Out of Bounds

Synopsis: Farm boy Daryl Cage's parents ship him off to the big city to live with his brother, hoping he will have a better life there. After a baggage mixup at the airport, Daryl finds himself in possession of a drug cache, which a ruthless drug dealer wants back. The dealer murders Daryl's brother and the small town boy ends up all alone in the big city, being pursued by both the drug dealer and the police, who suspect him of the murder.
Director(s): Richard Tuggle
Production: Sony Pictures Home Entertainment
 
IMDB:
5.4
R
Year:
1986
93 min
135 Views


1

Is anybody there?

(HORN HONKS)

-Woohoo! Yeah!

-Daryl has to work!

-Woohoo! Yeah!

-Daryl has to work! (LAUGHTER)

Let me tell you something.

This damn farm's done pretty

well by you and that boy.

-I want to sell the place.

-Well just who in the hell

is going to buy it?

I don't care.

You don't want Daryl to go to

Los Angeles, do you?

Hell no, I need him to

work the farm!

You didn't want Tommy to leave

either. You wanted him to

waste his life here

just like we did.

This farm has fed and raised

them two boys and Tommy up

and left

and you want Daryl to do the

same thing.

I want Daryl to have

a better life than we did.

-I don't want him to go.

-I don't care what you want.

I care about the boy's future.

We have used our life's

savings trying to keep

this place going.

Now I am sick of you, I'm sick

of this place and I'm getting

out before

I'm too old to start over.

I know it's me you're really

sick of. Well by God, that

goes two ways.

Tommy's gone, Daryl's leaving

and so are you.

By God, it doesn't leave me

much choice.

I'm getting the hell out, too.

Honey, I want you

to write down this number.

-Where is it?

-Missouri. I'm going there

for a while.

Write down this number.

Area code 816

555-3002.

Daryl.

In case you get hungry

along the way.

Whatever happens,

I'll always love you.

-Where are you going, Dad?

-Camping.

-For how long?

-A little while.

-You, uh,

you got enough money, son?

-Yeah, I got money.

You know

sometimes things don't work

out the way you want them to.

-God knows, I wish they did.

-Yeah.

Would passenger Daryl Cage

please identify himself to

the flight attendant

in the forward cabin.

-Mr. Cage?

-Yeah.

Why don't you come with me?

I want you so bad.

We've landed.

Must have been some wild

dream. What was it about?

Come on, you can tell me.

I mean, I have really strange

dreams all the time.

I have a reoccurring nun

dream. These nuns are chasing

me through a tunnel

and when we come out the other

side, they're penguins.

You're quiet. That's okay.

I don't like people who

talk all the time.

-I'm an actress.

-Mmm?

Mmm. Did you ever see

Massacre in Blood City ?

-No.

-No?

Cycle Sluts from Hell ?

-No, Ma'am.

-No, Ma'am?

-No, Ma'am.

-Where are you from?

Iowa.

-Life's a b*tch, ain't it?

-Sometimes.

I can't tell you what a great

experience it has been

talking to you.

-Yeah, you too.

-See you later! Bye!

-Uh, hey, you uh...

-Oh thanks! Jeez.

Hey! Hey! There's $50 missing!

No, I'm joking! Lighten up.

So look, um, if you get bored

while you're here, why don't

you drop in and see me?

-I work at the Beanery.

-Uh, what's your name,

by the way?

-It's Dizz.

-Hey

I'm going to be here in

Los Angeles all summer.

Oh, you are? Could turn out

to be a real hot one.

Hi.

-Daryl!

-Hey, man.

-It's good to see you.

-Thanks.

-This is my wife, Crys.

-Hi, how are you?

Good to see you.

-Hi! Tommy talks about you

all the time.

-Oh, does he?

-Yeah, you've grown up.

-What can I do, man?

I used to sling this kid

over my shoulder. (LAUGHTER)

-Did you have a good flight?

-Uh, yeah, it was okay.

-You look great.

-Thanks.

-Do you have anything else?

-That one.

Great. All right, let's

get out of here.

-Okay, you're okay.

-Thanks.

Sir, your stubs don't match.

Hey, slow down, man!

There it is. The dream house.

I built it from scratch.

