Pollock
Who's the greatest drummer
in the world?
Krupa.
- You got it.
- That guy cooks.
Damn right I got it.
F*** Picasso.
That f***in' guy.
F***in' guy--
F***in' guy's done it all.
- You're doing good work.
- No, I'm not.
I'm not worth sh*t.
- It's not worth sh*t, Sande.
- Get on your feet.
We're having a child, Sande.
He's my brother.
I'm not going to put up
with it anymore.
...statedyesterday that his patience
with Japan was nearly exhausted.
After nearly two weeks
of negotiations...
in Washington between Japanese
and American officials...
Secretary of State Hull
declared...
that another Japanese military move
into Thailand or elsewhere...
would not be tolerated.
The effect of the statement--
It's hot.
In other news,
the first complete--
Jackson Pollock?
I'm Lee Krasner.
We're in John Graham's show
together.
You working?
Pretty big-time stuff, to be hanging
with Picasso and Braque and that kind.
I thought I knew all
the abstract artists in New York...
and I don't know
Jackson Pollock.
Here's a name
So, being cheeky,
I just hoofed it over here.
I could come back
another time.
No, it's okay.
Could I see your work?
I don't know what I expected,
but my God.
- Who do you study with?
- Nobody.
Did you ever?
Thom Benton.
You don't paint
anything like Benton.
Carl Jung and John Graham
helped me get over Benton.
Which one are you showing?
That one.
I'm not sure
I'm finished with it.
I don't think
I'd like it if you would come
to my studio. Would you?
Yeah. Sure.
- I'm just around the corner. Would you?
- Yeah.
Thanks.
It's 23.
Twenty-three East Ninth.
Really, yes.
You don't have to give me a "when."
Just pop on over.
When you said you'd come by, I didn't
think it would take three weeks.
It hasn't been three weeks.
To the day.
It's not mine.
I didn't do it.
Ex-lover.
That one I did--
ten years ago.
Interesting.
"To whom
shall I hire myself out?
What beast must I adore?
What holy image is attacked?
What hearts must I break?
What lie must I maintain?
In what blood tread?"
Part of Rimbaud's
Seasonin Hell.
That's the one I'm putting
in the Graham show.
That's a damn good picture.
That works.
You're a damn good woman painter.
- You want coffee?
- Yeah, sure. Thanks.
- Let's go.
- What?
You don't think
I make it here?
I met you before,
you know.
A loft dance.
You were six sheets
to the wind.
You cut in.
You stepped all over my feet.
Oh, yeah.
Got it. Right.
You were falling
all over me.
I'm sorry.
You were overseas, you know?
It's kind of vivid in my memory.
I thought if you remembered...
to let you know it was okay.
Thanks.
Really.
When did you study with Benton?
'31 .
The Art Students League?
My brother Charles
was studying with Benton...
and so I came out and...
joined him.
Where are you from?
Arizona.
Actually, California.
I'm from Brooklyn.
I was just gonna ask you
where you were from.
My parents came over from Russia.
I'm from right here.
Russia.
Potatoes.
Thanks.
Did you people eat like this
all the time?
How long will you be
in the city, Mrs. Pollock?
For a spell.
live with us in Connecticut.
Sande found out they're thinking of
drafting married men with children...
who aren't involved
in war production.
I took a job in Connecticut.
Deep River.
Making gliders for the army.
That's great, Sande.
That's swell.
Congratulations.
Not everyone can arrange
to be 4-F,Jack.
Benny Goodman, Gene Krupa--
No one greater.
- The apartment will be all yours, Jack.
You'll have lots of space.
Is this the best hotel
you could find?
- What's she doing here?
- Lee's going to take you home.
- What's she doing here?
- You need to get cleaned up.
Give him some milk
and some eggs.
- Okay.
- Come on.
Thank you.
You've got to see his work.
No one is doing
what Pollock is doing.
Yes, of course.
It would be just great
if you could stop by.
Wonderful.
We'll look forward to it. Bye.
Jackson, breakfast
is on the table.
Lee!
Reuben.
Hello.
Lee Krasner, Howard Putzel.
How nice to meet you.
Howard's been working
with Peggy Guggenheim.
Howard. Of course.
Reuben's here
with Howard Putzel.
He works with Peggy Guggenheim.
When did you get back?
What the hell.
Thought you were in Los Angeles.
- They got me stationed in Brooklyn.
- Look at you!
Jackson, this is Howard Putzel.
I am so very pleased
to meet you.
I've known this guy
since high school.
I met Howard in Los Angeles before
he hooked up with Peggy in Paris.
- Please, right this way.
- We ran into each other yesterday.
How are Barbara and the kids?
They're good. They're coming out
in a couple of weeks.
- How long you here for?
- I don't know.
They say they're gonna ship me
out to India, but who knows.
- What about you?
- 4-F.
Too neurotic.
You dog.
Genius.
Peggy must see this.
How are you?
I'm so glad you made it.
Lee Krasner, Jackson Pollock--
-James Johnson Sweeney from the Modern.
- Nice to meet you.
- Miss Peggy Guggenheim.
- Hello.
Mr. Pollock, Howard
Thank you, Howard.
- You must see Jackson's work.
- Yes. Well, enjoy yourselves.
- I like those earrings.
- Thank you.
It's great, Howard.
But there's not one American painter
What's this?
I see the head...
the body--
This isn't cubism, Jackson...
because you're not really
breaking down the figure...
into multiple views.
You're just showing us
one side.
What is this? Free association?
Automatism?
I'm just painting, Lee.
But what you're doing,
Jackson--
Don't tell me you don't know
what you're doing.
Are you experimenting
with surrealism?
Is this a dream?
Even if it's a dream,
it's still what you see.
It's life.
You're not just randomly
putting paint on the canvas.
You're painting something.
You can't abstract
from nothing.
You can only abstract from life--
from nature.
I am nature.
If you only work from inside yourself,
you'll repeat yourself.
Why don't you paint
the f***ing thing.
"The moon shone bright
on Mrs. Porter and on her daughter.
Washed their feet in soda water."
What the hell's that?
Eliot. T.S. Eliot.
Gentlemen, T.S. Eliot.
Did you hear Gorky
sold to the Modern?
Gorky's a cow.
They forage and eat and come back
in the stable and they're still chewing.
He'll go look at a Picasso
for hours...
go back to his studio
and spit it out.
- F*** him.
- But he's so good at it.
Yeah, he's good at it,
but we gotta break through that sh*t.
- What do you think of Kline?
- Kline's a whore.
- Picasso?
- A has-been.
De Kooning?
He's all right.
He's learning.
What do you think
of Jackson Pollock?
That's what we think.
Watch it!
Come on.
I have just climbed up and down
five flights of stairs.
I'm Peggy Guggenheim.
I do not climb up five flights
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Pollock" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/pollock_16062>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In