Prime Cut

Synopsis: A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves.
Genre: Action, Crime, Drama
Director(s): Michael Ritchie
Production: National General Pictures
 
IMDB:
6.8
Rotten Tomatoes:
70%
R
Year:
1972
88 min
279 Views


Take five.

Special order.

Hello.

Good night, sir.

Jake.

Go cool it, baby.

That broad, she could write a dirty book

and make it a bestseller in two weeks.

Jimmy, give us some drinks here.

How you been, Nick?

Been looking all over town for you.

Okay. How about yourself, Jake?

I got some trouble.

Big trouble in Kansas City with Mary Ann.

He's getting fat as a water rat.

He owes us a lot, Nick.

Close to a half a million.

He's skimming his own cream

and sticking Kansas right up my ass.

I need you to straighten him out.

So what's the tab?

$50,000.

Any way it cuts.

- Any way?

- Any way.

Go get yourself a bagman.

No, Nick, it's bigger than that. I need you.

Well, Jake, I'm kind of taking my ease.

Why don't you use your own boys?

I did, Nick.

I sent Kelly down there.

I sent Maguire down to look for him.

He found him in 10 feet of cowflop.

They found Maguire

floating down the Missouri.

And then I sent down Murphy.

Shaughnessy, bring that over here.

Take a look at that, Nick.

Go ahead, take a look.

Brings back bad memories, Nick.

Weenie and Mary Ann.

The pigsfoot brothers.

They knocked down on everyone.

And we knew them when.

I'll need some boys.

Delaney.

O'Brien.

Shaughnessy here.

They're good men, Nick.

They're young, but they're good...

and what's going on in this town,

the best I got.

Okay, they'll do fine.

Attaboy, Nick. See you around.

You'd better watch out.

You might have yourself another Clarabelle.

I never did have any taste, Nick.

When you get to Kansas City,

don't say hello to Clarabelle for me.

What should I do with these, Mr. Devlin?

- Did you know Murphy?

- Yeah.

- Was he a good guy?

- Yeah, he was a good guy.

Then bury him.

Report for Chicago remains unchanged.

The heat wave continues

into the fifth day...

with temperatures in the mid 90s

and high humidity.

All parts of the Midwest

are similarly affected...

and no relief is expected

for at least the next four to six days.

Meanwhile, conditions in the East

from Washington to New England...

are relatively cool,

with highs reaching the mid 80s.

That's news and weather for now,

more of the same at 9:00.

Now, back to Walter.

A whiff of the old times, eh, Nick?

- I'll take it, kid.

- Thanks.

Jump in, kid.

Would you meet my mother, Mr. Devlin?

Sure.

He's coming to meet you, Mom.

Oh, look, it's Mr. Devlin.

Nick says he wants to meet you, Mom.

- It's a pleasure to make your acquaintance.

- The same, I'm sure, Mr. Devlin.

- How do you do?

- Hello.

Mom, I never saw anyone do that.

Jump in.

Corned beef and cabbage, eh, kid?

- Coffee, Nick?

- Yeah, okay.

I've never been to KC.

- It's all farmland, huh?

- Yeah.

- What do they grow there?

- Wheat, corn.

Jesus, what a bare-ass town.

Hang a left here.

Stay put.

One, three. One, four.

One, five. One, six.

One, seven. One, eight.

One, nine.

- What the... - Nice to see you're

in the same old rat hole.

I didn't expect to see you here, Nick.

You want some, Nick? It's kosher kiel.

Too bad, Weenie. That's your hot dog hand.

You tell Mary Ann that I'm here,

and not to get any fancy ideas...

about turning me or any of my boys

into hamburger.

You got it?

Not hamburger.

Irish stew! Then grease!

Nice day.

We're all closed down. It's a private sale.

Country hospitality. Sh*t!

No, absolutely. She's great.

This guy says to the girl:

"That's not my ring, that's my wristwatch."

Nick.

Mary Ann.

- You're a sight for the old eyes.

- You, too.

How's life been treating you?

I heard you're back East.

Chicago.

Chicago?

- You know some of the guys, don't you?

