Ouija
DARKNESS. A low wind stirs from far away...
EXT. NEIGHBORHOOD HOUSE - NIGHT
No cars in the driveway. A single light on in an upstairs
window. We hear A TEENAGE GIRL’S VOICE.
TEENAGE GIRL (O.S.)
I wanted to talk. I felt like last
night... I don’t know. Things were
starting to get kinda weird between
us.
EASE IN on that upstairs window...
INT. BEDROOM -NIGHT
Glimpse a sliver of A BEDROOM... because we’re looking out
from inside the bedroom closet. The slightly open closet
door keeps us from seeing more.
We stay exactly in this spot throughout...
A teen girl sits on the floor. This is DEBBIE (17). She’s
talking to someone in her room.
DEBBIE:
It was fun for a while, when we
first started playing. But... I
feel like you’ve changed.
EASE OVER SLIGHTLY... able to see a little more of Debbie.
There’s something in front of her on the floor. A GAME
BOARD. Debbie’s fingers touching a heart-shaped wooden piece
on the board.
She’s playing OUIJA with someone. But from where we are
inside the closet, we can’t see who it is.
WE DRIFT UP AWAY FROM THE BOARD now so that we’re just on
Debbie’s face.
DEBBIE (CONT’D)
I mean, you’re still my friend,
right?
Debbie sits there waiting.
DEBBIE (CONT’D)
C’mon. Answer me.
Suddenly, Debbie’s expression shifts. Fear in her eyes.
DEBBIE (CONT’D)
You know what? This is our last
game. I’m not playing ever again.
I want you to leave. Just get out.
2.
MOVEMENT. A DARK SHAPE steps past the crack in the closet.
We hear a THUD and now we are -
She sits there alone on the floor, glancing over to the wide
open bedroom door as it comes to a rest against the wall. As
if someone just left the room.
The night wind creaks outside...
Debbie gathers up the Ouija board and planchette and moves
quickly to her closet. She opens the double doors, about to
put the board away when -
--there’s a noise. SCRAPE. Debbie glances over her
shoulder. The room is still empty.
She turns back. Reaching to place the Ouija up on a shelf as
behind her -
-- there’s MOVEMENT in a mirror. Unseen by Debbie, because
she’s still reaching up to put the board away.
The wooden planchette slips and falls, landing at Debbie’s
feet. She picks it up when suddenly --
-- BAM! A loud sound in her room. Debbie spins to see that
her bedside table lamp has fallen... now slowly rolling on
the floor.
Debbie stands there totally still. Staring. Her panicked
eyes scan the room. All we hear is her BREATHING and the
WIND outside. She turns slightly... and a SHADOW falls
across her face. We don’t see what she sees -- but someone’s
standing right there.
Debbie stares. Absolutely terrified. Her lips tremble,
about to say something when -
-- she’s PUSHED HARD into her closet! It’s a blur. She
falls back into her hanging clothes. Getting twisted up in a
plastic dry cleaning bag.
VERY CLOSE on Debbie -- and right before she can scream, a
clear plastic dry cleaning bag suddenly PRESSES TIGHT AGAINST
HER FACE! A split second shock and we instantly go -
INT. DEBBIE’S BEDROOM - NIGHT
-- back into the bedroom. The closet doors, out of focus in
the background. We catch the tail end of them closing shut
with a slight creak. No sound comes from the closet. Just
the wind outside.
CHILLING MUSIC rises, taking us to -
3.
TITLE CREDITS. A vintage turn of the century black and white
photograph of a parlor SEANCE GATHERING. People in formal
attire at a table with a OUIJA BOARD at the center. We hear
a WOMAN’S VOICE speak via a scratchy cylinder recording --
WOMAN’S VOICE
As friends we’ve gathered, hearts
are true. Spirits near, we call to
you.
More PHOTOS. STOCK FILM FOOTAGE. Moving through the
decades. Groups of people playing the Ouija. Even though
the times and styles change, the Ouija board continues to
look the same. We hear that familiar calling, different
VOICES -
VARIOUS VOICES:
As friends we’ve gathered, hearts
are true. Spirits near, we call to
you.
Polaroid shots. Video footage. Each Ouija game feels more
recent than the last. The final image is TWO GIRLS (12).
Sitting on a floor with a Ouija board between them. Dressed
for a sleepover. It’s just a photo, but we hear their
innocent young voices as they say the words -
TWO GIRLS:
As friends we’ve gathered, hearts
are true. Spirits near, we call to
you.
From the photo of the two girls we DRIP TO BLACK. LARGE BOLD
LETTERS appear one by one out of the darkness... as if
conjured from the ether. Spelling out a single mysterious
word in a familiar vintage font:
O U I J A:
SOUND rises. !A hard SCRATCHING. CLOSE ON -
A PENCIL ON PAPER. Cursive handwriting spills across the
page. Beat.
Suddenly the paper is ripped from a notebook and crumpled up.
INT. HIGH SCHOOL CLASSROOM - DAY
ELENA “LAINE” MORENO, 17, tosses the paper into the
wastebasket near her desk. !A few other crumpled notes
already in there..
It's early. Laine sits alone in the classroom. !Outside the
commotion of students arriving for the school day. !Laughing
distant voices. Slamming of lockers out in the hallway.
4.
Laine regards another blank piece of paper. She takes a
breath. Writes out another note. Her final words are the
only ones we see: “Friends forever xoxo Laine”
Laine folds the paper into an origami note. !She sets it on a
far desk near the window as the bell rings and students start
filtering into the classroom.
A MOMENT LATER. Laine’s back in her desk. ISABELLE (17)
takes the seat next to her and starts right in -
ISABELLE:
What are we feeling this weekend?
LAINE:
It’s only Tuesday.
ISABELLE:
I know. But I like to get a jump.
(scrolling through her
phone)
Got multiple party options here.
Small selective gathering or that
blow-out everyone’s going to?
A GUY swoops in and gives Laine a kiss before taking the desk
behind her. This is TREVOR (17).
TREVOR:
She trying to steal my time again?
Iz, we don’t always have to tag
along. You can fly solo.
ISABELLE:
Yeah. Me showing up to a party
alone wouldn’t look pathetic at
all. Not everyone has your perfect
couple situation.
LAINE:
Look at her... acting like she's
not the one who breaks up with
every guy she goes out with.
ISABELLE:
I’m a picky b*tch. Can’t help it.
A TEACHER, MR. SATLOF, enters and starts passing out an exam.
MR. SATLOF
Okay. Settle. Books away. I’m
putting thirty minutes on the
clock. Please dazzle me with your
knowledge of all things John
Milton.
Trevor leans in toward Laine, whispering -
5.
TREVOR:
Yo. You ready to throw down on
this iambic pentameter -
But Laine’s not paying attention. She’s glancing back at the
desk where she put the note... and it’s still empty. The
note just sitting there.
TREVOR (CONT’D)
Laine? This is the part where you
laugh.
Laine snaps out of it. Gives Trevor a smile.
MR. SATLOF
Eyes front. No talking.
DISSOLVE TO:
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ouija" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/ouija_242>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In