Poltergeist Page #12
- PG
- Year:
- 1982
- 114 min
- 2,093 Views
DR. LESH
(smiles at this)
No, I suppose not. Well, I’m off.
I’ll take these back to the lab
along with the tapes...
(disturbed)
...I’ll have to display these, you
know.
Steve enters the kitchen.
STEVEN:
Just please not on “Sixty Minutes”.
DIANE:
Or... “That’s incredible”?
DR. LESH
I’m leaving Ryan with you. Tak
won’t be coming back you know?
STEVEN:
Yeah, he told me he wanted a day
job.
DR. LESH
But he’s promised not to talk about
this for several weeks. After that
we’re all on our own.
STEVEN:
I’ll get it.
63.
ANGLE - FRONT DOOR
Steve opens it and is immediately uncomfortable. An older
MAN, with gray hair and a pleasant smile, is standing there,
briefcase in hand.
MR. TEAGUE
We’ve missed you at the office,
Steve. The fellows were worried so
I took it upon myself to...
(closely scrutinizes
Steve’s appearance)
Jesus, Steve, you look like shut.
Aren’t you feeling any better.
Steve just stands there like a schoolboy caught playing
hooky.
STEVEN:
Still a little weak... this
particular strain of flu is not
easy to get rid of. The minute
you’re back on your feet... it,
uh... it’s back with you.
TEAGUE’S POV
Teague can see past Steve and into the living room and
staircase. All sorts of scientific equipment is strung
around. The big console TV is tuned to a static channel, so
is the kitchen portable, also visible from Mr. Teague’s
vantage.
.
Teague looks over Steve’s shoulder and Steve tries to subtly
block his view.
MR. TEAGUE
Looks like your cable is out there.
STEVEN:
Cable? Yes, the cable. Yes. We’ve
MR. TEAGUE
Well, we should look into that. Is
64.
STEVEN:
Uh, no, no... just us. Just us.
Behind Steve the couch moves across the room gently bumping
up against the baby grand piano which produces a musical
vibration.
100 EXT. FRONT PORCH - DAY 100
Steve immediately steps outside with Mr. Teague and closes
the door behind him. The porch light comes on and even in the
bright daylight it glows to amazing intensity.
MR. TEAGUE
I see you have some electrical
problems as well. What’s screwed in
there, a three hundred watt bulb?
You afraid of prowlers or trying to
attract every insect in Cuesta
Verde?
(he laughs)
STEVEN:
My wife’s not feeling well either.
She got a little of my bug.
MR. TEAGUE
Tell me something, are you happy
here? I hope you don’t resent my
leaping out to ask these things. We
wouldn’t want to lose our best rep
to either the flu or... other
“opportunities”. All that software
set up in your living room made me
wonder whether you’ve got a little
something going on the side.
STEVEN:
Just hobbies. Popular Mechanics.
MR. TEAGUE
Are you up to a little ride? I want
to show you something.
101 INT. UPPER HALLWAY TO BEDROOMS - DAY 101
Diane hangs desperately onto any tangible reality. She moves
carefully through the house, cleaning up. When she passes
Carol Anne and Robbie’s room Diane hesitates. She listens
through the door. She knocks softly and prays.
65.
DIANE:
(lightly)
Hello. Anyone home?
(she raps softly)
Carol Anne?
Diane slips her hand down to the doorknob. Knowing it is
always locked she feels safe in trying it -- the knob turns
in her hand. Tak never locked up after his episode. Diane
GASPS and jumps back. As much as she wants to, Diane won’t go
in. She backs into her own bedroom and shuts the door.
102 INT. MASTER BEDROOM - DAY 102
She turns and sees the bed is not made. Diane pulls off the
covers and the sheets, making them ready for the washing
machine. Dust rises off the bed and Diane SNEEZES. As she
tilts her head back for a second sneeze she freezes looking
at the wall over her head. The sneeze never materializes.
ANGLE - THE WALL
The STAIN HAS GROWN. It is three feet in diameter and shaped
like a black rose. Little black, wiggly lines, like veins,
scribble away from the black pistil in all directions. Diane
flinches and steps away from it. She sees a picture on her
other wall and determines to hang it over the stain.
103 EXT. THE TOP OF A HILL - DAY 103
STEVE AND TEAGUE
MR. TEAGUE
I’m so very proud of this place.
Steve and Teague stand on a hill overlooking the entire
Cuesta Verde Estates. Teague’s Bronco sits off to one side.
STEVEN:
I’ve been up here once or twice.
MR. TEAGUE
So who’s to say an artist shouldn’t
step back from his easel to admire
the sum of his parts?
STEVEN:
(almost forgetting his
ordeal for a few seconds
of mental freedom)
66.
STEVEN(cont'd)
When they build our model home,
there was nothing down there. Just
freshly turned earth and a lotta
wooden stakes and miles and miles
of string.
.
MR. TEAGUE
One of your children was born in
your house.
STEVEN:
(not smiling now)
Carol Anne.
MR. TEAGUE
I understand she’s missed a lot of
school lately. Trask’s daughter’s
in the same nursery class. She have
the flu as well?
STEVEN:
Yeah, we’ve all got the same thing.
MR. TEAGUE
I’m sorry. I didn’t see her.
STEVEN:
Oh, she’s around.
MR. TEAGUE
Are you?
STEVEN:
(his mind in the valley,
snaps out of it)
Am I what?
MR. TEAGUE
Are you thinking of leaving Cuesta
Verde?
STEVEN:
(dazed)
I can’t believe how a day can be so
beautiful. You wonder how anyone
can have a problem in the world on
a day like this.
MR. TEAGUE
(kicking up some sod with
his heel)
Nice spot for a bay window,
wouldn’t you agree?
67.
STEVEN:
If you’re living up here, great.
Wouldn’t be so terrific from the
valley, looking up at a lotta
houses cutting into these hills.
MR. TEAGUE
You don’t have to live in the
valley any more.
STEVEN:
What are you getting at?
MR. TEAGUE
Phase Five is going up right where
we’re standing. This could be your
master bedroom suite. That could be
your view. You interested?
STEVEN:
Mr. Teague, that’s a very generous
offer but I’m not a developer.
MR. TEAGUE
You’re responsible for 42% of
sales, almost half of what we’re
looking at down there. Almost
dwellings and property. Maybe a
generation of security that no one
can put a price tag on. We should
have made you a full partner three
years ago... I don’t want to lose
you now.
Steve doesn’t know what to think. So much is piling up so
suddenly. It’s a golden opportunity that two weeks ago would
have meant a Hawaiian vacation and days of happiness and
celebration. Steve turns around to take in the view.
.
CAMERA PANS AROUND 180 DEGREES
This whole conversation has taken place just inches outside a
quiet little cemetery with picket fences and both ancient and
recent headstones.
Steve scratches and gestures to the three-acre memorial park.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Poltergeist" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/poltergeist_501>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In