- Yeah, I know some of the guys.

- You eat guts?

- Yeah.

I like them.

Talk now, eat later.

- You micks...

- Yeah, we got bad tempers.

George, slice up some more

meat there, will you?

Give them anything they want.

Dig in, guys.

Come on, dig in, will you?

American beef is better. Eat more meat.

I gotta talk some business here

with my friend Nick from Chicago.

Pretty fancy place you got here.

I thought you and Weenie

were in the meatpacking business.

Well, cow flesh, girl flesh.

It's all the same to me.

What they're buying, I'm selling.

What do you want, Nick?

The $500,000 you stiffed Chicago.

Nobody liked the hot dogs, Mary Ann.

- Maybe Jake'll like steak next time.

- Don't push.

Come on, Nick, smarten up.

Chicago's crumbling.

There's nothing left there anymore

but kids and old men.

What hasn't been burned down

has been shot out, picked over.

If it still moves, it's stuck in Joliet.

The East, who's running it?

Black boys? Puerto Ricans?

They got their own way of doing things.

- You talk their spic talk?

- S.

What do they got anybody wants,

rats and garbage?

You know what Chicago is?

Chicago is a sick old sow,

grunting for fresh cream.

What it deserves is slop.

Someday, they're gonna

boil that town down for fat.

Here, it's different. This is the heartland.

Everybody wants what I got. Grade A.

Prime stuff, raised special.

Of course, we gotta keep them

a little doped up.

Uppers, downers,

all the livestock gets their shots.

Help me, please.

Why don't you come in with me, Nick?

It's good business.

No. You wallow in your own sewer.

Just get it up for Chicago.

It's the weekend, you know.

The banks are closed.

Banks get opened.

Easy or hard, they get opened.

You be at the fair tomorrow.

I'll give you what you want.

How much is girl flesh to go these days?

Well, the Blue Book is $20,

but for you it be $15.

Let's just say I'm taking her on account.

Yeah, real smart.

You and Jake, you think you're big men.

Walk in anywhere, you take down

your pants and I'll take down mine.

We'll see who's the biggest man.

Why don't we just ask Clarabelle?

How's the thumb, Weenie?

If it still hurts, why don't you

stick it in your mouth and suck?

Here, take care of things for me,

would you, please?

- Nicholas Devlin.

- Nick.

- Hello, Jerry. How are you?

- Good to see you, Nick.

- Have your reservations all ready.

- Good.

Show Mr. Devlin the Chicago Suite.

They used to call it the Presidential Suite,

but they don't stop in Kansas anymore.

Anything you need Nick, just ask.

You look fine.

You look good, too, pal.

- I'll take her.

- She's light as a baby.

Shay, she'll need some things.

Send somebody up

from the dress department.

All right, who deals?

All right, I put my ante in.

This is gonna cost you, fellas.

I open.

Hello, kid.

Hi.

I never saw anything so pretty.

It smells good.

I go the limit.

Straight Havana.

I've got a good nose.

- Smell a friend from a mile away, huh?

- You bet.

- What's your name?

- Nick. What's yours?

- Poppy.

- Hello, Poppy.

Am I your present?

No.

Protective custody.

Well, I guess that's not so bad.

Is this one okay?

There. Am I all right?

Just fine.

- Two, sir?

- Two, please.

- Would you prefer the dinner, sir?

- Yes, we'll have the dinner.

I believe the young lady

would like the consomm...

and I'll have the vichyssoise.

Rate this script:0.0 / 0 votes

Robert Dillon

Robert Dillon is a screenwriter and film producer. In 1976 he was nominated by the Writers Guild of America for Best Drama Written Directly for the Screen for French Connection II. In 2001 he was nominated for an Independent Spirit Award for Best Screenplay for Waking the Dead. Beginning his career in 1959, he has nearly fifty years of experience. more…

All Robert Dillon scripts | Robert Dillon Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Prime Cut" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/prime_cut_16224>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Prime Cut

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "script doctor"?
    A A writer hired to revise or rewrite parts of a screenplay
    B A writer who directs the film
    C A writer who edits the final cut
    D A writer who creates original scripts