Mo' Better Blues Page #4

Synopsis: Opens with Bleek as a child learning to play the trumpet, his friends want him to come out and play but mother insists he finish his lessons. Bleek grows into adulthood and forms his own band - The Bleek Gilliam Quartet. The story of Bleek's and Shadow's friendly rivalry on stage which spills into their professional relationship and threatens to tear apart the quartet.
Genre: Drama, Music, Romance
Director(s): Spike Lee
Production: MCA Universal Home Video
  1 win & 3 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
73%
R
Year:
1990
130 min
1,799 Views


The full menu. How much?

500 on each game.

You're grown up. You're a big boy.

- That's what they say.|- l swear on my mother...

No mas. No more. No mas.

Roberto Duran.

Roberto, si.|Giant, no mas. No more. No mas.

l talked to Moe and Josh.|We're going to get our money.

- l'm working hard.|- Stay on top of that.

Look, why don't you|run this to Shadow's crib?

lt's a serious piece. l borrowed it.

He'll get it.

lt's about time.

Bleek borrowed this a year ago.|This is a rare, out-of-print Bird.

Just stand there, brother. Better not|be no scratches on here, either.

Lucky.

Tell your b*tch don't ask for nothing|if it takes a year to return it.

l don't want to hear that b*tch stuff.

Look, l'm a delivery man.|Any static, take it up with Bleek.

l'm spacing.

No, no, no, hold on.

- Er... l need your help.|- How long is it going to take?

Hey, no time.

- Should l change the sheets?|- They need changing.

No, see,|l was blending this honey in here.

So l don't want my lady to catch me.

- You smell perfume, man?|- Shadow, you've lost your mind.

No, do you smell perfume?

No.

Smell the sheets, man!

Smells all right to me.

l don't know why|l'm asking you anyway, man.

She has a highly developed|sense of smell.

She could sniff me out five miles away.

l think she must be|part canine and sh*t.

Yo, you know what?|She counts my rubbers, man.

- No.|- Yes.

The woman was an accountant major|in school.

So she takes an accurate account|of my jimmys.

Now l got to go buy a whole nother box|so she won't bust me again.

One time l rid around the city, man,

and l searched for a box|of 12 dozen blue Trojans, ribbed,

with the receptacle end, lubricated|with the garden-fresh scent.

Daggone girl knows everything.

Why bother?

Why bother?

Well, l like her, number one.

Number two... |she's a mother in bed.

- Mm-hm.|- Number three, the rest don't matter.

Three good reasons.

Roll over.

- Yes, baby.|- No, the other way.

Yes,... baby.

- Ow! Baby.|- That was a good one.

- Damn, that hurt.|- Be still.

All right. Be careful.

- How are your singing lessons?|- Good. l think l'm ready.

You think you're ready?

Ready to accompany the band|for a song at the Dog.

You think l'm not ready?

Wait, look, baby, erm...

just cos we're seeing each other|it's nothing to do with the music.

Now, l think that...

l think you got potential,|but it takes years, not months.

- Thanks for nothing.|- l'm not trying to be cruel.

lf we were married,|l'd say the same thing.

- Look...|- Ow!

l'm not asking you|or anybody else for any handouts.

Everybody needs a break.|l thought you might be the person.

Shoot me, l was wrong.|Pop your own bumps.

You know, a lot of people|say l'm a good singer.

Good. Go sing with them.

Forget you. l believe in myself.

You're supposed to believe in yourself.

- Shadow says l can sing.|- Oh, ''Shadow says l can sing.''

What else does Shadow say?

A-minor seventh.

A-minor seventh. That'll work.

Seventh.

B13# eleven.

No, that's not right.

- Does it tickle?|- Yeah.

- That's not right.|- Let me leave the artist at work alone.

The muse is visiting him.|Bleek is truly inspired.

Then he will share|his new, latest gift to the world.

Hallelujah.

Please, ladies and gentlemen,|boys and girls,

this is something|that came in last night.

- Shadow. Bottom.|- l had my hand on the panties.

On the panties.

Drums, drums. Jones.

''Pop, Top 40, R&B,|Urban Oontemporary,

Easy Listening, Funk Love.''

