One-Eyed Jacks

Synopsis: Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return.
Genre: Western
Director(s): Marlon Brando
Production: Madacy Entertainment
  Nominated for 1 Oscar. Another 2 wins & 3 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
57%
NOT RATED
Year:
1961
141 min
1,117 Views


HIDDEN FACE:

SONOR, MEXICO, 1880

Clean up fast. We have

out before anyone n between.

Care, talk down.

Sure, got everything?

- Yes, and you here?

Look, here comes somebody.

- Good morning, sir.

- Good morning, sir.

Let's go.

Come on, Doc

Come on.

"Come on, Kid.

One-minute.

The girl was

trying to fool me.

Do not hurt me.

They stole everything. They took everything.

Look, there they are!

What?

Does not come with us?

You can please them.

The till later.

Do not drink too much, but is

out of money faster.

Let glory then.

His home is n Mexico?

My home is...

anywhere

where I venture to go.

Then travel a lot?

One can say that.

I go from one city to another.

I carry money to

banks from time to time.

You're

a speck n the eye.

Left?

No, if I may think

I can get him with this.

Yes, close your eyes.

I made the mistake of thinking

he was a gentleman.

Now it might be better

you go.

Please go away.

Very good.

Never leave the bar. Our boss

is always there.

I do not have much chance

to go around.

Find a girl like you.

I'm sorry, m'am.

I just hope...

not too badly of me

when I leave.

Perhaps

a little impulsive.

You can visit me again

if you want.

Did not know how

I feel good.

Stop!

Follow me!

- Dismount and follow me.

- Sure, Captain.

Listen, disassemble.

The final four go behind.

The others follow me.

You, go the other way.

Do nothing.

Wait I say.

Come on, look everywhere.

Search the place!

They are coming.

Exit the window.

Your shoes!

Your shoes!

Underneath the bridge.

My mother gave me this ring

before dying.

It means a lot to me,

Lady, if you can use it.

I could not.

Could not accept that.

Please.

It makes me feel

much better.

It is very beautiful.

I'll be honored to use it.

Thank you.

- Hey Kid. It is there, Kid?

- Yes.

Come, mount his horse.

Come on!

Where's Doc?

- You are dead.

My brilliant.

What?

Sorry, honey.

Maybe next time.

Right?

- Can you handle that?

- Yes.

Take.

There they are!

Hey, Dad, come back here.

Come on!

Take the gold!

Take the gold, fast!

Come on.

Up there!

Where's your rifle?

- I dropped n the path.

Let's go down.

Now stop the fire.

We can not shoot them here.

Will stop them.

The till when, I do not know.

We need to think of something.

And fast.

Now all we have

is that horse.

Better than nothing.

Remember that assault

we did n Colorado?

Not.

I was drunk, killed

one woman and left.

- Been?

- Yes.

That path must have

about 8 km to the canyon.

Not?

Has no path.

If we set up the two

that horse...

he will collapse before

we walk less than 1 km

One of us has to stay here.

And the other has to go look

two young horses.

No chance.

It's better than sitting

waiting to get shot.

Maybe it will work.

- We have no choice.

- Who goes and who stays?

Well..

Let's toss.

With bullet?

If you take the bullet, go.

You will.

I'm here.

I'll see you soon.

- Kid?

- Yes?

Yes, I need it.

Do not walk away now.

I was not thinking

n doing so.

Come on!

"Hey, kid.

- What do you want, boss?

Whose?

- From my father.

"Go call him.

Daddy.

Good morning, sir.

"Well, listen.

- How are you?

Very good.

A either

those two horses?

How may I serve you?

Those two horses.

But I will not sell

those horses because...

cost me a lot of work.

Say, how much?

- How much?

Two hundred-weights.

Two hundred pesos.

Anda, Manuel!

Come on!

Give me that.

Thank you.

Let's get him.

Hello, friend.

He saw a foreigner to come by

too rushed?

Yes, Captain. A man

very bad, and it was there.

And had no shoes.

Without shoes, eh?

The horse is that?

Yes, sir.

And he took one of mine.

He paid him, no?

Yes, sir.

- How much?

- Little.

