Pickman's Muse Page #2

Synopsis: Who is Goodie Hines? Why did he gouge out the eyes of his victims? Why did they beg him to do it? What could possibly have inspired such horrific imagery in his drawings and paintings that they've been banned--only to be duplicated to seemingly impossible detail by mild-mannered recluse, Robert Pickman, who claims never to have met Goodie nor seen his work, but refuses to reveal his sources? Dare we delve the mind of one dissolving into madness, to uncover his muse?
 
IMDB:
5.6
Year:
2010
77 min
18 Views


PlCKMAN:
l've never seen anything like this.

ARTDEALER:
This is one of his last pieces. His most radical

change in style.

ART DEALER:
Don 't stare at it too long; it'll give you one hell of

a headache.

ART DEALER:
Something he does with the angles, the way

they are all wrong like that.

ART DEALER:
You 'll get a pain in your head a handful of

aspirins won 't get rid of -- trust me.

ART DEALER:
Hideous and beautiful all at the

same time -- isn 't it?

PlCKMAN:
l'd give anything to paint like this.

ART DEALER:
He had such an incredible imagination .

ART DEALER:
No matter how horrible the image, you feel as if

you know it, or should know it.

PlCKMAN:
Like a forgotten nightmare...

ART DEALER:
Look at the faces of the victims.

ART DEALER:
The anguish is so real, and every inch of that

strange landscape holds a weight to it, a truth.

ART DEALER:
As if it were drawn from a photograph

and not pulled from his imagination .

ART DEALER:
As if he were there.

ART DEALER:
He would go on and on about anotherworld that

he said he was able to look upon through a secret window.

ART DEALER:
He was painting like an out of control fire.

ART DEALER:
At times l almost though the was afraid of what

would happen if he should stop...

ART DEALER:
But nothing kept him from getting his worlds

onto canvas.

ART DEALER:
Even when he ran out of supplies,

he found a way...

ART DEALER:
When he ran out of canvases, he simply painted

overwhat was his first obsession ...

PlCKMAN:
lt's the church... The church on Federal Hill.

ART DEALER:
lt's almost like a watermark for any of

Goodie's final work.

GUARD:
Dr. Dexter, l'm glad to see you . l've been paging you .

DR. DEXTER:
ls Doctor Meyer alright?.

GUARD:
Yes.

DR. DEXTER:
Was he with Goodie Hines?

GUARD:
He's still down there.

DR. DEXTER:
l was in the otherwing. The orderly told me....

Are you all right?

RlCHARD:
Yes. l'll be fine.

RlCHARD:
lt's just a scratch; it'll heal.

RlCHARD:
l'm not so sure about my pride.

DR. DEXTER:
What happened?

RlCHARD:
l wasn 't paying attention . l was concentrating on my

notes, and l let Goodie get too close...

RlCHARD:
He managed to get my fountain pen from me.

DR. DEXTER:
Oh, Richard..!

RlCHARD:
l know, l know. l feel so foolish.

DR. DEXTER:
That's all l need today, Goodie Hines with a pen .

DR. DEXTER:
You know how hard it's going to be to

get that pen from him?

DR. DEXTER:
We might as well be trying to unscrew

all his limbs.

RlCHARD:
l'm sorry. l feel like a first year resident.

DR. DEXTER:
No, the important thing is you 're all right.

DR. DEXTER:
l want you to get down to the infirmary and have

that hand cleaned thoroughly.

DR. DEXTER:
We'll take care of this...

DR. DEXTER:
Get nurse Julie. She's good with sedatives.

Lithium.

GUARD:
She's already on the way.

RlCHARD:
Are you sure?

DR. DEXTER:
lt'll be fine. Go to the infirmary.

RlCHARD:
And don 't think about keeping that pen ...

RlCHARD:
lt was a gift from my fatherwhen l got my degree.

DR. DEXTER:
l'll get the pen . l might ask forthe degree back.

RlCHARD:
Ouch, that hurt doctor.

DR. DEXTER:
lt was meant to...

DR. DEXTER:
Goodie, we can 't let you keep that pen .

DR. DEXTER:
We need him sedated and restrained.

GOODlE:
Don 't take it away from me! Don 't take it away!

GOODlE:
l can draw you the truth!

GOODlE:
l can draw you all the forgotten gods and forgotten

places that man refuses to see...

GOODlE:
Let me draw it for you ! Let me draw it for you !