So, uh, what do you think?

I built this for you.

Ta-da!

It's your own private place.

You can't even see it

from the street.

You two go ahead.

You have a lot of catching up

to do.

-Good night.

-See you later.

Come on. Get in there.

-How'd De Witt do this year?

-Three and eight.

-That's not bad.

-Yeah it is.

-You never lost one, though,

did you?

-No.

-Badass.

Still wearing the ring?

-Yeah, I am.

You never missed a game,

did you?

No.

-How are things at home?

-Pretty bad.

Mom left. Dad went away.

-Well, I guess it was just

a matter of time, huh?

-I guess.

-How come you left, man?

-I left for a lot of reasons.

I wanted you to come here

and live with us,

after we got married.

-But Mom and Dad said no.

-They never told me that.

I guess they were afraid to

lose their last son.

Tom

I want to tell you

some things.

Nothing bad, just...

Hey, it's okay.

I guess we could talk about it

in the morning.

We're just glad you're

here with us.

Holy sh*t.

Oh, my God.

Hey Tommy! Tommy!

Some weird stuff's happened.

There's some crazy stuff

in my bag. Where are you?

Hey, Crys!

Tommy?

Hey, Cage! Your septic

tank's overflowing.

I didn't do it!

(GUNSHOT)

(CAR HORN)

Hey, what are you doing?

187 at 439 Valleyheart.

Male Caucasian 18 to 20

light hair blue jacket

fled the scene on foot.

Considered armed

and dangerous.

(CAR HORNS)

-Operator.

-Yes, police, this is

an emergency.

(PHONE RINGS)

-Police emergency.

Where are you calling from?

-I don't know.

(SQUEALING TIRES)

Go on, get out of here!

-Freeze!

-Put your hands over

your head.

-Look out! He's got a gun!

-No!

(GUNFIRE)

-Get the hell out of here!

-Sure!

(SIRENS AND SQUEALING TIRES)

No!

I'm sorry about that gun.

It's just something

I had to do.

Hey, I'm really lost here,

man. Do you think I should

go to the police?

Are you out of

your f***ing skull?

They almost blew you away.

-They think you did it.

-I didn't do it. I didn't do

anything, man.

-Don't you know

anybody else in LA?

-No.

I don't know anybody.

That's what's crazy.

I've never even been here.

-I can't believe this.

-Wait a minute.

I do know a girl.

I met a girl on the airplane

coming here.

Her name is Dizz or something.

Anyway, she said she works at

a place called the Beanery.

Do you know where that is?

Yeah, I know where it is.

Hey, kid!

Don't be messing with that!

The suspect, a white male 18

to 20, was seen fleeing the

premises carrying a red bag.

Police refuse to speculate on

any motive other than robbery.

A neighbor who was wounded

was temporarily hospitalized,

but has been released.

Reporting from the

Hollywood Hills,

this is Bill Press.

Back to you in the studio.

So, here we go.

Rock'n'roll chili and

an Elvis Presley shake.

-It's about time.

-And a Chuck Berry burger

with fries.

-I had the Buddy Holly

burger with onion rings.

-You did?

Trust me, baby, I know

what I ordered.

I must've written it

down wrong.

I would get a jet pilot

when I'm in a rush.

Oh, cut me a break, okay?

I'm an actress, I'm not

a waitress.

Oh. Well, try acting like a

waitress and bringing

me my order.

Mmm. Right away.

-So busy...

-Dizz.

Hi! You sure got bored fast.

Toast, I need it toasted.

-Listen, listen.

-What?

-I need your help.

Right now? Not right now.

-Dizz, I'm in a lot

of very serious trouble.

-Well so am I.

These orders are piled up

and I don't know

where they go.

Hey, hey, listen to me.

I'm seriously in a situation,

and it's life-or-death.

I'm not playing any games.

I need your help.

And I need for us to leave

Rate this script:0.0 / 0 votes

Tony Kayden

All Tony Kayden scripts | Tony Kayden Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Out of Bounds" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/out_of_bounds_15423>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the main function of a screenplay treatment?
    A To list all dialogue in the film
    B To give a scene-by-scene breakdown
    C To provide a summary of the screenplay
    D To detail the character backstories