I wonder what happened

with his friend.

Well..

may have gone

look for the shoes.

Well, come on, guys.

Come on, guys.

PRlSO OF SONOR

5 YEARS DEPOlS

And now?

Let's go home

my girl.

Take horses and clothes.

Are you okay?

I'm fine.

Well, let's go there.

Let him go, buddy.

n such a Longworth.

It will be very difficult to find it.

It is a very big country.

I know it's there.

Sooner or later,

I find it.

Makes 5 years

is waiting.

So let's wait

a little more.

- And if he's dead?

"Then I'll find him dead.

Will spend the rest of my life

looking for this man.

Let's get going.

Yes, Kid.

Good evening, gentlemen.

Can enter.

Meet a man who

Dad Longworth is called?

I know nothing.

Lurdito?

See what these men want.

You want, sir?

Meet a man who

Dad Longworth is called?

Do not know.

- It is American.

"Come on, Mom.

- Want to know what there is.

- Do not want to come?

Do not want to come? Want or

Not? They do not want to enter.

Come on.

- Where were you?

- Outside.

- Say, Dad Longworth knows?

- Who?

Dad, an American

nose fat.

Not.

"Want a slice of lemon?

- Who is the girl?

I do not know, sorry.

- You have a size and so.

- No.

- Hey, careful with that knife.

You two are friends?

They are enemies?

It's an old friend of mine.

Be nice.

Good night.

Hey, you two wait here.

Be right back.

- Where you going?

- Be right back.

I think I want to get drunk

to be able to stay with me.

Boy!

- Remember me?

- Of course.

I was there.

Very well, very well.

How are you?

I'm fine.

What are you doing here?

Doing time.

It's been five or six years I saw him.

I heard that

was n trouble. "

Yeah, a little.

That 's bad.

What happened

with your friend?

Well, do not know, I

follow n his footsteps.

- When you see him last?

- Since they came together.

Remember when the soldiers

they killed that man?

Damn!

Perhaps it escaped

across the border.

It...

What are you doing here?

I'm there!

Just a minute,

my baby.

I'm going, I'm talking

with an old friend.

- No. Come on.

- Just a minute.

She goes.

I'm just asking

things.

Ask your mother.

"Come, come.

- Just a minute.

Do not do it with her.

What say?

He said not to do that

with her.

I already get enough of you,

dodgy.

Well, Harvey Johnson will

a famous name here.

Will be killed by a guy

called Rio

- Is he?

- Yes.

Do not want to lose a hand

to find out.

And you, Harvey?

I do not care if it.

No?

My name is Henry. I would

sit and pay him a drink.

There is one thing

I would like to discuss.

Be right back.

Can I sit?

Pay no attention to it.

He drank a little too much.

Must have heard about me.

Has a good memory?

Not.

Well, it does not matter.

You know, was very lucky

find it so.

I have an idea and would like

to discuss it with you.

What do you think of getting rich...

once and for all?

I would not want some change,

is not it?

Have something to say?

There are 14 days away, the horse,

There is a city.

And this city is the seat

more stuffed than ever seen.

Full of good and better.

Why are you telling me

all this?

I'll need help

to rob that bank.

And why not do alone?

Two men are not enough.

There are other banks

you can rob.

It's true.

But this is a little different.

Rate this script:5.0 / 1 vote

Guy Trosper

Guy Trosper (March 27, 1911 – December 19, 1963) was an American screenwriter. He came to prominence in Hollywood because of his scripts for two baseball movies: The Stratton Story in 1949, a big hit for James Stewart, and The Pride of St. Louis in 1952, for which he received an Academy Award nomination. This led him into a highly fertile creative period, during which he wrote the screenplays for Elvis Presley's breakout hit Jailhouse Rock in 1957, the complex western One-Eyed Jacks in 1961, and Birdman of Alcatraz in 1962, which he also produced. Trosper's last screenplay before his premature death was an adaptation of John le Carré's 1963 novel The Spy Who Came in from the Cold. The film was released in 1965; Trosper (posthumously) and co-writer Paul Dehn received a 1966 Edgar Award from the Mystery Writers of America, for Best Motion Picture Screenplay. more…

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