Mo' Better Blues Page #2

Synopsis: Opens with Bleek as a child learning to play the trumpet, his friends want him to come out and play but mother insists he finish his lessons. Bleek grows into adulthood and forms his own band - The Bleek Gilliam Quartet. The story of Bleek's and Shadow's friendly rivalry on stage which spills into their professional relationship and threatens to tear apart the quartet.
Genre: Drama, Music, Romance
Director(s): Spike Lee
Production: MCA Universal Home Video
  1 win & 3 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
73%
R
Year:
1990
130 min
1,796 Views


Your mother wasn't talking about me.

Maybe not.

You're a good brother, Bleek,|but you still don't know what you want.

Guess it's time for confessions|of a modern-day dog, huh?

Well,... like it or not,...|you're a dog.

You are a dog.

You're a good doggy, a nice dog,|but you're a dog nonetheless.

What can l say?|l'm not going to argue the point.

You know how l am.

- With men, it's a dick thing.|- A dick thing?

A D-l-O-K thing.

A D-l-O-K thing.

Hey, Bleek, you're late.

Three minutes.

Probably one of your lady friends|held you up.

- Hi, Mr Gilliam.|- Hello.

Sorry l can't stop. l'm late for school.|Bye-bye.

- What?|- You something else, you know that?

- How's the arm?|- l'm off the disabled list.

You love her?

l like her.

You like her.|What about the others?

l like her, too. l like women.

Just be careful.

Don't bring babies into this world|until you're married.

lf l see another 16-year-old,|black, unwed mother,

pushing a stroller, a baby in one arm,|another on the way,

l don't know what l'll do.

- l hear you.|- l can still smoke 'em.

Come on with it.

That's it, that's it.|That's enough.

l felt a twinge.

Come upstairs.|l'll ice it down for you.

No. l'm going back home.

All right. l'll call you later.

All right.

- Take care of that arm, all right?|- lt's just old age.

- Olarke, what time is it?|- One o'clock pm.

- What does that mean?|- You're practlslng.

That's right.|lt means l'm practising.

lf you know l'm practising|and l don't finish practising till 2:00,

which is another 60 minutes,|why you buzzing my buzzer?

Because l want to see you.

- What is that supposed to mean?|- That means let me up.

- And who are you?|- l'm Clarke.

How many times|do l have to tell you?

l have a certain time|allotted for daily practice.

You know this, yet you|consistently overlook my programme.

l get the times mixed up.

Everything with you|is so damn regulated.

A certain time to do this,|a certain time to do that.

Everything's on a schedule, a timetable.

- Loosen up, tight ass.|- Let me explain something to you.

Life is short, OK?

l need it like this|to get everything done. l like order.

Order's fine, but you're ridiculous.

And what do you want?

l want a man|who knows what he wants. Decisive.

You don't know what you want.

Make up your mind to be a man|and don't be wishy-washy on me.

Hmm.

l know what l want. My music.|Everything else is secondary.

- l knew you would say that.|- Then why'd you ask?

Brother,... if your music|is the be all to end all, as you state,

to ensure that you better|get rid of Giant as your manager.

Olarke, stay out of my business, OK?

Are you screwing him, or what?|He's a horrible manager.

Everybody can see that but you.

Why bring this confusion|into my home?

l'm looking out for your best interest.

Oh.

l see.

- Bleek.|- Mm?

l'm not saying l'm a brain surgeon,|but everybody's a teacher.

People can teach you two things,|what to do and what not to do.

Say something.

Let's make love.

For once, let's be real.

What you and l do|is not ''make love''.

- What would you call it?|- lt's definitely not making love.

- Boning?|- You've been more imaginative.

- You ever heard of the mo' better?|- Mo' what?

Mo' better makes it mo' better.

Mo' better makes it mo' better.

That's what we do. We don't make love|because you don't love me.

But in the meantime,|l'll settle for some of that mo' better.

