Poltergeist
- PG
- Year:
- 1982
- 114 min
- 2,092 Views
FADE IN:
EXTREME CLOSE-UP - TELEVISION SCREEN
The National Anthem resounds over the precision maneuvers of
the Navy’s Blue Angels. When Old Glory fills the frame the
.
local announcer identifies the station, signifies the
megahertz and signs off for the morning. Transmission ends
and a BLAST of disturbing static rules the airwaves. It is
2:
30am on a Sunday morning.CAMERA SLOWLY WITHDRAWS
.
The TV set appears. A fireplace is off to the right, trophies
of outstanding achievement in annual home sales on the
mantel; STEVEN FREELING asleep in his convertible chair, an
open briefcase on his lap, real estate maps and lease
contracts spread out on the floor by his stocking feet.
CAMERA CONTINUES TO WITHDRAW until we are moving out of the
living room of this suburban two-story home and up the
stairs.
2 INT. UPSTAIRS HALLWAY - MASTER BEDROOM - NIGHT 2
.
CAMERA MOVES along the hallway, past the guest bath and over
to a partially open door. We explore this room, if only for
an instant, to catch DIANE FREELING, 32, tossing in her
sleep, a tangle of hair covering her face.
3 INT. DANA’S BEDROOM - NIGHT 3
CAMERA moves away and slithers into another bedroom. DIANA
FREELING is sixteen, very beautiful, and snoring unevenly.
She is surrounded by potato chips and homework.
.
.
4 INT. CHILDREN’S BEDROOM - NIGHT 4
The SOUND OF TELEVISION STATIC leaks as the CAMERA moves into
the last bedroom. ROBBIE FREELING is just a seven-year-old
.
lump under the covers. With the sheets tucked around him, he
looks like a ghost and where his head should be there is a
Dodgers baseball cap. The closet light is on and the closet
opened only a crack to let in the safe night light as we pass
beyond Robbie to CAROL ANNE FREELING. The STATIC SOUNDS from
the O.S. TV seem to arouse this pert six-years-old from a
sound and regular sleep. Her eyes snap open. She listens, .
flicks some sleep from her eyes, and rises out of bed.
.
2.
CAMERA TRACKS AHEAD OF HER as if drawing her OUTSIDE the
safety of her bedroom and roommate brother.
The STATIC crackles louder and a BLUE GLOW dawns across Carol
Anne. She could be sleepwalking. Her eyes are riveted and her
breathing quickens. The STATIC BOOMS now and Carol Anne stops
at the TV set in front of her sleeping dad. She stares into
the white snow, trying to see beyond the color dots. Carol
Anne opens her mouth until we are certain she is going to
SCREAM. Then
CAROL ANNE:
Hello! Hell-ooo! What do you want!
Hello! Who are you! Hell-ooooo!
ANGLE - STEVEN FREELING
His eyes open.
6 INT. MASTER BEDROOM - NIGHT 6
Diane starts and sits up quickly.
CAROL ANNE (O.S.)
Who are you!! Hey!
7 INT. DANA’S BEDROOM - NIGHT 7
She is already swinging her legs out of bed and moving into
the hallway.
CAROL ANNE (O.S.)
I can’t hear you!!
8 INT. CHILDREN’S BEDROOM - NIGHT 8
Robbie looks over to see Carol Anne’s bed empty.
9 INT. LIVING ROOM - HIGH ANGLE - NIGHT 9
The entire family gathers and watches their youngest child
yelling through the static at 2:35 in the morning.
CAROL ANNE:
What do you look like! Hello! Can I
see you?
3.
10 EXT. CUESTA VERDE ESTATES OVERLOOK - DAY 10
Anyone outside of Manhattan is familiar with this setting.
Sunday in suburbia. A neighbor mows his lawn, another washes
his car, and a group of kids play soccer in the street. The
middle America World War II bought and paid for.
10-A EXT. FREELING FRONT YARD 10-A
Then; an irregular glitch to this setting. A man, JEFF SHAW,
is running as furiously as his jelly-bowl paunch will allow.
In his arms, a large brown shopping bag. Barely avoiding a
collision with the paper boy, he cuts across the lawn,
jiggling the lettering. He crashes into the front door,
finding it locked. He turns and runs around back, just as
.
11 INT. FREELING KITCHEN - DAY 11
Shaw blasts past Dana, dressed in a terrycloth robe. She is
eating potato salad right out of the bowl in front of the
refrigerator.
DANA:
Jesus H. Christ!
Shaw almost loses his footing turning into this room. His
breath exploding in wheezing puffs. He falls into a chair
next to Steve Freeling and FIVE OTHER MALE NEIGHBORS who tear
into the brown shopping bag, surfacing with Michelob Lites.
SHAW:
What’d I miss!?
STEVEN:
Haden fumbled!
ARNIE:
Sacked!!
SAM:
Oakland’s bringing out Bahr.
SHAW:
Three more! Jesus! I was ahead on
points, now I’m pushing.
4.
STEVEN:
Shhhhhhhh!!
13 INT. CHILDREN’S BEDROOM - DAY 13
Diane is straightening things in here when she notices
something that causes her to sadly catch her breath. She
walks forward to the bird cage slowly letting it out. Carol
Anne’s yellow canary is feet up on the bottom of the cage.
DIANE:
Oh Tweety, couldn’t you wait for a
school day?
14 EXT. FREELING’S BACK YARD - DAY 14
Robbie is next to a tall, misshapen oak tree that has grown
bent forward, a little too close to the house. Robbie is
marching in circles around the tree, acting brave. He starts
to climb.
The Sunday FOOTBALL CROWD is on its feet. Haden has the ball
again and the pass is a “bomb”.
STEVEN:
Look at that f***in’ Dennard run.
SHAW:
Lester Hayes. F***in’ Hayes is
there!! He’s there! He’s...
The channel changes all by itself to Mister Rogers.
STEVEN:
(yelling at the wall)
Tuthill--! You a**hole!
ARNIE:
Turn it back! Christ!
STEVEN:
Sorry guys. When my neighbor uses
his remote... he’s on my same
frequency.
Steve turns it back to football. A second later, “Mr.
Rodgers” is singing. Steve walks over to the wall, and points
5.
From the other side of the wall comes a muffled ROAR.. The
voice of BEN TUTHILL.
TUTHILL (O.S.)
Don’t start, Freeling!
16 EXT. SLIDING DOOR/FREELING HOUSE - DAY 16
Steve opens the sliding glass door and yells over the fence.
Tuthill, a robust man in a tank top and sunglasses, yells out
his window, the remote control brandished in Steve’s
direction.
STEVEN:
We got a game going on over here!
TUTHILL:
The kids wanna watch Mr. Rodgers!
STEVEN:
I don’t care what you’re watching,
as long as you show a little mercy
with that thing!
TUTHILL:
(closing his window hard)
Move your set!
STEVEN:
Move yours!
Tuthill clicks at Steve through his window.
Steve’s channels change and the gathering SCREAMS again.
Steve fires his remote at the Tuthills and a muffled
“goddammit!” is heard.
19 INT. HALLWAY TO BATHROOM - DAY 19
Diane has Tweety by his little claw feet at arms length. With
a sour grimace she moves into the bathroom and raises the
toilet seat, aims Tweety and... Carol Anne steps into the
doorway catching her Mom red-handed.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Poltergeist" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/poltergeist_501>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In