Let me draw it for you ..!

VOICE.. Come- to us. Robe-rt .

VOICE.. Come- to us...

VOICE.. Robe-rt ...

VOICE.. Robe-rt ...

VOICE.. Robe-rt ...

VOICE.. Come- to us...

[SEE]

VOICE.. Se-e-...

PlCKMAN:
l didn 't do that painting...

PlCKMAN:
l didn 't do that.

PlCKMAN:
l didn 't do that painting.

PlCKMAN:
l didn 't paint that...

VOICE.. Don 't stop. Ke-e-p painting.

PlCKMAN:
Who's there?

VOICE:
So much more to see...

There is more to see...

PlCKMAN:
What do you want?

VOICE.. Sign your work .

VOlCE:
There is so much more we can show you , Robert.

VOICE.. Just sign your work ...

VOICE.. Sign your work ...

LANDLADY:
Mr. Pickman ...

PlCKMAN:
l can 't be bothered with this right now.

LANDLADY:
l'm so sorry, Mr. Pickman .

LANDLADY:
But l thought we arranged for you to meet

my niece tonight.

LANDLADY:
She spent all morning cooking.

LANDLADY:
What do you think Mr. Pickman ?

She is pretty, no?

PlCKMAN:
Yeah...fine...you know -- whatever...

PlCKMAN:
Come on in ... let's just get this overwith...

LANDLADY:
What is this thing you are doing in my apartment..?

LANDLADY:
What sort of man are you ?!

LANDLADY:
Such horrible thing... lt's terrible.

LANDLADY:
lt must be destroyed!

LANDLADY:
lt's garbage!

LANDLADY:
...must go in garbage!

PlCKMAN:
Let go!

PlCKMAN:
Don 't touch my things.

PlCKMAN:
l invite you into my house and you do this...

PlCKMAN:
Leave me!

DR. DEXTER:
What's wrong, dear...

DR. DEXTER:
...is Mr. Pickman alright?

NlECE:
No.

NlECE:
He's a terrible man .

NlECE:
Why would anyone paint those things?

DR. DEXTER:
Now slow down .

DR. DEXTER:
Tell me exactly what happened.

NlECE:
My Aunt brought me up to introduce me to Mr. Pickman .

NlECE:
She said he was a good man .

NlECE:
But a good man would never paint those places.

NlECE:
My Aunt cursed at him when she saw

those ''things'' he had painted.

NlECE:
Horrible, horrible places.

NlECE:
The angles were all wrong...

NlECE:
...and they made me dizzy to look at them.

NlECE:
But they looked so real.

NlECE:
l don 't know how someone can imagine those

kinds of nightmares.

NlECE:
l called the police.

NlECE:
No one should allow what he has done.

NlECE:
Please don 't look at those paintings, for your own good.

NlECE:
l am so afraid.

NlECE:
l'm afraid l won 't be able to forget what l've seen .

POLlCEMAN:
Look, l need you to understand, there is nothing l

can do!

POLlCEMAN:
He hasn 't broken any laws.

LANDLADY:
Those are sins!

LANDLADY:
These things do not belong in this world.

LANDLADY:
l want him out.

POLlCEMAN:
Whoa... Whoa... Who are you ?!

DR. DEXTER:
l'm DoctorAmbrose Dexter.

DR. DEXTER:
l'm Robert Pickman 's physician .

DR. DEXTER:
l think l may be able to help...

LANDLADY:
l want him out!

LANDLADY:
Take him with you ...

LANDLADY:
Lock him in the nut home.

LANDLADY:
Look! Look at what he's brought into my home.

LANDLADY:
Look at it!

LANDLADY:
You see! You see!

LANDLADY:
An abomination on all that is good!

PlCKMAN:
You don 't like it, you don 't have to look at it.

LANDLADY:
lgnoring sin is more of a sin than sin itself.

LANDLADY:
Turning a blind eye, this is how evil is able to

slowly creep into this world.

LANDLADY:
Don 't you see what he's brought in here?

LANDLADY:
Why don 't you do something?!

POLlCEMAN:
There's nothing we can do.

POLlCEMAN:
By law he hasn 't done anything wrong.

LANDLADY:
Are you blind?!

POLlCEMAN:
Please, Lady, we can 't let you bother your

tenant like this.

POLlCEMAN:
He hasn 't broken any laws.

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