Yeah. l knew you would.

Step back.

Open your coat.

Take off your clothes.

Ow!

- l'm sorry.|- You bit my lip.

Oh, sh*t. ls it bleeding?|What you laughing at?

- l was playing.|- Don't play with my lips.

l'm sorry.|Jesus Ohrist, l said l'm sorry.

Damn, she done cut my...

You're nuts!

Want me to kiss it|to make it mo' better?

This sh*t ain't funny, man.

l was joking.

All right, l won't ever kiss you again.

That's good.

l make my living with my lips.

l make my living with my lips.

Why don't you clean this place up?|lt's filthy.

Oleanliness is next to godliness, right?

This is the last time l carry you.

l want to play the full schedule today.

Start with the National League.

The Pirates play the Mets|in a doubleheader.

Give me the Pirates in both games.|The Mets need more black ballplayers.

Give me the Reds over the 'stros,

Expos over the Phillies,|Braves over the Dodgers,

Oubs over the Oardinals,|the Giants over the Padres.

ln the American League,|the Yankees over the Tigers,

even though Steinbrenner needs to go.

Brewers over the Red Sox,|Orioles over the Jays.

That's my main man, Frank Robinson.

Yucca, barbecue, Oreo cookies.

lndians over the White Sox,|the Twins over the Mariners,

A's over the Royals,|and Angels over Rangers.

lce cream, tamale, arroz, azucar.|All of that?

All of that.

Give me two O-notes on each game.

- Oan you cover that?|- Just make the bet.

Two O-notes on each?

Two O-notes on each game.|l'm coming back, Petey.

- lt's never over till it's over.

- Will you stop with that?|- l rehearse my luck.

This is my luck.

- What does it look like?|- lt looks good.

The numbers look good.|Numbers never lie.

That's why l like numbers. People|lie from the crib, but not numbers.

Moe, the numbers never lie.

- But human beings?|- Human beings is another story.

You meet some shmendrick.

The guy says ''Yes. No. Maybe''|but you never know, right?

- But not numbers. Three and three?|- Six.

You know what l'm saying?|A guy tells you it's done, right?

But you don't know. He could be|in back doing something to somebody,

and you don't know.

- Seven and seven?|- Fourteen.

- Eight and eight?|- Sixteen.

- Nine and nine?|- Eighteen.

Firm. Ooncrete.|lt's like a solid walk, understand?

That's what a lot of people|don't understand.

They want to give you, you know...|But a number's right there.

- You can see it, right?|- You can't buy trust, right?

l trust my mother sometimes.

Hey! Hey!

Hey, l'm walking here.

l was walking. F*** your mother!

Your mother!

Whoa! Whoa!

Money, back it on up.|No midgets getting in tonight.

l'm sorry.|You know my name is Giant.

- Every night we go over this.|- All right then, no giants allowed.

Come off the giant tip.|You're not a giant.

- Go home and take a nap.|- When are you gonna let the people in?

Lines are good for business,|which you know nothing about.

- ls that Moe and Josh talking?|- Black men can't have a smart thought?

- No, because you're stupid.|- Why is it always the white man?

The black man is God.

l'm sick and tired|of your Five Percenter malarkey.

lt's not Five Percenter.|lt's Five Percent.

Five percent of what?

Five percent of the population|knows what's going on,

the gods of this planet, the original|Asiatic black man from Africa

with knowledge of self,|sent here to teach the 85%

that you're dumb, deaf, and blind.

You're being exploited|by the devilish ten percent.

- Don't cut my wisdom!|- You're talking garbage!

Acknowledge it! People should've|been in long time ago.

Rate this script:4.5 / 9 votes

Spike Lee

Shelton Jackson "Spike" Lee is an American film director, producer, writer, and actor. His production company, 40 Acres and a Mule Filmworks, has produced over 35 films since 1983. more…

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Submitted on August 05, 2018

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