Damn, you for real?

This sh*t is out.

Now, hold up.|Let's talk about the money.

What about the money, Shadow?

What about the money?!

- We want more.|- You're the spokesperson for everyone?

Yeah.

Even for Left Hand, who's late again?

Look, the point of the matter is we've|been packing them in at the Dog, right?

Moe, Josh and Bleek|have been bringing in cash dollars.

- Where's our raise?|- You promised.

lt's long overdue.

- l'm talking to them.|- He's working on it.

hahaha!

Yeah, well,|maybe we need new management,

somebody who can get|the terms we want.

You need to get your ears cleaned.

You don't understand.|This is my band.

Read the marquee. lt says the Bleek,|two ''E''s, one ''K'', Quintet.

When you're running things,|you can do whatever you want.

lt won't be long from now.

lt won't be long, but until|that magical, mystical day happens,

you do what the hell l say.

The midget should go, Bleek.

Fine. You manage then.

That's not my job. You're supposed to be|taking care of me.

l'm the artist, midget rat bastard.

What does size have to do with it?

A lot.

You keep coming up short.

- Don't shove me.|- Keep coming up short.

Sorry l'm late.

One more time, you're about 2.2 seconds|from the unemployment line.

l'm sorry. l won't be late again.

A lot of piano players|want your gig, a lot.

Sorry. New tune.

lt's a nice title.

All right, let's walk through this.

Ladies and gentlemen,|boys and girls,

as l travel through this great big|country of ours, this US of A,

and being on the road as much as l do,|l listen to a lot of radio stations.

lt's amazing how many KlSS|or V103 stations there are.

Jesus Ohrist, did people|run out of call letters, or what?

Come on.

Anyway, most of the stuff|on the radio is so sad. lt's a drag.

One of the reasons could be|because every song is about...

Oh, you guessed it, huh? Love.

Love.

Love.

L-O-V-E.

What the world needs now...

is not another love song.

Now, dig. Oheck this out.

The love that's professed in these songs|is shaky anyway.

lt's a lustful, selfish,|end-of-the-world love.

And the lyrics...

Have you tried to listen to the lyrics?

You heard them all before.

My love ls hlgher|Flre and deslre

Let's stay together forever

Desplte all types of weather

Even a hurrlcane

ln fact,|l'd spend a wlnter ln Chl town

And you know that's cold

Aln't no mountaln hlgh enough|Aln't no rlver wlde enough

To keep me from gettln'|to your good stuff

You know lt's rough

Racist?

Giant's not a racist.

Giant ain't no racist.

What a dope|llke soap on a rope

l went for the okey doke|You know thls ls true

He blew L-O-V-E, try S-E-X

l'll be a happy chappy|Also nappy

l get the shlvers down to my llvers

Other guys just feed you lines,|but l take you to Mickey D's.

Baby, l'm on my knees|Please, baby, please

But thls aln't that song|lt's gettln'long

My nature ls rlsln' to the horlzon

lt's strong as an ox|Llke a Clorox box

You're a bad mama jama

But you already know that|Just polnt me ln the rlght dlrectlon

Only you glve me|that serlous connectlon

Get out of my dreams

Hey, midget. Petey's on the phone.

Thanks.

- l know. l know. l know.

l can read. l went to school.

lt came as a surprlse|You opened my eyes

Why? Because l love you

Let me spend|the rest of my llfe wlth you, tonlght

lf you don't, l'll just roll up|lnto a ball and just dle

- l know how you feel.|- Won't wash, won't eat

Won't even go to work|lf you don't love me do

l'll even glve up|my four season tlckets

To the New York Knlcks, courtslde

Rate this script:4.5 / 9 votes

Spike Lee

Shelton Jackson "Spike" Lee is an American film director, producer, writer, and actor. His production company, 40 Acres and a Mule Filmworks, has produced over 35 films since 1983. more…

All Spike Lee scripts | Spike Lee Scripts

2 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Mo' Better Blues" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/mo'_better_blues_13901>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "FADE OUT:" signify in a screenplay?
    A The end of the screenplay
    B The beginning of the screenplay
    C A transition between scenes
    D A camera movement