful,

but there's nothing

beautiful about you.

Guys like us

are just like beautiful girls.

We get sick

of always being stared at.

It's like...

a m-m-mirror...

you can't b-b-break.

You're so self-important.

You make too big a deal

about your stuttering.

I suppose you're a damn poet.

G- G-Golden Pavilion.

It's too beautiful.

An acolyte.

Even worse.

Face the fact

you'll never be loved.

It's the same for everybody.

You can trick girls

into loving your deformity

instead of hating it.

Come on. I'll show you.

Damn!

You did that on purpose!

What can I do?

You just going to walk away?

Help me up.

Is there a doctor nearby?

My house

is around the corner.

Suddenly I came across

a picture

whose only purpose had been to lie

in wait for centuries and ambush me.

The white matchless beauty

of the youth's body

hung against the tree trunk,

his hands tied by thongs.

I trembled with joy.

My loins swelled.

My hand unconsciously began

a motion it had never been taught.

My need to transform reality

was an urgent necessity,

as important

as three meals a day or sleep.

Beautiful.

Mm, really.

Scenic beauty is hell,

isn't it?

Take that one up the path

and screw her.

She wants it.

B- b-but how?

Make her pity your stutter.

Make her worship it.

That's why we're here.

Stutter!

Maybe she'll fall in love

with a stutterer.

Do you stutter?

Well, are all the deformities

here today?

Let's split up.

We'll meet here again

in two hours.

D- d-do you want

to go home?

He's gone off

and made her feel she's a saint.

That's his usual trick.

H- h-how do you know?

Oh, come on.

How do you think?

What are you doing?

What's wrong?

Just as I thought.

It seems you haven't

been going to school.

Have you been ill?

Master...

That's no way

for a Zen acolyte to behave.

Master...

Nothing's that unbearable.

You'll get over it.

No. Everything...

is p-p-powerless.

What happened?

She ran away?

It was as s-s-small as this

but grew so big.

It filled the world...

like tremendous music.

That's the p-p-power...

of beauty's eternity.

It poisons us.

It blocks out...

our lives.

Please, enough of your pride!

Beauty is like a rotten tooth.

It rubs against your tongue,

hurting,

insisting on its own importance.

Finally you go to a dentist

and have it pulled.

Then you look at the small

bloody tooth in your hand

and say,

"Is that all it was?"

That's the way it is.

Only knowledge

can turn life's unbearableness

into a weapon.

Beauty...

is now...

my enemy.

Life is b-b-bearable

only when I imagine...

the G-Golden Pavilion...

has been destroyed.

The American b-b-bombers

will come.

Then...

I'll be free.

When I was 18,

my class was assigned air-raid duty.

I wrote short stories

and poems

but dreamed only

of joining the war

and dying for the emperor.

I wanted to explode

like a rocket,

light the sky for an instant

and disappear.

I took the pen name

Yukio Mishima.

What are you doing?

Nothing.

I thought you were at Lit. Club.

You kidding?

That mediocre bunch?

You should try to make

more friends, sweet.

It's not good

to be alone so much.

" This is no precocious genius.

He is not a writer.

And never will be. "

What's this?

That's a " respected" poet.

He's talking about me.

Rate this script:0.0 / 0 votes

Paul Schrader

Paul Joseph Schrader is an American screenwriter, film director, and film critic. Schrader wrote or co-wrote screenplays for four Martin Scorsese films: Taxi Driver, Raging Bull, The Last Temptation of Christ and Bringing Out the Dead. more…

All Paul Schrader scripts | Paul Schrader Scripts

2 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mishima: A Life in Four Chapters" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/mishima:_a_life_in_four_chapters_13837>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "midpoint" in screenwriting?
    A The beginning of the screenplay
    B The halfway point where the story shifts direction
    C The end of the screenplay
    D The climax of the screenplay