Mr. Moto's Gamble Page #6

Synopsis: Bad blood exists between Bill Steele and Frankie Stanton, the leading contenders for the heavyweight title, and a grudge match is scheduled. Steele's knockout victory is tainted by his opponent's untimely death, ostensibly from a concussion caused by hitting the canvas. A post-mortem reveals that poison was somehow introduced into a cut above Stanton's eye although it is unclear how and why. Gambling might seem to be the motive as several of the principle suspects, gamblers Clipper McCoy and Nick Crowder, Stanton's shady manager Jerry Connors, and fight promoter Philip Benton, all seemed to have made wagers on the fight. Benton's spoiled daughter and female reporter Penny Kendall are vying for the affections of Steele, who is now slated to fight for the championship against pugnacious Biff Moran. Lt. Riggs of New York Homicide and Moto, who were spectators at the fight, go on the trail of the murderer following the autopsy results. Moto's prime suspect is a shadowy character named John
Genre: Crime, Drama, Mystery
Director(s): James Tinling
Production: Twentieth Century Fox
 
IMDB:
6.9
APPROVED
Year:
1938
72 min
18 Views


is permitted to occur...

I hope to produce the murderer

before it's finished.

You mean the fight will

bring him out in the open?

If I were sure of that,

I'd sell tickets myself.

To reveal a snake,

one must overturn the rock.

Get me the boxing commissioner.

- Okay, Biff.

- Sure I am.

All right, Steele.

- Who do you think you're shoving?

- Save it.

Wait till tonight

to knock his block off.

You never saw the day

he could whip the champ.

All right!

Lay off, or I'll run you both in.

There's a law in this town

against fightin' outside the ring.

- What's the idea of stalling us?

- How about a statement on Steele?

- Coroner gonna be the referee?

- Didn't I tell you to stay outside?

Nobody's givin'any statements around here

except me, and I ain't got nothin'to say.

- You can't treat the press like that.

- Why all the secrecy?

That's what I'd like to know. Who pulled

the strings to get this fight on tonight?

I plead guilty, Mr. Crowder.

You see, some people save strings.

I pull them.

I suppose you got a good reason

for sticking your nose into this.

Oh, yes.

A very good reason.

Mr. Riggs and I have promised

the district attorney...

to arrest the murderer

tonight at the ringside.

Why wait till then?

This is Mr. Moto's party.

I don't know what he's got on his mind.

All I know is I got a nice pair of braces

for the guy when he points him out.

If it's one of us, make the pinch now

and get it over with.

You appear strangely anxious,

uh, Mr. Clipper.

Aw, say, listen Doc, there's a fight

goin'on tonight.

Will you examine my boy

so we can get outta here?

Come on, Steele.

Calm down, Bill.

Your heart's pounding like a trip-hammer.

That's the way

I'll pound Moran tonight.

Oh, you're gonna use

a hammer this time?

- Oh, yeah?

- Break it up. Wait a minute.

Put your hands down

and keep 'em outta your pockets.

Open that door and go down

the hall to the service elevator.

I suppose you know kidnapping

is punishable by death in this state.

So is buttin' in other people's business.

Go on! Get goin'!

If I should decide to resist,

you wouldn't dare to shoot me.

The noise would attract attention.

- You wanna get goin'?

- Yes, sir.

- Where did that shot come from?

- Down the hall.

There's an open door.

What happened?

Oh, just a little scuffle.

- Well, are you hurt?

- No, thank you.

- Do you know who he was?

- No.

But I think we have a mutual acquaintance.

Thank you, Lena.

Evening, Lieutenant.

I sure hope your bluff works, Mr. Moto.

In poker, the man

with the poor cards...

very often wins on a bluff,

doesn't he?

And sometimes

he gets shot tryin'.

I wish I knew who sent

those mugs after you.

- I think I know.

- Who?

The murderer.

I've got the men placed

as you ordered, Lieutenant.

Okay, Smitty. This place is so full of bulls,

it looks like a rodeo.

I can't figure out why Mr. Moto

left us here in the clink.

I don't know, Wellington. Pop used to

leave me in jail once in a while too.

Guess they figure

it keeps us out of trouble.

If you ask me,

I'd say it's professional jealousy.

That's it. He's afraid

we'd catch the "homicider."

What would you do with the murderer

if you did catch him?

What would I do with him?

I'd hold him until the cops came.

And if he tried to take it on the lam,

why, I'd shoot him.

Watch out!

It might go off!

It wouldn't hurt you

even if it did. Lookit.

You certainly had me scared for a minute.

Look. Look at that!

- That's the murder gun.

- Wow!

Take it. Take it away.

Put it down. It's full of poison.

- Where did you get it, Wellington?

- Let me see now.

This is one time you've got to remember.

That gun's a clue to the murder.

- I'm tryin' awful hard.

- Come on, Knockout. Come on.

- Come on. Come on.

- It's no use.

Say! Sometimes I remember things

when I get hit on the chin.

No foolin'.

Take a poke at me and see, huh?

Go on. Hit me hard.

What do you think I got,

a glass jaw or somethin'? Hit me.

No, no, no.

Here. Do it like this.

Get the idea?

I think I get the idea.

That's the technique.

Now throw another one.

Can you remember now?

What's goin' on in there?

Ah! Breakin' up

the county's property, huh?

You'd better be savin' your energy

for that there rock pile.

You've got to let us out of here.

We just made an important discovery.

Show him the gun, Wellington.

- Put that thing away.

- Don't be afraid.

- It's only a water gun.

- It's full of poison.

Poison? Well, throw it

out the window.

- No, no. Give it to me.

- Look, Mr. Sheriff.

- You've heard of the Stanton murder?

- Sure.

- Well, that gun's the one that killed him.

- With a water gun?

How do you know,

and what are you doin' with it?

He found it, and there's some

of the poison we shot out of it.

Hmm! Say, it appears to me you know

a heap about this Stanton case.

- I'm one of the detectives working on it.

- So am I.

Have you boys been drinkin'?

Of course not.

Now look, Sheriff.

Let me show you

just how Stanton was killed.

- Yeah.

- Get over there, Wellington.

- Now, here's the prizefight ring.

- Yeah.

- This is Stanton.

- Yeah.

You're sitting over here,

and your name is Connors.

'Tain't at all.

It's Tuttle. SheriffTuttle.

Connors was Stanton's manager,

and you're just taking his place.

Oh, I guess that's all right.

- Now, uh, let me have the water gun, Sheriff.

- Nothin' doin'.

Look, Sheriff, you're playing

the most important part in this whole thing.

But I can't go on

if you won't help me.

Don't you realize the publicity

you'll get if we crack this case open?

Well, if you put it that way.

Here you be, but remember

no tricks.

Thanks. All right, Wellington.

Move the sheriff into position, will you?

- Keep your eyes on the arena.

- Yeah.

- Remember, the victim is about

to meet a terrible fate.

- Yeah.

- The fight is on. The men weave about.

- Yeah. Yeah.

I'm the murderer. I can't get a bead on

Stanton because the men are moving too fast.

- What do you do?

- I move over to here.

- At last, I see an opening I point my gun.

- Opening. Point.

- Then I shoot splash! And make a getaway.

- Shoot. Yeah.

Hey! You let me out of here!

Sorry I can't finish

the case for you, Sheriff.

- But I'll let you know when I do.

- You'll go to Alcatraz for this!

Bert! Oh, Bert!

What a crowd! What a crowd!

I certainly worked to put this one over, boss.

The fact that it's a championship fight

had nothing to do with it.

Maybe it helped. I wish we could have

a murder for every fight.

I gotta go down and show the gentlemen

of the press how to spell the word "colossal."

And I'm going down

to see Bill.

You've been seeing him

quite often, haven't you?

Well, why not?

He likes me.

He's young, good-looking

and the next champion of the worid.

Listen, Linda. I shouldn't have to tell you

anything about this game.

- You've grown up in it.

- And love it.

No. You only love the glamour

and excitement of it.

Why, I've seen boys like Bill

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Charles Belden

Charles Josiah Belden (November 16, 1887, San Francisco, California – February 1, 1966, St. Petersburg, Florida) was a photographer and rancher who was famous for his visceral photographs of the area around Meetseetse, Wyoming. Belden was born in San Francisco into a wealthy California family. His grandfather, Josiah Belden, was an early California pioneer who made millions in San Francisco real estate and was the first Mayor of San Jose. After graduating from Massachusetts Institute of Technology, Charles Belden bought his first camera to record a European tour with his school friend, Eugene Phelps. The highlight of the tour was a journey through Russia in Belden's 1908 Packard, the first automobile to make such a trip in the country. After the trip, Belden went to work as a cowboy on the Phelps (Pitchfork) Ranch in Wyoming. In 1912, Belden married Eugene's sister, Frances. The couple had three children, Annice, Margot, and Mary Elizabeth, who died while still a toddler. Eugene's father died in 1922, leaving Eugene and Charles to take over management of the Pitchfork Ranch. Belden's 1921–1940 photographs of the Pitchfork Ranch were widely published, including in The Saturday Evening Post, National Geographic, and on the cover of Life magazine.Airplanes became a fascination for Belden. In the late 1920s, Charles became involved in raising antelope and sending them by airplane to zoos around the world, including some to Germany in the Hindenburg. He helped to pioneer the process of planting fish from the air and filmed the experience for future reference. In addition, he helped the Wyoming Game and Fish Commission conduct a census of wildlife herd populations using aerial photographs. Estate taxes, mismanagement, and an agricultural depression that began in 1921 took their toll on the Pitchfork and the ranch fell into decline. To meet expenses, in the 1930s the family turned their home into a dude ranch, but this response did not stop the financial drain. After many years of strained relations, Charles divorced Frances in 1940 and moved to Florida with a new wife, Verna Steele Belden. Charles Belden died in 1966 of a self-inflicted gunshot wound in St. Petersburg, Florida. more…

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Submitted on August 05, 2018

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